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  • 1
    UID:
    b3kat_BV047811792
    Format: 1 Online-Ressource (281 pages)
    ISBN: 9781478022190
    Content: From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity-the specialized filmmaking tasks that collectively produce a film-operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production.Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1396-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-1490-4
    Language: English
    Subjects: Ethnology
    RVK:
    RVK:
    Keywords: Filmwirtschaft ; Digitale Filmtechnik ; Kulturvergleich ; Feldforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    UID:
    almafu_9959760786602883
    Format: 1 online resource (1 online resource)
    ISBN: 1-4780-1396-6 , 1-4780-2219-1
    Content: "The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry."--
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.
    Additional Edition: ISBN 1-4780-1490-3
    Language: English
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  • 3
    UID:
    gbv_1817331418
    Format: 1 Online-Ressource (vi, 273 Seiten) , Illustrationen
    ISBN: 9781478022190
    Note: "The direct source for the ideas in this book was the panel "Film Industries" organized by Ramyar D. Rossoukh for the 2013 Annual Meeting of the American Anthropological Association ..." (Acknowledgements)
    Additional Edition: ISBN 9781478013969
    Additional Edition: ISBN 9781478014904
    Additional Edition: Erscheint auch als Druck-Ausgabe American Anthropological Association (112. : 2013 : Chicago, Ill.) Anthropology, film industries, modularity Durham : Duke University Press, 2021 ISBN 9781478013969
    Additional Edition: ISBN 9781478014904
    Language: English
    Keywords: Filmwirtschaft ; Filmproduktion ; Kulturvergleich ; Ethnologie ; Konferenzschrift
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  • 4
    UID:
    kobvindex_HPB1264412765
    Format: 1 online resource (vi, 273 pages) : , illustrations
    ISBN: 1478022191 , 9781478022190
    Content: "The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry."--
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.
    Additional Edition: Print version: Anthropology, film industries, modularity. Durham : Duke University Press, 2021 9781478013969
    Additional Edition: 9781478014904
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Cross-cultural studies.
    URL: JSTOR
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  • 5
    UID:
    edocfu_9959760786602883
    Format: 1 online resource (1 online resource)
    ISBN: 1-4780-1396-6 , 1-4780-2219-1
    Content: "The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry."--
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.
    Additional Edition: ISBN 1-4780-1490-3
    Language: English
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  • 6
    UID:
    almahu_9949711442302882
    Format: 1 online resource (1 online resource)
    ISBN: 1-4780-1396-6 , 1-4780-2219-1
    Content: "The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry."--
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.
    Additional Edition: ISBN 1-4780-1490-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edoccha_9959760786602883
    Format: 1 online resource (1 online resource)
    ISBN: 1-4780-1396-6 , 1-4780-2219-1
    Content: "The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry."--
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.
    Additional Edition: ISBN 1-4780-1490-3
    Language: English
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  • 8
    Book
    Book
    Durham :Duke University Press,
    UID:
    almahu_BV047617500
    Format: vi, 273 Seiten : , Illustrationen ; , 23 cm.
    ISBN: 978-1-478-01396-9 , 1-478-01396-6 , 978-1-4780-1490-4 , 1-478-01490-3
    Note: "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer
    Additional Edition: Erscheint auch als Online-Ausgabe Anthropology, film industries, modularity Durham : Duke University Press, 2021 ISBN 978-1-4780-2219-0
    Language: English
    Subjects: Ethnology
    RVK:
    RVK:
    Keywords: Filmwirtschaft ; Digitale Filmtechnik ; Kulturvergleich ; Feldforschung ; Aufsatzsammlung ; Cross-cultural studies
    Library Location Call Number Volume/Issue/Year Availability
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