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  • 1
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almahu_BV047811800
    Format: 1 Online-Ressource (320 pages).
    ISBN: 978-1-4780-2234-3
    Series Statement: Sign, Storage, Transmission : 27
    Content: We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute a site of mediation between interior and exterior. Schmidgen uses the concept of horn-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as a space of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) , In English
    Language: English
    Subjects: Law
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Schmidgen, Henning, 1965-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Durham :Duke University Press,
    UID:
    almahu_BV047845867
    Format: viii, 308 Seiten : , Illustrationen ; , 23 cm.
    ISBN: 9781478015109 , 1478015101 , 9781478017721 , 1478017724
    Series Statement: Sign, storage, transmission
    Uniform Title: Horn, oder Die Gegenseite der Medien
    Content: "Our daily dealings with media are characterized by a remarkable turn to the tactile. In practically all places, at practically all times, we touch and handle media devices. Conversely, these devices touch and scan us-and increasingly so: from pressure sensors in car seats and motion detectors in front of automatic doors to body scanners, smart phones, and fitness trackers. To this development, Horn, or The Counterside of Media responds by considering a substance and surface that is an exemplary "medium." Horn stands for a natural substance but also an artificial object. It constitutes a boundary between interior and exterior, while functioning as decoration and ornament, shield and tool. From Rebekka Horn, Salvador Dali̹, and William Kentridge to Sigmund Freud, Walter Benjamin and Marshall McLuhan, this book enters into a creative dialogue with artists, scientists, and media philosophers that have dealt with animal horns, memory cones, musical instruments, and rhinoceroses. Presenting their respective contributions in a lavishly illustrated "fictitious exhibition," it unfolds a critical panorama of our tactile culture in which the counterside of media is clearly recognized and respected"--
    Note: The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time
    Additional Edition: Erscheint auch als Online-Ausgabe Schmidgen, Henning Horn, or the counterside of media Durham : Duke University Press, 2022 ISBN 9781478022343
    Language: English
    Subjects: General works
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  • 3
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9960063900002883
    Format: 1 online resource (321 pages)
    ISBN: 1-4780-2234-5
    Series Statement: Sign, storage, transmission
    Uniform Title: Horn, oder Die Gegenseite der Medien.
    Content: "Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dalí to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces."--
    Note: The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time.
    Additional Edition: Print version: Schmidgen, Henning Horn, or the Counterside of Media Durham : Duke University Press,c2022 ISBN 9781478015109
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_BV047691480
    Format: 1 Online-Ressource (viii, 308 Seiten) : , Illustrationen.
    ISBN: 978-1-4780-2234-3 , 1-4780-2234-5
    Series Statement: Sign, storage, transmission
    Uniform Title: Horn, oder Die Gegenseite der Medien 〈English〉
    Content: "Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dalí to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces."--
    Note: Includes bibliographical references and index. - The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-1510-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-1510-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-1772-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-1772-4
    Language: English
    Subjects: General works
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Schmidgen, Henning 1965-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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