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  • 1
    Online Resource
    Online Resource
    New York ; : New York University Press,
    UID:
    almahu_9949088119002882
    Format: 1 online resource (286 pages).
    ISBN: 9781479876853 (e-book)
    Series Statement: Postmillennial Pop
    Additional Edition: Print version: Zimmer, Catherine, 1969- Surveillance cinema. New York ; London, [England] : New York University Press, c2015 ISBN 9781479864379
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books.
    URL: JSTOR
    URL: Image
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York ; London : New York University Press
    UID:
    b3kat_BV049822636
    Format: 1 Online-Ressource
    ISBN: 9781479876853
    Series Statement: Postmillennial Pop
    Content: In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4798-6437-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4798-3667-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Überwachung ; Geschichte 1993-
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : NYU Press | Baltimore, Md. :Project MUSE,
    UID:
    almahu_9949687538302882
    Format: 1 online resource (474 p.)
    Edition: 1st ed.
    ISBN: 1-4798-7685-2 , 1-4798-5848-X
    Series Statement: Postmillennial Pop
    Content: In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
    Note: IMD-Felder maschinell generiert , ""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"". , Issued also in print. , English
    Additional Edition: ISBN 1-4798-3667-2
    Additional Edition: ISBN 1-4798-6437-4
    Language: English
    Keywords: Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    New York : New York University Press
    UID:
    gbv_1617467723
    Format: XI, 273 Seiten , Illustrationen
    ISBN: 9781479864379 , 9781479836673
    Series Statement: Postmillennial pop
    Note: Includes bibliographical references and index , Introduction: Surveillance cinema in theory and practiceVideo surveillance, torture porn, and zones of indistinction -- Commodified surveillance: first-person cameras, the internet, and compulsive documentation -- The global eye: satellite, GPS, and the "geopolitical aesthetic" -- Temporality and surveillance I: terrorism narratives and the melancholic security state -- Temporality and surveillance II: surveillance, remediation, and social memory in strange days -- Conclusion.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Überwachung ; Geschichte 1993- ; Film ; Überwachung ; Geschichte 1993-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949597039402882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9781479876853 (ebook) :
    Series Statement: Postmillennial pop
    Content: In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance.
    Note: Previously issued in print: 2015.
    Additional Edition: Print version : ISBN 9781479864379
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New York : NYU Press
    UID:
    gbv_839043163
    Format: Online-Ressource (286 p)
    ISBN: 9781479864379
    Series Statement: Postmillennial Pop
    Content: Cover -- Contents -- Acknowledgments -- Author's Note -- Introduction: Surveillance Cinema in Theory and Practice -- 1. Video Surveillance, Torture Porn, and Zones of Indistinction -- 2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation -- 3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic" -- 4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State -- 5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z -- About the Author.
    Note: Description based upon print version of record , ""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"" , ""Bibliography""""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Y""; ""Z""; ""About the Author""
    Additional Edition: ISBN 9781479876853
    Additional Edition: ISBN 9781479864379
    Additional Edition: Erscheint auch als Druck-Ausgabe Surveillance Cinema
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    New York : NYU Press | Baltimore, Md. :Project MUSE,
    UID:
    edoccha_9961422623402883
    Format: 1 online resource (474 p.)
    Edition: 1st ed.
    ISBN: 1-4798-7685-2 , 1-4798-5848-X
    Series Statement: Postmillennial Pop
    Content: In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
    Note: IMD-Felder maschinell generiert , ""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"". , Issued also in print. , English
    Additional Edition: ISBN 1-4798-3667-2
    Additional Edition: ISBN 1-4798-6437-4
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    New York : NYU Press | Baltimore, Md. :Project MUSE,
    UID:
    edocfu_9961422623402883
    Format: 1 online resource (474 p.)
    Edition: 1st ed.
    ISBN: 1-4798-7685-2 , 1-4798-5848-X
    Series Statement: Postmillennial Pop
    Content: In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
    Note: IMD-Felder maschinell generiert , ""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"". , Issued also in print. , English
    Additional Edition: ISBN 1-4798-3667-2
    Additional Edition: ISBN 1-4798-6437-4
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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