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  • 1
    Book
    Book
    Toronto ; Buffalo ; London :University of Toronto Press,
    UID:
    almafu_BV045460806
    Format: ix, 252 Seiten.
    ISBN: 978-1-4875-0450-2
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4875-3031-0
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Romantik ; Literatur ; Englisch ; Weltuntergang
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9959128012802883
    Format: 1 online resource
    ISBN: 9781487530310
    Content: Romantic Revelations shows that the nonhuman is fundamental to Romanticism’s political responses to climatic catastrophes. Exploring what he calls "post-apocalyptic Romanticism," Chris Washington intervenes in the critical conversation that has long defined Romanticism as an apocalyptic field. "Apocalypse" means "the revelation of a perfected world," which sees Romanticism’s back-to-nature environmentalism as a return to paradise and peace on earth. Romantic Revelations, however, demonstrates that the destructive climate change events of 1816, "the year without a summer," changed Romantic thinking about the environment and the end of the world. Their post-apocalyptic visions correlate to the beginning of the Anthropocene, the time when humans initiated the possible extinction of their own species and potentially the earth. Rather than constructing paradises where humans are reborn or human existence ends, the later Romantics are interested in how to survive in the ashes after great social and climatic global disasters. Romantic Revelations argues that Percy Shelley, Mary Shelley, Lord Byron, John Clare, and Jane Austen sketch out a post-apocalyptic world that, in contrast to the sunnier Romantic narratives, is paradoxically the vision that offers us hope. In thinking through life after disaster, Washington contends that these authors craft an optimistic vision of the future that leads to a new politics.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: There Is a Light That Never Goes Out? -- , 1. The Mind Is Its Own Place: What Percy Shelley’s Mountain Did Not Say -- , 2. No More Cakes and Ale, Only Oil Slicks: Mary Shelley’s Post-Apocalyptic State of Nature -- , 3. Byron’s Speculative Turn: The Biopolitics of Paradise -- , 4. Birds Do It, Bees Do It: John Clare, Biopolitics, and the Nonhuman Origins of Love -- , 5. The Best of All Possible End of the Worlds: Jane Austen’s Frankenstein, or Love in the Ruins -- , Coda: After Extinctualism: Hope for Life -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1678153044
    Format: 1 Online-Ressource (ix, 252 Seiten)
    ISBN: 9781487530310
    Content: Romantic Revelations shows that the nonhuman is fundamental to Romanticism’s political responses to climatic catastrophes. Exploring what he calls "post-apocalyptic Romanticism," Chris Washington intervenes in the critical conversation that has long defined Romanticism as an apocalyptic field. "Apocalypse" means "the revelation of a perfected world," which sees Romanticism’s back-to-nature environmentalism as a return to paradise and peace on earth. Romantic Revelations, however, demonstrates that the destructive climate change events of 1816, "the year without a summer," changed Romantic thinking about the environment and the end of the world. Their post-apocalyptic visions correlate to the beginning of the Anthropocene, the time when humans initiated the possible extinction of their own species and potentially the earth. Rather than constructing paradises where humans are reborn or human existence ends, the later Romantics are interested in how to survive in the ashes after great social and climatic global disasters. Romantic Revelations argues that Percy Shelley, Mary Shelley, Lord Byron, John Clare, and Jane Austen sketch out a post-apocalyptic world that, in contrast to the sunnier Romantic narratives, is paradoxically the vision that offers us hope. In thinking through life after disaster, Washington contends that these authors craft an optimistic vision of the future that leads to a new politics
    Note: Includes bibliographical references and index , restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9781487504502
    Additional Edition: Erscheint auch als Druck-Ausgabe Washington, Chris, 1980 - Romantic revelations Toronto : University of Toronto Press, 2019 ISBN 9781487504502
    Additional Edition: ISBN 1487504500
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Romantik ; Literatur ; Englisch ; Weltuntergang
    URL: Cover
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9961152734602883
    Format: 1 online resource (263 pages)
    ISBN: 1-4875-3032-3 , 1-4875-3031-5
    Content: "Romantic Revelations shows that the nonhuman is fundamental to Romanticism's political responses to climatic catastrophes. Exploring what he calls "post-apocalyptic Romanticism," Chris Washington intervenes in the critical conversation that has long defined Romanticism as an apocalyptic field. "Apocalypse" means "the revelation of a perfected world," which sees Romanticism's back-to-nature environmentalism as a return to paradise and peace on earth. Romantic Revelations, however, demonstrates that the destructive climate change events of 1816, "the year without a summer," changed Romantic thinking about the environment and the end of the world. Their post-apocalyptic visions correlate to the beginning of the Anthropocene, the time when humans initiated the possible extinction of their own species and potentially the earth. Rather than constructing paradises where humans are reborn or human existence ends, the later Romantics are interested in how to survive in the ashes after great social and climatic global disasters. Romantic Revelations argues that Percy Shelley, Mary Shelley, Lord Byron, John Clare, and Jane Austen sketch out a post-apocalyptic world that is paradoxically the vision that offers us hope. Washington contends that these authors craft an optimistic vision of the future that leads to a new politics."--
    Note: The mind is its own place: what Percy Shelley's mountain did not say -- , No more cakes and ale, only oil slicks: Mary Shelley's post-apocalyptic state of nature -- , Byron's speculative turn: the biopolitics of paradise -- , Birds do it, bees do it: John Clare, biopolitics, and the nonhuman origins of love -- , The best of all possible end of the worlds: Jane Austen's Frankenstein, or love in the ruins , Issued also in print. , In English.
    Additional Edition: ISBN 1-4875-0450-0
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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