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  • 1
    Book
    Book
    The dramaturgy of the spectator : Italian theatre and the public sphere 1600-1800 (2019)
    Toronto ; Buffalo ; London :University of Toronto Press,
    Details
    UID:
    almafu_BV046058415
    Format: xii, 261 Seiten.
    ISBN: 978-1-4875-0535-6
    Series Statement: Toronto Italian studies
    Content: The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4875-3208-6
    Language: English
    Subjects: Romance Studies
    RVK:
    IT 2872
    RVK:
    IU 7580
    Keywords: Italienisch ; Drama ; Theater ; Zuschauer
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
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  • 2
    Online Resource
    Online Resource
    The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 (2019)
    Toronto ; Buffalo ; London :University of Toronto Press,
    Details
    UID:
    almahu_BV046090182
    Format: 1 Online-Ressource (xii, 261 Seiten).
    ISBN: 978-1-4875-3208-6
    Series Statement: Toronto Italian Studies
    Content: The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 9781487505356
    Language: English
    Subjects: Romance Studies
    RVK:
    IT 2872
    RVK:
    IU 7580
    Keywords: Italienisch ; Drama ; Theater ; Zuschauer
    DOI: 10.3138/9781487532086
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    HU Berlin
    UB Potsdam
  • 3
    Online Resource
    Online Resource
    The Dramaturgy of the Spectator : Italian Theatre and the Public Sphere, 1600-1800 (2019)
    Toronto :University of Toronto Press,
    Details
    UID:
    edocfu_9959090383602883
    Format: 1 online resource
    ISBN: 9781487532086
    Series Statement: Toronto Italian Studies
    Content: The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Chronology of Italian Theatre, 1600-1800 -- , Introduction -- , 1. How Theatre Invents the Public Sphere -- , 2. The Privileged Visibility of the Viewer -- , 3. The Politics of Spectatorship -- , 4. Public Emotions and Emotional Publics -- , 5. Playwrights Fight Back -- , 6. Liberty and the Audience -- , Epilogue -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    DOI: 10.3138/9781487532086
    URL: https://doi.org/10.3138/9781487532086
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
  • 4
    Online Resource
    Online Resource
    The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 (2019)
    Toronto ; Buffalo ; London : University of Toronto Press
    Details
    UID:
    b3kat_BV046090182
    Format: 1 Online-Ressource (xii, 261 Seiten)
    ISBN: 9781487532086
    Series Statement: Toronto Italian Studies
    Content: The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 9781487505356
    Language: English
    Subjects: Romance Studies
    RVK:
    IT 2872
    RVK:
    IT 2872
    RVK:
    IU 7580
    Keywords: Italienisch ; Drama ; Theater ; Zuschauer ; Geschichte 1600-1800
    DOI: 10.3138/9781487532086
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Online Access
    Open Access Request
    UdK Berlin
  • 5
    Online Resource
    Online Resource
    The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 (2019)
    Toronto ; : University of Toronto Press,
    Details
    UID:
    almahu_9949616103402882
    Format: 1 online resource (274 pages).
    ISBN: 9781487532086 (e-book)
    Series Statement: Toronto Italian studies
    Additional Edition: Print version: Korneeva, Tatiana. Dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800. Toronto ; Buffalo ; London : University of Toronto Press, c2019 ISBN 9781487505356
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 6
    Online Resource
    Online Resource
    The Dramaturgy of the Spectator : Italian Theatre and the Public Sphere, 1600-1800 (2019)
    Toronto :University of Toronto Press,
    Details
    UID:
    edocfu_9961047183002883
    Format: 1 online resource (274 pages).
    ISBN: 1-4875-3208-3 , 1-4875-3209-1
    Series Statement: Toronto Italian Studies
    Content: "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."--
    Note: Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. , Issued also in print. , In English.
    Additional Edition: ISBN 1-4875-0535-3
    Language: English
    Keywords: Criticism, interpretation, etc. ; History.
    DOI: 10.3138/9781487532086
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
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