Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
  • 1
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almafu_9959128024002883
    Format: 1 online resource
    ISBN: 9781487532239
    Content: In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future.
    Note: Frontmatter -- , Contents -- , Figures -- , Acknowledgments -- , Introduction: Dimensions of the Pushkin Monument -- , Chapter One. Pushkin’s Poem: Monument and Allusion (1811–1836) -- , Chapter Two. Opekushin’s Pushkin Monument: Statue and Performance (1836–1880) -- , Chapter Three. Bulgakov’s Master and Margarita: Crisis of the Future Poet (1880–1937) -- , Chapter Four. Toporov’s Petersburg Text: Rejecting the Statue (1937–2003) -- , Chapter Five. Tolstaia’s Slynx: Disfiguring the Monument (1986–2000) -- , Conclusion: Allusion and the Naive Reader -- , Appendix -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9959128024002883
    Format: 1 online resource
    ISBN: 9781487532239
    Content: In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future.
    Note: Frontmatter -- , Contents -- , Figures -- , Acknowledgments -- , Introduction: Dimensions of the Pushkin Monument -- , Chapter One. Pushkin’s Poem: Monument and Allusion (1811–1836) -- , Chapter Two. Opekushin’s Pushkin Monument: Statue and Performance (1836–1880) -- , Chapter Three. Bulgakov’s Master and Margarita: Crisis of the Future Poet (1880–1937) -- , Chapter Four. Toporov’s Petersburg Text: Rejecting the Statue (1937–2003) -- , Chapter Five. Tolstaia’s Slynx: Disfiguring the Monument (1986–2000) -- , Conclusion: Allusion and the Naive Reader -- , Appendix -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almafu_9959739784902883
    Format: 1 online resource (288 pages)
    ISBN: 1-4875-3224-5 , 1-4875-3223-7
    Content: "In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin's poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin's Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future."--
    Note: Introduction Dimensions of the Pushkin Monument -- 1. Pushkin's Poem: Monument and Allusion (1811-1836) -- 2. Opekushin's Pushkin Monument: Statue and Performance (1836-1880) -- 3. Bulgakov's Master and Margarita: Crisis of the Future Poet (1880-1937) -- 4. Toporov's Petersburg Text: Rejecting the Statue (1937-2003) -- 5. Tolstaia's Slynx: Disfiguring the Monument (1986-2000) -- Conclusion Allusion and the Naive Reader -- Appendix. , Issued also in print. , In English.
    Additional Edition: ISBN 1-4875-0552-3
    Language: English
    Keywords: Criticism, interpretation, etc. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781487532253?
Did you mean 9781487532031?
Did you mean 9781487503239?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages