Kooperativer Bibliotheksverbund

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Umfang: XXIV, 270 Seiten , Illustrationen

Ausgabe: Paperback edition

ISBN: 1501320165 , 9781501320163 , 9781501302985

Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-5013-0300-5

Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-0299-2

Sprache: Englisch

Schlagwort(e): Spanien ; Film ; Internationalität ; Aufsatzsammlung ; Aufsatzsammlung

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Umfang: 1 Online-Ressource

ISBN: 9781501303012 (online) , 9781501303012 (online) , 9781501303012 , 9781501303012 (online)

Inhalt: Introduction: questions of transnationalism and genre / Elena Oliete-Aldea, Beatriz Oria and Juan A. Tarancón -- Rethinking Spanishness: the soft edges of early cinema. The tuneful 1930s: Spanish musicals in a global context -- Valeria Camporesi -- Historical films during the first years of the Franco regime and their transnational models / Vicente Jose Benet -- Realism, social conflict and the rise of crime cinema in Francoist Spain / Juan Tarancón -- Luis Lucia's Lola la piconera (1951): hybridity, politics, entertainment / Federico Bonaddio -- Nothing ever happens: Juan Antonio Bardem and the resignification of Hollywood melodrama (1954-1963) / Daniel Mourenza -- Broadening perspectives: crossing borders, crossing genres. Carlos Saura's Stress es tres, tres (1968): a new spanish cinema with French and American influences? / Arnaud Duprat de Montero -- Violence, style and politics: the influence of the giallo in Spanish cinema of the 1970s / Andy Willis -- Spanish gothic cinema: the hidden continuities of a hidden genre / Ann Davies -- Reframing empire: mediating encounters and resistance in Spanish transatlantic cinema since 1992 / Noelia Saenz -- The transnational dimension of contemporary Spanish road movies / Carmen Indurain Eraso -- Rural Spain as a transnational space for reflection in Icíar Bollaín's Flores de otro mundo / Chantal Cornut-Gentille d'Arcy -- Appropriating the global: self-conscious transnationalism. Isn't it bromantic?: new directions in contemporary Spanish comedy / Beatriz Oria -- Malamadres and Bertomeus: transnational crime film and television / Luis M. García-Mainar -- Local responses to universal sufferings in Isabel Coixet's transnational melodramas / Hilaria Loyo -- Transnational contours and representation models in recent films about immigration in Spain. Alberto Elena and Ana Martín Morán -- Transnational identities in Galician documentary film: Alberte Pagán's BS. as. (2006) and Xurxo Chirro's Vikingland / Iván villarmea Alvarez -- (In)visible co-productions, Spanish cinema, the market and the media / Vicente Rodríguez Ortega.

Anmerkung: Description based upon print version of record , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Weitere Ausg.: ISBN 9781501302985

Weitere Ausg.: ISBN 9781501302985 (hardback)

Weitere Ausg.: ISBN 9781501303005 (electronic book)

Weitere Ausg.: ISBN 9781501302992 (PDF)

Weitere Ausg.: ISBN 9781501303005

Weitere Ausg.: ISBN 9781501302985 (hardback)

Weitere Ausg.: ISBN 9781501303005 (electronic book)

Weitere Ausg.: ISBN 9781501302992 (PDF)

Weitere Ausg.: ISBN 9781501302992

Weitere Ausg.: ISBN 9781501302985 (hardback)

Weitere Ausg.: ISBN 9781501303005 (electronic book)

Weitere Ausg.: ISBN 9781501302992 (PDF)4060 OnlineRessource

Weitere Ausg.: Available in another form

Sprache: Englisch

DOI: 10.5040/9781501303012

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Umfang: 270 Seiten , Illustrationen

ISBN: 9781501302985

Anmerkung: Includes bibliographical references and index , Introduction: questions of transnationalism and genre , Valeria Camporesi ; Historical films during the first years of the Franco regime and their transnational models , Realism, social conflict and the rise of crime cinema in Francoist Spain , Luis Lucia's Lola la piconera (1951): hybridity, politics, entertainment , Nothing ever happens: Juan Antonio Bardem and the resignification of Hollywood melodrama (1954-1963) , Broadening perspectives: crossing borders, crossing genres. Carlos Saura's Stress es tres, tres (1968): a new spanish cinema with French and American influences? , Violence, style and politics: the influence of the giallo in Spanish cinema of the 1970s , Spanish gothic cinema: the hidden continuities of a hidden genre , Reframing empire: mediating encounters and resistance in Spanish transatlantic cinema since 1992 , The transnational dimension of contemporary Spanish road movies , Rural Spain as a transnational space for reflection in Icíar Bollaín's Flores de otro mundo , Appropriating the global: self-conscious transnationalism. Isn't it bromantic?: new directions in contemporary Spanish comedy , Malamadres and Bertomeus: transnational crime film and television , Local responses to universal sufferings in Isabel Coixet's transnational melodramas , Transnational contours and representation models in recent films about immigration in Spain. Alberto Elena and Ana Martín Morán ; Transnational identities in Galician documentary film: Alberte Pagán's BS. as. (2006) and Xurxo Chirro's Vikingland , (In)visible co-productions, Spanish cinema, the market and the media

Sprache: Englisch

Schlagwort(e): Spanien ; Film ; Transnationalisierung ; Geschichte ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Cover

UID:

Umfang: 1 online resource (297 p.)

ISBN: 1-5013-0301-5 , 1-5013-0299-X

Inhalt: The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to

Anmerkung: Description based upon print version of record. , Introduction: questions of transnationalism and genre -- Elena Oliete-Aldea, Beatriz Oria and Juan A. Tarancón -- Rethinking Spanishness: the soft edges of early cinema. The tuneful 1930s: Spanish musicals in a global context -- Valeria Camporesi -- Historical films during the first years of the Franco regime and their transnational models -- Vicente Jose Benet -- Realism, social conflict and the rise of crime cinema in Francoist Spain -- Juan Tarancón -- Luis Lucia's Lola la piconera (1951): hybridity, politics, entertainment -- Federico Bonaddio -- Nothing ever happens: Juan Antonio Bardem and the resignification of Hollywood melodrama (1954-1963) -- Daniel Mourenza -- Broadening perspectives: crossing borders, crossing genres. Carlos Saura's Stress es tres, tres (1968): a new spanish cinema with French and American influences? -- Arnaud Duprat de Montero -- Violence, style and politics: the influence of the giallo in Spanish cinema of the 1970s -- Andy Willis -- Spanish gothic cinema: the hidden continuities of a hidden genre -- Ann Davies -- Reframing empire: mediating encounters and resistance in Spanish transatlantic cinema since 1992 -- Noelia Saenz -- The transnational dimension of contemporary Spanish road movies -- Carmen Indurain Eraso -- Rural Spain as a transnational space for reflection in Icíar Bollaín's Flores de otro mundo -- Chantal Cornut-Gentille d'Arcy -- Appropriating the global: self-conscious transnationalism. Isn't it bromantic?: new directions in contemporary Spanish comedy -- Beatriz Oria -- Malamadres and Bertomeus: transnational crime film and television -- Luis M. García-Mainar -- Local responses to universal sufferings in Isabel Coixet's transnational melodramas -- Hilaria Loyo -- Transnational contours and representation models in recent films about immigration in Spain. Alberto Elena and Ana Martín Morán -- Transnational identities in Galician documentary film: Alberte Pagán's BS. as. (2006) and Xurxo Chirro's Vikingland -- Iván villarmea Alvarez -- (In)visible co-productions, Spanish cinema, the market and the media -- Vicente Rodríguez Ortega. , Also issued in print. , English

Weitere Ausg.: ISBN 1-5013-2016-5

Weitere Ausg.: ISBN 1-5013-0298-1

Sprache: Englisch

DOI: 10.5040/9781501303012

UID:

Umfang: 1 Online-Ressource (xxiv, 270 Seiten) : , Illustrationen.

ISBN: 978-1-5013-0300-5 , 978-1-5013-0299-2 , 978-1-5013-0301-2

Anmerkung: Includes bibliographical references and index

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-0298-5

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5013-2016-3

Sprache: Englisch

Fachgebiete: Romanistik , Allgemeines

Schlagwort(e): Film ; Internationalität ; Aufsatzsammlung

DOI: 10.5040/9781501303012

URL: Volltext  (URL des Erstveröffentlichers)