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  • 1
    Book
    Book
    New York, NY :Bloomsbury Academic,
    UID:
    almahu_BV041341444
    Format: 168 Seiten : , Illustrationen.
    ISBN: 978-1-4411-8936-3 , 978-1-5013-0727-0 , 978-1-4411-2281-0 , 978-1-4411-9871-6
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world"--
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-6289-2917-1 10.5040/9781628929171
    Language: English
    Subjects: General works
    RVK:
    Keywords: Wag the dog ; Film ; Wirklichkeit
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    New York : Bloomsbury | London : Bloomsbury Publishing
    UID:
    gbv_1041304064
    Format: 1 Online-Ressource (viii, 168 pages) , Illustrationen
    Edition: 2014
    ISBN: 9781628929171 , 9781441198716
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world."--
    Content: Machine generated contents note: -- Introduction Chapter 1: Wag the Dog and narrative analysis Chapter 2: Wag the Dog and the digital Chapter 3: Wag the Dog and the media Chapter 4: Wag the Dog and politics in Hollywood Conclusion Bibliography Index
    Note: Includes bibliographical references (p. 153-161) and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781441189363
    Additional Edition: ISBN 9781501307270
    Additional Edition: Erscheint auch als Druck-Ausgabe Thanouli, Eleftheria Wag the dog New York [u.a.] : Bloomsbury Academic, 2013 ISBN 9781441189363
    Language: English
    Subjects: General works
    RVK:
    Keywords: Wag the dog ; Soziale Wirklichkeit ; Gesellschaft
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Bloomsbury Academic
    UID:
    gbv_1778672108
    Format: 1 Online-Ressource
    ISBN: 9781441189363 , 9781501307270
    Content: Wag the Dog became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, such as the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York :Bloomsbury,
    UID:
    almahu_9949712230202882
    Format: 1 online resource (177 p.)
    ISBN: 1-62892-917-0 , 1-4411-2281-8 , 1-4411-9871-7
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world."--
    Note: Description based upon print version of record. , Machine generated contents note: -- Introduction Chapter 1: Wag the Dog and narrative analysis Chapter 2: Wag the Dog and the digital Chapter 3: Wag the Dog and the media Chapter 4: Wag the Dog and politics in Hollywood Conclusion Bibliography Index. , Also issued in printing. , English
    Additional Edition: ISBN 1-5013-0727-4
    Additional Edition: ISBN 1-4411-8936-X
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    London : Bloomsbury Academic | Berlin : Knowledge Unlatched
    UID:
    gbv_896610578
    Format: 1 Online-Ressource (168 Seiten) , Illustrationen
    ISBN: 9781441122810 , 9781441198716
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world
    Content: FC -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1. Wag the Dog and Narrative Analysis -- 2. Wag the Dog and the Digital -- 3. Wag the Dog and the Media -- 4. Wag the Dog and Politics in Hollywood -- Conclusion: Wag the Dog and its Universe -- Bibliography -- Index
    Additional Edition: ISBN 9781441189363
    Additional Edition: ISBN 9781501307270
    Language: English
    Keywords: Wag the dog ; Soziale Wirklichkeit ; Gesellschaft
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New York, USA :Bloomsbury Academic,
    UID:
    almahu_9949550321502882
    Format: 1 online resource (177 p.)
    ISBN: 9781501307270
    Content: Wag the Dog became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, such as the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    New York :Bloomsbury,
    UID:
    edocfu_9958898548802883
    Format: 1 online resource (177 p.)
    ISBN: 1-62892-917-0 , 1-4411-2281-8 , 1-4411-9871-7
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world."--
    Note: Description based upon print version of record. , Machine generated contents note: -- Introduction Chapter 1: Wag the Dog and narrative analysis Chapter 2: Wag the Dog and the digital Chapter 3: Wag the Dog and the media Chapter 4: Wag the Dog and politics in Hollywood Conclusion Bibliography Index. , Also issued in printing. , English
    Additional Edition: ISBN 1-5013-0727-4
    Additional Edition: ISBN 1-4411-8936-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    New York :Bloomsbury,
    UID:
    edoccha_9958898548802883
    Format: 1 online resource (177 p.)
    ISBN: 1-62892-917-0 , 1-4411-2281-8 , 1-4411-9871-7
    Content: "Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world."--
    Note: Description based upon print version of record. , Machine generated contents note: -- Introduction Chapter 1: Wag the Dog and narrative analysis Chapter 2: Wag the Dog and the digital Chapter 3: Wag the Dog and the media Chapter 4: Wag the Dog and politics in Hollywood Conclusion Bibliography Index. , Also issued in printing. , English
    Additional Edition: ISBN 1-5013-0727-4
    Additional Edition: ISBN 1-4411-8936-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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