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  • 1
    Online-Ressource
    Online-Ressource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic an imprint of Bloomsbury Publishing Inc,
    UID:
    almahu_BV043431230
    Umfang: 1 Online-Ressource (vii, 207 Seiten).
    ISBN: 978-1-6289-2714-6 , 978-1-6289-2074-1 , 978-1-62892-074-1 , 978-1-501-31276-2
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-62892-128-1
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-62892-748-1
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Filmmusik ; Rockmusik ; Popmusik
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury Academic,
    UID:
    almafu_9961448545702883
    Umfang: 1 online resource (217 p.)
    ISBN: 1-5013-1276-6 , 1-62892-074-2
    Inhalt: Winner of the Southwest Popular and American Culture Association's 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'
    Anmerkung: Description based upon print version of record. , Introduction -- Beat boom Beatles : A hard day's night and Help! -- The psychedelic screen -- Obscured by Pink Floyd -- The film should be played loud : rockumentary films -- Blaxploitation : singing across 110th street -- Falling to Earth : Bowie's failed film soundtrack -- Cohabitation? The resurgent classical film score and songs in the Batman films -- New careers in new towns : rock musicians become film composers -- Golden years : 80s and 90s hip song compilation films -- Copyright and musical censorship : gangsta rap and bad lieutenant. , Also issued in print. , English
    Weitere Ausg.: ISBN 1-62892-748-8
    Weitere Ausg.: ISBN 1-62892-128-5
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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