Kooperativer Bibliotheksverbund

UID:

Umfang: vi, 186 Seiten

ISBN: 9781501318917 , 9781501318924

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-5013-1894-8

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-5013-1893-1

Sprache: Englisch

Fachgebiete: Musikwissenschaft , Soziologie

Schlagwort(e): Unterhaltungsmusik ; Neue Medien ; Remix ; Authentizität ; Autorschaft ; Urheberrecht ; Geschichte

URL: Inhaltsverzeichnis

UID:

Umfang: 1 Online-Ressource (vi, 186 pages)

Ausgabe: Also published in print

ISBN: 9781501318955 , 9781501318917 , 1501318918 , 9781501318924 , 1501318926 , 9781501318931 , 9781501318948

Inhalt: Chapter 1. This is not a remix -- Chapter 2. Copy, a brief history -- Chapter 3. The rhetoric of remix -- Chapter 4. Disco edits: Analog antecedents and network bias -- Chapter 5. The new romantics -- Chapter 6. Copies and the aesthetics of circulation -- ACKNOWLEDGMENTS -- BIBLIOGRAPHY -- INDEX.

Inhalt: "Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet. Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility."--Publisher's description

Anmerkung: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Weitere Ausg.: ISBN 9781501318917

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781501318917

Sprache: Englisch

Schlagwort(e): Electronic books

DOI: 10.5040/9781501318955

URL: lizenzpflichtig

URL: http://dx.doi.org/10.5040/9781501318955?locatt=label:secondary_bloomsburyPopularMusic

UID:

Umfang: 1 online resource (186 pages)

ISBN: 1-5013-1893-4

Anmerkung: This is not a remix -- , Introduction -- , Critical approach -- , Copy, a brief history -- , The ghost in the digital machine -- , The trouble with media history -- , "Again, back": Repetition and music's materiality -- , The rhetoric of remix -- , Remix as trope -- , The extended remix: In the press -- , The extended remix: Scholarly use -- , Lawrence Lessig's "Remix Culture" -- , Why the history of remix matters -- , Disco edits: Analog antecedents and network bias -- , What a difference a record makes -- , Interrupting the rhetoric of remix -- , Disco edits, a technical distinction -- , Walter Gibbons, the break, and the edits that made disco -- , Let your body talk -- , Are samples copies? -- , Parasites, pirates, and permission -- , Digital revival and an analog persistence -- , Credit to the edit -- , The new romantics -- , Piracy's long history -- , MP3 blogs as social media -- , Material media: MP3 blogs as artifacts and practices -- , Provenance as metadata -- , Rethinking participation and the folk aesthetic -- , Countercultures and anticommercialism -- , Networking authenticity -- , Analog antecedents: Harry Smith's mystical collection -- , Copies, networks, and a poetics of encounter -- , Copies and the aesthetics of circulation.

Weitere Ausg.: ISBN 1-5013-1891-8

Sprache: Englisch

UID:

Umfang: vi, 186 Seiten.

ISBN: 978-1-5013-1891-7 , 978-1-5013-1892-4

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-5013-1894-8

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-5013-1893-1

Sprache: Englisch

Fachgebiete: Musikwissenschaft , Soziologie

Schlagwort(e): Unterhaltungsmusik ; Neue Medien ; Remix ; Authentizität ; Autorschaft ; Urheberrecht

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029865505&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Umfang: vi, 186 Seiten.

ISBN: 978-1-5013-1891-7 , 978-1-5013-1892-4

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-5013-1894-8

Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-5013-1893-1

Sprache: Englisch

Fachgebiete: Musikwissenschaft , Soziologie

Schlagwort(e): Unterhaltungsmusik ; Neue Medien ; Remix ; Authentizität ; Autorschaft ; Urheberrecht

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029865505&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA