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  • 1
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc | London : Bloomsbury Publishing
    UID:
    gbv_1041303998
    Umfang: 1 Online-Ressource (viii, 232 p) , Illustrationen
    Ausgabe: 2014
    ISBN: 9781501322556 , 9781501322549 , 9781501322563
    Inhalt: "Title Description: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons." --Bloombury Publishing
    Inhalt: Introduction: Teacups and flying saucers -- Section A: Communist infiltration and indoctrination -- Soviet brainwashing, British defectors and the corruptive elsewhere -- "He can be a communist here if he wants to": living with the monster -- Section B: Nuclear technology -- The beast in the atom: Britain's nuclear nightmares -- Atomic albion: Britain's nuclear dreams -- Section C: Race and immigration -- It came from the colonies!: mass immigration and the invasion narratives -- Loving the alien: after the Notting Hill race riots -- Section D: Britain at home and abroad -- Still overpaid, still oversexed and still over here: the American invasion of Europe -- Science fiction Britain: the nation of the future -- Conclusion
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781501322532
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Jones, Matthew, 1984- author Science fiction cinema and 1950s Britain New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2017
    Sprache: Englisch
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almahu_BV044726190
    Umfang: 1 Online-Ressource (vi, 232 Seiten) : , Illustrationen.
    ISBN: 978-1-5013-2255-6 , 978-1-5013-2254-9 , 978-1-5013-2256-3
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-5013-2253-2
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Science-Fiction-Film ; Geschichtswissenschaft ; Film ; Science-Fiction-Film ; Rezeption
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    New York, London : Bloomsbury Academic
    UID:
    gbv_1778581781
    Umfang: 1 Online-Ressource
    ISBN: 9781501322556
    Inhalt: For the last fifty years, discussion of 1950s science fiction cinema has been dominated by the view that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention in the field by locating 1950s American science fiction films alongside their domestic counterparts in their British contexts of release and reception
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury Academic,
    UID:
    edoccha_9958872869002883
    Umfang: 1 online resource (241 pages)
    ISBN: 1-5013-2255-9 , 1-5013-2254-0
    Inhalt: "Title Description: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons."--Bloomsbury Publishing.
    Anmerkung: Includes filmography. , Introduction: Teacups and flying saucers -- Section A: Communist infiltration and indoctrination -- Soviet brainwashing, British defectors and the corruptive elsewhere -- "He can be a communist here if he wants to" : living with the monster -- Section B: Nuclear technology -- The beast in the atom : Britain's nuclear nightmares -- Atomic albion : Britain's nuclear dreams -- Section C: Race and immigration -- It came from the colonies! : mass immigration and the invasion narratives -- Loving the alien : after the Notting Hill race riots -- Section D: Britain at home and abroad -- Still overpaid, still oversexed and still over here : the American invasion of Europe -- Science fiction Britain : the nation of the future -- Conclusion. , Also issued in printing. , English
    Weitere Ausg.: ISBN 1-5013-5251-2
    Weitere Ausg.: ISBN 1-5013-2253-2
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury Academic,
    UID:
    edocfu_9958872869002883
    Umfang: 1 online resource (241 pages)
    ISBN: 1-5013-2255-9 , 1-5013-2254-0
    Inhalt: "Title Description: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons."--Bloomsbury Publishing.
    Anmerkung: Includes filmography. , Introduction: Teacups and flying saucers -- Section A: Communist infiltration and indoctrination -- Soviet brainwashing, British defectors and the corruptive elsewhere -- "He can be a communist here if he wants to" : living with the monster -- Section B: Nuclear technology -- The beast in the atom : Britain's nuclear nightmares -- Atomic albion : Britain's nuclear dreams -- Section C: Race and immigration -- It came from the colonies! : mass immigration and the invasion narratives -- Loving the alien : after the Notting Hill race riots -- Section D: Britain at home and abroad -- Still overpaid, still oversexed and still over here : the American invasion of Europe -- Science fiction Britain : the nation of the future -- Conclusion. , Also issued in printing. , English
    Weitere Ausg.: ISBN 1-5013-5251-2
    Weitere Ausg.: ISBN 1-5013-2253-2
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury Academic,
    UID:
    almahu_9949712142502882
    Umfang: 1 online resource (241 pages)
    ISBN: 1-5013-2255-9 , 1-5013-2254-0
    Inhalt: "Title Description: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons."--Bloomsbury Publishing.
    Anmerkung: Includes filmography. , Introduction: Teacups and flying saucers -- Section A: Communist infiltration and indoctrination -- Soviet brainwashing, British defectors and the corruptive elsewhere -- "He can be a communist here if he wants to" : living with the monster -- Section B: Nuclear technology -- The beast in the atom : Britain's nuclear nightmares -- Atomic albion : Britain's nuclear dreams -- Section C: Race and immigration -- It came from the colonies! : mass immigration and the invasion narratives -- Loving the alien : after the Notting Hill race riots -- Section D: Britain at home and abroad -- Still overpaid, still oversexed and still over here : the American invasion of Europe -- Science fiction Britain : the nation of the future -- Conclusion. , Also issued in printing. , English
    Weitere Ausg.: ISBN 1-5013-5251-2
    Weitere Ausg.: ISBN 1-5013-2253-2
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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