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  • 1
    Online Resource
    Online Resource
    The science of screenwriting : the neuroscience behind storytelling strategies (2019)
    [London] : Bloomsbury Publishing | London : Bloomsbury Publishing
    Details
    UID:
    gbv_1681960931
    Format: 1 Online-Ressource (ix, 174 pages) , Illustrationen
    ISBN: 9781501327230 , 9781501327216 , 9781501327223
    Content: "In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had."--Bloomsbury Publishing
    Content: Introduction; or, should I save the cat and send the hero on his journey? -- The science of information flow, or, I say schema, you say schemata: top-down vs. bottom-up -- The science of connecting to the main character, or, why do i worry that a meth dealer might get caught? -- Science of contrast, or, why the big huge spaceship followed the little tiny space ship in the opening of Star Wars -- The science of exposition, or, what's wrong with an information dump? -- Science of cause and effect, or, did the Packers really lose because I didn't wear my cheesehead hat? -- The science of shared attention, or if I write a screenplay in which a tree falls in the forest, and the reader falls asleep halfway through, have i written a screenplay? -- The science of conflict, or, what's wrong with watching two hours of people just getting along and helping each other? -- Science of imagination: temporal lobes, how to think creatively, stages of mind, or, your dope-fueled imaginings -- The structure question, or, how many acts does it take to sell a script? -- Star Wars, or, how George did it.
    Note: Includes bibliographical references (pages 159-162) and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501327247
    Additional Edition: ISBN 9781501327254
    Additional Edition: Erscheint auch als Druck-Ausgabe Gulino, Paul Joseph The science of screenwriting New York : Bloomsbury Academic, 2018 ISBN 9781501327254
    Additional Edition: ISBN 9781501327247
    Language: English
    Subjects: General works
    RVK:
    AP 50600
    Keywords: Erzähltheorie ; Drehbuch ; Psychologie
    DOI: 10.5040/9781501327230
    URL: http://dx.doi.org/10.5040/9781501327230
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
  • 2
    Online Resource
    Online Resource
    The science of screenwriting : the neuroscience behind storytelling strategies (2019)
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    Details
    UID:
    almahu_BV045550078
    Format: 1 Online-Ressource (viii, 164 Seiten) : , Illustrationen.
    ISBN: 978-1-5013-2723-0 , 978-1-5013-2722-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-2724-7
    Language: English
    Subjects: General works
    RVK:
    AP 50600
    Keywords: Erzähltheorie ; Drehbuch ; Psychologie
    DOI: 10.5040/9781501327230
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    Online Access
    Open Access Request
    HU Berlin
    BTU Cottbus
  • 3
    Online Resource
    Online Resource
    The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies (2018)
    New York : Bloomsbury Academic and Professional
    Details
    UID:
    kobvindex_INTEBC5216614
    Format: 1 online resource (185 pages)
    Edition: 1st ed.
    ISBN: 9781501327223
    Note: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction, or, Should I Save the Cat and Send the Hero on His Journey? -- Chapter 1 The Science of Information Flow, or, I Say Schema, You Say Schemata: Top-Down versus Bottom-Up -- Top-Down and Bottom-Up -- I Say Schema, You Say Schemata -- Frame versus Scene -- Your Schema Is Not My Schemata -- The Elusive 100 Percent Foolproof Movie Formula -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Clues and Constructivism at Work -- Perceptual Prompts-Perspectives on Where Reality Is -- Chapter 2 The Science of Connecting to the Main Character, or, Why Do I Worry That a Meth Dealer Might Get Caught? -- What Life's All About -- Aristotle and Fear and Pity and Pfaff -- Introduction of the Main Character: First Impressions Count -- Introducing Jaak Panksepp -- The Nonhero's Journey -- Learning from Others: Character Arc -- The Science of Character Arc -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Empathy -- Perceptual Prompts-Who Is the Bad Guy? -- Chapter 3 The Science of Contrast, or, Why Did the Big Huge Spaceship Follow the Little Tiny Spaceship in the Opening of Star -- A Little Science -- Directing Attention -- Aural Contrast -- Narrative Contrast: Tension and Release -- How Science Sees It, or, How to Avoid Narrative Exhaustion -- Getting Emotional, or, How to Use the Word Valence in a Sentence about Screenwriting -- The Return of Top-Down -- What You Just Learned (or, Our Attempt to Load the above Information into Your Brain's Experience Structures -- a Summary of So -- Screenwriting Explorations: Contrast and Atmosphere , Perceptual Prompts-Simultaneous Contrast -- Chapter 4 The Science of Exposition, or, What's Wrong with an Information Dump? -- Constructivist Psychology to the Rescue -- Ninotchka (1939) -- Can I Become a Crafty Screenwriter Too? -- The Science behind Otherworldly Worlds -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Exposition as a Game with the Audience -- Perceptual Prompts-Where Is That Noise Coming from? -- Chapter 5 The Science of Cause and Effect, or, Did the Packers Really Lose Because I Didn't Wear My Cheesehead Hat? -- The Science -- Rewind: But The Social Network Is Told Out of Order -- Causes with a Delayed Effect -- The Science -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Cause and Effect -- Perceptual Prompts-Being Closer Causes Being Bigger -- Chapter 6 The Science of Shared Attention, or, If I Write a Screenplay in Which a Tree Falls in the Forest, and the Reader Fall -- The Science -- Studies of Who's Looking Where -- How Filmmakers Handle Attention -- The Role of Memory -- The Challenge of Short Films -- The Challenge of Virtual Reality -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of Sort -- Screenwriting Explorations: Resetting Attention -- Perceptual Prompts-Shared Attention Depends on How Well You Know the Speaker -- Chapter 7 The Science of Conflict, or, What's Wrong with Watching Two Hours of People Just Getting Along and Helping Each Other -- The Science of Conflict -- Conflict Deep within Us -- The Emotional Roller-Coaster -- Verbal Conflict -- Conflicted Human Nature -- Dialogue: On the Nose and off the Rails , What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: Conflict on the Scene Level -- Perceptual Prompts-Brain on Conflict, or the Missing Phoneme Effect -- Chapter 8 The Science of Imagination: Temporal Lobes, How to Think Creatively, Stages of Mind, or, Your Dope-Fueled Imaginings -- Preparation -- Incubation -- Aha! Moment -- What You Just Learned (or, Our Attempt to Load the Above Information into Your Brain's Experience Structures, a Summary of So -- Screenwriting Explorations: There's No Such Thing as Writer's Block -- Chapter 9 The Structure Question, or, How Many Acts Does It Take to Sell a Script? -- Digging Deeper -- Breaking Those Rules -- Chapter 10 Star Wars, or, How George Did It -- The Opening Crawl -- Used Android Salesmen -- The Main Character Appears -- Connecting to Luke -- The (Sand) People versus Ben Kenobi -- Mos Eisley -- The Journey -- Out of the Millennium Falcon and into the Garbage Room -- Escape from the Garbage Room -- Contrivance: A Digression -- Escape from the Death Star -- Getting Ready -- The Battle -- Chapter 11 Epilogue, or, Go Forth and Create -- Reference -- Index
    Additional Edition: Print version Gulino, Paul Joseph The Science of Screenwriting New York : Bloomsbury Academic & Professional,c2018 ISBN 9781501327247
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
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    Online Resource
    Berlin International
  • 4
    Book
    Book
    The science of screenwriting : the neuroscience behind storytelling strategies (2018)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    UID:
    b3kat_BV044890894
    Format: viii, 164 Seiten , Illustrationen
    ISBN: 9781501327247 , 9781501327254
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-2722-3
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5013-2721-6
    Language: English
    Subjects: General works
    RVK:
    AP 50600
    Keywords: Erzähltheorie ; Drehbuch ; Psychologie
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    UdK Berlin get availability status
  • 5
    Online Resource
    Online Resource
    The science of screenwriting : the neuroscience behind storytelling strategies (2019)
    London :Bloomsbury Publishing,
    Details
    UID:
    edocfu_9959870251702883
    Format: 1 online resource (viii, 164 pages) : , illustrations
    ISBN: 1-5013-2723-2 , 1-5013-2722-4 , 1-5013-2721-6
    Content: "In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had."--Bloomsbury Publishing.
    Note: Introduction; or, should I save the cat and send the hero on his journey? -- The science of information flow, or, I say schema, you say schemata: top-down vs. bottom-up -- The science of connecting to the main character, or, why do i worry that a meth dealer might get caught? -- Science of contrast, or, why the big huge spaceship followed the little tiny space ship in the opening of Star Wars -- The science of exposition, or, what's wrong with an information dump? -- Science of cause and effect, or, did the Packers really lose because I didn't wear my cheesehead hat? -- The science of shared attention, or if I write a screenplay in which a tree falls in the forest, and the reader falls asleep halfway through, have i written a screenplay? -- The science of conflict, or, what's wrong with watching two hours of people just getting along and helping each other? -- Science of imagination: temporal lobes, how to think creatively, stages of mind, or, your dope-fueled imaginings -- The structure question, or, how many acts does it take to sell a script? -- Star Wars, or, how George did it. , Also issued in print.
    Additional Edition: ISBN 1-5013-2725-9
    Additional Edition: ISBN 1-5013-2724-0
    Language: English
    DOI: 10.5040/9781501327230
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
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