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  • 1
    Online Resource
    Online Resource
    New York, NY : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1034139363
    Format: 1 Online-Ressource (ix, 302 pages)
    Edition: 2014
    ISBN: 9781501327285 , 9781501327261 , 9781501327278
    Series Statement: Thinking cinema
    Content: "Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa."--Bloomsbury Publishing
    Note: Includes bibliographical references (p. 271-290) and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501327292
    Additional Edition: Erscheint auch als Druck-Ausgabe Brown, William, - 1977- Non-cinema New York, NY : Bloomsbury Academic, 2018 ISBN 9781501327292
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York :Bloomsbury Academic,
    UID:
    almahu_BV045103935
    Format: 1 Online-Ressource (296 Seiten).
    ISBN: 978-1-5013-2728-5 , 978-1-5013-2726-1 , 978-1-5013-2727-8
    Series Statement: Thinking cinema volume 6
    Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of `Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm ; Electronic books ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : Bloomsbury Academic
    UID:
    b3kat_BV045103935
    Format: 1 Online-Ressource (296 Seiten)
    ISBN: 9781501327285 , 9781501327261 , 9781501327278
    Series Statement: Thinking cinema volume 6
    Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York :Bloomsbury Academic,
    UID:
    edocfu_BV045103935
    Format: 1 Online-Ressource (296 Seiten).
    ISBN: 978-1-5013-2728-5 , 978-1-5013-2726-1 , 978-1-5013-2727-8
    Series Statement: Thinking cinema volume 6
    Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of `Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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