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  • 1
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_104130451X
    Format: 1 Online-Ressource (xix, 293 p) , Illustrationen
    Edition: 2014
    ISBN: 9781501331206 , 9781501331183 , 9781501331190
    Series Statement: International texts in critical media aesthetics v. 12
    Content: "Witness of Phenomenon articulates a fresh examination of the German Group Zero--Heinz Mack, Otto Piene, and Günter Uecker--and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe--Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. N.B. Please ensure that any images originally supplied in colour are supplied in greyscale for print deliverables (print and POD PDFs) and colour for all others (including eBook and XML)"--Bloomsbury Publishing
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501331176
    Additional Edition: Erscheint auch als Druck-Ausgabe Ketner, Joseph D., 1955 - Witness to phenomenon New York : Bloomsbury Academic, An imprint of Bloomsbury Publishing Inc, 2018 ISBN 9781501331176
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: ZERO ; Medienkunst ; Geschichte 1958-1966
    Author information: Ketner, Joseph D. 1955-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
    UID:
    almahu_BV044727466
    Format: 1 Online-Ressource (xix, 293 Seiten) : , Illustrationen.
    ISBN: 978-1-5013-3120-6 , 978-1-5013-3118-3 , 978-1-5013-3119-0
    Series Statement: International texts in critical media aesthetics volume 12
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-3117-6
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Medienkunst
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Ketner, Joseph D. II. 1955-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almafu_9960011111102883
    Format: 1 online resource (321 pages).
    ISBN: 1-5013-3120-5 , 1-5013-3118-3
    Series Statement: International texts in critical media aesthetics ; v. 12
    Content: "Witness of Phenomenon articulates a fresh examination of the German Group Zero--Heinz Mack, Otto Piene, and Günter Uecker--and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe--Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. N.B. Please ensure that any images originally supplied in colour are supplied in greyscale for print deliverables (print and POD PDFs) and colour for all others (including eBook and XML)"--Bloomsbury Publishing.
    Note: Acknowledgements -- Introduction -- Chapter 1: Europe After the Rain: Un art autre, art informel -- Chapter 2: "Does Contemporary Painting Influence the Shape of the World?": The Problem of Painting and the Question of Reality -- Chapter 3: ZERO, the New Tendency, and New Media -- Chapter 4: Artists Actions into Theater -- Chapter 5: Aistheton: Immersive Multimedia Environments -- Chapter 6: The Vision of Television -- Chapter 7: Coda -- Endnotes -- Bibliography , Also issued in print.
    Additional Edition: ISBN 1-5013-5399-3
    Additional Edition: ISBN 1-5013-3117-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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