Format:
1 Online-Ressource (xvii, 278 Seiten)
Edition:
First edition
ISBN:
9781501388910
,
9781501388897
Series Statement:
Thinking Media
Content:
"Sound Affects: A User's Guide is a collection of sonically charged concepts ranging from the vocal (whispers, sing, disembodied voice), to sounds at the threshold (knocking, thump, buzz), to sounds beyond the limits of audibility (tremors, distortion, sub-bass). Taking Yve-Alain Bois and Rosalind E. Krauss's Formless: A User's Guide (1997) as a model, Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound. Each of the essays develop a particular perspective on sound and affect through a close analysis of audio-visual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences, and its shifting intensities."--
Note:
Includes index
,
The clatter and clang of sound affects Sharon Jane Mee (University of NSW, Australia) and Luke Robinson (University of NSW, Australia) -- Part 1: Start, stop, repeat -- Chapter 1. Pause/Silence Sandra Kazlauskaite (University of Lincoln, UK) -- Chapter 2. Shuffle Jim Drobnick (OCAD University, Canada) and Jennifer Fisher (York University, Canada) -- Chapter 3. Oriental riff Runchao Liu (University of Minnesota, USA) -- Part 2: Voices and vocals -- Chapter 4. aa ee ii oo uuuuu Rachel Shearer (Auckland University of Technology, NZ) -- Chapter 5. Sympathetic response Charlotte Eubanks (Pennsylvania State University, USA) -- Chapter 6. Whispers Christian de Mouilpied Sancto (University of Rochester, USA) -- Chapter 7. Sing Katherine Nolan (Technological University Dublin, Ireland) -- Chapter 8. Siren song Davina Quinlivan (Kingston University, UK) -- Chapter 9. Disembodied voice Julius Greve (University of Oldenburg, Germany) -- Part 3: Threshold sounds -- Chapter 10. Knocking Jodi Brooks (University of NSW, Australia) -- Chapter 11. Tin/ny Rob Garbutt (Southern Cross University, Australia) -- Chapter 12. Ping Louise K. Wilson (University of Leeds, UK) -- Chapter 13. Vroom Andrija Filipovic (Singidunum University, Belgrade, Serbia) -- Chapter 14. Thump Andrea M. Avidad (The City University of New York, USA) -- Chapter 15. Buzz Sharon Jane Mee (University of NSW, Australia) -- Part 4: Beyond the limits of audibility -- Chapter 16. Tremors Luke Robinson (University of NSW, Australia) -- Chapter 17. Distortion Greg Hainge (University of Queensland, Australia) -- Chapter 18. Feedback Mandel Cabrera (Yonsei University, Seoul, South Korea) -- Chapter 19. Sub-bass Aidan Delaney (Middlesex University, UK) -- Chapter 20. Auditory pareidolia Louise K. Wilson (University of Leeds, UK) -- Chapter 21. Squish, squelch, shlshlshlurpppp Norie Neumark (Victorian College of the Arts and La Trobe University, Australia) -- Index
,
Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
Additional Edition:
ISBN 9781501388927
Additional Edition:
ISBN 9781501388880
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9781501388927
Language:
English
DOI:
10.5040/9781501388910
Bookmarklink
