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  • 1
    Online Resource
    Online Resource
    Manchester, England ; : Manchester University Press, | New York, New York :Palgrave Macmillan,
    UID:
    almafu_9959241126502883
    Format: 1 online resource (294 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 1-5261-0195-5
    Series Statement: Shakespeare in Performance
    Content: This book is a study of twenty stage productions, adaptations and screen versions of Shakespeare's final Roman play. It makes available for the first time sustained discussions of major productions of the play in four languages and five countries, and explores how Shakespeare's most political drama has been shaped to circumstances radically different from its original early modern staging. The book offers in-depth analyses of Coriolanus productions covering the post-war era to the twenty-first century, combining close readings of documents and historical contextualisation to productions by the BBC, the Berliner Ensemble, The Katona József Theatre in communist Hungary, the Royal Shakespeare Company, Britain's National Theatre, The New York Shakespeare Festival, Robert Lepage, Shakespeare's Globe Theatre and Ralph Fiennes' major motion picture. This volume will be of interest to a wide range of readers, including specialists, graduate students and undergraduates studying both Coriolanus and the history of Shakespearean performance.
    Note: Bibliographic Level Mode of Issuance: Monograph , Shakespeare in Performance: Coriolanus -- Half Title Page -- Title Page -- Copyright -- CONTENTS -- LIST OF ILLUSTRATIONS -- SERIES EDITORS' PREFACE -- PREFACE -- ACKNOWLEDGEMENTS -- CHAPTER I: Introduction - Coriolanus from the seventeenth to the twentieth century -- CHAPTER II: Olivier's Coriolanus -- CHAPTER III: Coriolanus and Brecht, 1951-71 -- CHAPTER IV: Brechtian vestiges and Shakespeare-plus-relevance - The RSC's Coriolanus 1972-73 -- CHAPTER V: Alan Howard on stage and screen -- CHAPTER VI: Shakespeare and Thatcher's England - The 1984-85 NT Coriolanus -- CHAPTER VII: Shakespeare and goulash communism - Coriolanus in Budapest in 1985 -- CHAPTER VIII: Shakespeare meets the American public - The 1988-89 NYSF Coriolanus -- CHAPTER IX: Québécois Shakespeare goes global - Robert Lepage's Coriolan -- CHAPTER X: Bringing Shakespeare home or settling in comfortably? The new Globe's 2006 Coriolanus -- CHAPTER XI: Coriolanus as failed action hero -- NOTES -- APPENDIX: Major actors and staff for twentieth- and twenty-first twenty-century productions discussed in this volume -- BIBLIOGRAPHY -- Index. , English
    Additional Edition: ISBN 0-7190-7867-9
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Manchester, UK :Manchester University Press,
    UID:
    almahu_9948126492702882
    Format: 1 online resource (xii, 281 pages ) : , illustrations; digital, PDF file(s).
    Edition: Electronic reproduction. Manchester, UK: Manchester University Press, 2015. Access may be restricted to users at subscribing institutions.
    ISBN: 9781526101952 , 9781526101969
    Series Statement: Manchester Shakespeare collection
    Content: This book is a study of twenty stage productions, adaptations and screen versions of Shakespeare’s final Roman play. It makes available for the first time sustained discussions of major productions of the play in four languages and five countries, and explores how Shakespeare’s most political drama has been shaped to circumstances radically different from its original early modern staging. The book offers in-depth analyses of Coriolanus productions covering the post-war era to the twenty-first century, combining close readings of documents and historical contextualisation to productions by the BBC, the Berliner Ensemble, The Katona József Theatre in communist Hungary, the Royal Shakespeare Company, Britain’s National Theatre, The New York Shakespeare Festival, Robert Lepage, Shakespeare’s Globe Theatre and Ralph Fiennes’ major motion picture. This volume will be of interest to a wide range of readers, including specialists, graduate students and undergraduates studying both Coriolanus and the history of Shakespearean performance.
    Note: First published in print form: 2014. , Includes index. , In-house editor: Matthew Frost. , Series’ editors’ preface --Preface --Introduction: Coriolanus from the Seventeenth to the twentieth century --1. Olivier’s Coriolanus --2. Coriolanus and Brecht, 1951–71 --3. Brechtian vestiges and Shakespeare-plus-relevance – the RSC’s Coriolanus 1972–73 --4. Alan Howard on stage & screen --5. Shakespeare and Thatcher’s England – the 1984–85 NT Coriolanus --6. Shakespeare and Goulash Communism – Coriolanus in Budapest in 1985 --7. Shakespeare meets the American public – The 1988–89 NYSF Coriolanus --8. Québécois Shakespeare goes global – Robert Lepage’s Coriolan --9. Bringing Shakespeare home or settling in comfortably? The New Globe’s 2006 Coriolanus --10. Coriolanus as failed action hero --Performance Appendix --Index. , Also available in print form. , Mode of access: internet via World Wide Web. , System requirements: Adobe Acrobat or other PDF reader (latest version recommended), Internet Explorer or other browser (latest version recommended). , In English.
    Additional Edition: Print version: Ormsby, Robert. Coriolanus, Manchester, UK. : Manchester University Press, 2014, ISBN 9780719078675
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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