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  • 1
    Book
    Book
    Rochester, N.Y. : Camden House
    UID:
    b3kat_BV019581608
    Format: IX, 348 S.
    Edition: 1. publ.
    ISBN: 1571130764
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Rez.: German Studies Review 29 (2006),1, S. 197-198 (Michael M. Metzger); Etudes Germaniques 64 (2009),3, S. 723 (M. Silhouette) , Includes bibliographical references and index , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- "Viel Theorie in Dialogform."
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Brecht, Bertolt 1898-1956 ; Theatertheorie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Rochester, N.Y. :Camden House,
    UID:
    almahu_9950024494302882
    Format: viii, 348 p.
    ISBN: 9781571136350
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform.
    Language: English
    Keywords: Electronic books.
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413056602882
    Format: 1 online resource (viii, 348 pages) : , digital, PDF file(s).
    ISBN: 9781571136350 (ebook)
    Content: As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform.
    Additional Edition: Print version: ISBN 9781571130761
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Rochester, N.Y. :Camden House,
    UID:
    almahu_BV025552486
    Format: VIII, 348 S.
    Edition: digital print.
    ISBN: 978-1-57113-076-1
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Rez.: German Studies Review 29 (2006),1, S. 197-198 (Michael M. Metzger). - Includes bibliographical references and index
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1898-1956 Brecht, Bertolt ; Theatertheorie
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Rochester, N.Y. :Camden House,
    UID:
    almafu_9960117022902883
    Format: 1 online resource (viii, 348 pages) : , digital, PDF file(s).
    ISBN: 1-281-74129-9 , 9786611741297 , 1-57113-635-5
    Series Statement: Studies in German literature, linguistics, and culture
    Content: As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform. , English
    Additional Edition: ISBN 1-57113-076-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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