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  • 1
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almafu_BV044406269
    Format: xiv, 225 Seiten : , Illustrationen.
    ISBN: 978-1-57113-998-6
    Series Statement: Studies in German literature, linguistics, and culture
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1929-1995 Müller, Heiner ; Politisches Theater ; Theaterproduktion ; Criticism, interpretation, etc ; Hochschulschrift
    Author information: Wood, Michael 1986-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Rochester, New York :Camden House,
    UID:
    almafu_9960118837802883
    Format: 1 online resource (xiv, 225 pages) : , digital, PDF file(s).
    ISBN: 1-78744-047-8
    Series Statement: Studies in German literature, linguistics, and culture
    Content: The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity, Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a 'democratic' theater: one that confronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's study shows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.
    Note: Title from publisher's bibliographic system (viewed on 28 Aug 2017). , Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Abbreviations -- , Introduction -- , 1: Producing the New Public: Der Lohndrücker, 1956-60 -- , 2: Process and the Public Forum: Der Horatier, 1968-73 -- , 3: Treating Woodworm: Wolokolamsker Chaussee IV: Kentauren, 1986 -- , 4: "SOMETHING IS ROTTEN IN THIS AGE OF HOPE": Der Lohndrücker at the Deutsches Theater, 1988-91 -- , Conclusion -- , Notes -- , Bibliography -- , Index
    Additional Edition: ISBN 1-57113-998-2
    Language: English
    Subjects: German Studies
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Rochester, New York : Camden House
    UID:
    gbv_1005317062
    Format: 1 Online-Ressource (xiv, 225 pages) , digital, PDF file(s)
    ISBN: 9781787440470
    Series Statement: Studies in German literature, linguistics, and culture
    Content: The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity, Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a 'democratic' theater: one that confronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's study shows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014
    Note: Title from publisher's bibliographic system (viewed on 28 Aug 2017)
    Additional Edition: ISBN 9781571139986
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781571139986
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Müller, Heiner 1929-1995 ; Politisches Theater
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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