Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (263 Seiten) : , Illustrationen.

ISBN: 978-3-11-066201-6 , 978-1-5804-4371-5

Content: This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women’s health; and how they satirized the notion of the womb’s insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories

Note: ISBN von Homepage

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781580443708

Language: English

Subjects: English Studies

Keywords: Englisch ; Drama ; Frau

DOI: 10.1515/9783110662016

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Volltext

URL: Cover

URL: Cover

UID:

Format: 263 Seiten : , Illustrationen ; , 24 cm.

ISBN: 978-1-58044-370-8

Series Statement: Late Tudor and Stuart drama: gender, performance, and material culture

Content: This study provides an accessible, informative and entertaining introduction to women's sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, the author traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women's health; and how they satirized the notion of the womb's insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories

Note: List of figures -- Acknowledgments -- Introduction -- Troubled with the mother -- The Bugbears (1566-1570) -- The Taming of the Shrew (ca.1592-1594) -- Romeo and Juliet (ca.1594-1595) -- Fathers and daughters in Shakespeare -- Hamlet (1601) and The Two Noble Kinsmen (1613) -- The Maid's Tragedy (1611-1613) and Parasitaster, or The Fawne (1604-1606) -- A Fair Quarrel (1617) and The Hollander (1635) -- Measure for Measure (1604) and Comus: A Masque Presented at Ludlow Castle (1634) -- Conclusion -- Appendix: chart of a selection of plays representing women's health in English drama 1540-1640 -- Bibliography -- Index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-58044-371-5

Language: English

Subjects: English Studies

Keywords: Englisch ; Drama ; Frau ; Criticism, interpretation, etc

UID:

Format: 1 online resource

ISBN: 9783110662016

Content: This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women’s health; and how they satirized the notion of the womb’s insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories.

Note: Frontmatter -- , Contents -- , L ist of Figures -- , Acknowledgments -- , Introduction -- , 1. Troubled with the Mother -- , 2. The Bugbears (1566–1570) -- , 3. The Taming of the Shrew (ca. 1592–1594) -- , 4. Romeo and Juliet (ca. 1594–1595) -- , 5. Fathers and Daughters in Shakespeare -- , 6. Hamlet (1601) and The Two Noble Kinsmen (1613) -- , 7. The Maid’s Tragedy (1611–1613) and Parasitaster, or The Fawne (1604–1606) -- , 8. A Fair Quarrel (1617) and The Hollander (1635) -- , 9. Measure for Measure (1604) and Comus: A Masque Presented at Ludlow Castle (1634) -- , Conclusion -- , Appendix: Chart of a selection of plays representing women’s health in English drama 1540–1640 -- , Bibliography -- , Index , In English.

Additional Edition: ISBN 9783110660500

Additional Edition: ISBN 9781580443708

Language: English

DOI: 10.1515/9783110662016

URL: https://doi.org/10.1515/9783110662016

UID:

Format: 263 Seiten , Illustrationen

ISBN: 9781580443708

Series Statement: Late Tudor and Stuart Drama : gender, performance, and material culture

Content: This study provides an accessible, informative and entertaining introduction to womens sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of womens health; and how they satirized the notion of the wombs insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories

Language: English

Keywords: England ; Drama ; Geschlechterforschung ; Frau ; Sexualität ; Gesundheit ; Renaissance ; Barock