UID:
almafu_9961016061202883
Format:
1 online resource (xiv, 218 pages) :
,
digital, PDF file(s).
ISBN:
1-282-89509-5
,
9786612895098
,
1-58046-729-6
Series Statement:
Eastman studies in music,
Content:
Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University.
Note:
Title from publisher's bibliographic system (viewed on 07 Mar 2023).
,
Music's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace.
,
English
Additional Edition:
ISBN 1-58046-324-X
Language:
English
DOI:
10.1515/9781580467292
URL:
https://www.cambridge.org/core/product/identifier/9781580467292/type/BOOK
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