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  • 1
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almahu_BV046195667
    Format: xiii, 265 Seiten : , Illustrationen.
    ISBN: 978-1-64014-068-4 , 1-64014-068-9
    Series Statement: Screen cultures: German film and the visual
    Content: Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Experimentalfilm
    Author information: Howes, Seth, 1984-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_169501037X
    Format: 1 Online-Ressource (xiii, 265 Seiten) , digital, PDF file(s).
    ISBN: 9781787447011
    Series Statement: Screen cultures: German film and the visual
    Content: Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.
    Note: Title from publisher's bibliographic system (viewed on 20 Mar 2020)
    Additional Edition: ISBN 9781640140684
    Additional Edition: ISBN 9781640140684
    Additional Edition: Erscheint auch als Druck-Ausgabe Howes, Seth, 1984 - Moving images on the margins Rochester, New York : Camden House, 2019 ISBN 9781640140684
    Additional Edition: ISBN 1640140689
    Language: English
    Subjects: General works
    RVK:
    Keywords: Deutschland ; Filmschaffender ; Experimentalfilm ; Deutschland ; Experimentalfilm
    Author information: Howes, Seth 1984-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Suffolk : Boydell & Brewer Ltd
    UID:
    kobvindex_ZLB34309175
    Format: 280 Seiten , 23,1 cm
    ISBN: 9781640140684
    Series Statement: Screen Cultures: German Film and the Visual
    Content: In the German Democratic Republic during the 1970s and 1980s, more than two hundred films and videos, many of them experimental, were made outside government-run institutions despite legal restrictions on independent filmmaking, and despite the state-owned DEFA studio system's resistance to experimental film. Many were by professional artists who incorporated their painted, sculpted, and performed works in their films and then re-integrated their films into their other artistic endeavors. In addition to showing and debating their films informally in private, these artists worked within existing institutions, establishing annual meetings at Dresden's Academy of Fine Arts, publishing on experimental film in official journals, and even exhibiting films at the Academy of Arts in Berlin. Though pursued as political subversives by the Stasi and dismissed as dilettantes by older critics, these artists frequently engaged their detractors in open debate, advancing their creative itineraries by exposing conceptual problems lurking in the histories of art and cinema. Through extensive archival research, formal analyses of over a dozen films, and interpretation of their relation to their creators' work in other media, Seth Howes documents the rich allusiveness and intellectual probity of experimental filmmaking in East German socialism's final years. Individual chapters examine Lutz Dammbeck's incorporation of painting, dance, literature, and experimental film into a critique of the (mass-)mediation of experience; the Autoperforationsartisten's use of film to problematize the notion of the "performance document"; Greifswald-based artists' integration of film into mail-art projects that crossed political borders and boundaries between media; and Yana Milev's blending of film and installation art to theorize the organization and segmentation of urban spaces. Seth Howes is Assistant Professor of German in the Department of German and Russian Studies at the University of Missouri.
    Note: Englisch
    Language: English
    Keywords: Deutschland 〈DDR〉 ; Experimentalfilm ; Geschichte 1970-1990 ; Deutschland 〈DDR〉 ; Filmschaffender ; Experimentalfilm
    Author information: Howes, Seth
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  • 4
    Online Resource
    Online Resource
    Rochester, New York :Camden House,
    UID:
    edocfu_9960118238802883
    Format: 1 online resource (xiii, 265 pages) : , digital, PDF file(s).
    ISBN: 1-78744-701-4
    Series Statement: Screen cultures: German film and the visual
    Content: Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.
    Note: Title from publisher's bibliographic system (viewed on 20 Mar 2020). , Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins.
    Additional Edition: ISBN 1-64014-068-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Rochester, New York :Camden House,
    UID:
    edocfu_BV046266511
    Format: 1 Online-Ressource (xiv, 267 Seiten) : , Illustrationen.
    ISBN: 9781787447011
    Series Statement: Screen cultures: German film and the visual
    Content: Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-64014-068-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Experimentalfilm
    Author information: Howes, Seth 1984-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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