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Format: 1 online resource (288 p.) : , 20 color images, 1 table

ISBN: 9781684482504

Series Statement: Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures

Content: Pedro Almodóvar may have helped put queer Iberian cinema on the map, but there are multitudes of LGBTQ filmmakers from Catalonia, Portugal, Castile, Galicia, and the Basque Country who have made the Peninsula one of the world’s most vital sources for queer film. Together, they have produced a cinema whose expressions of queer desire have challenged the region’s conservative religious and family values, while intervening in vital debates about politics, history, and nation. Indiscreet Fantasies is a unique collection that offers in-depth analyses of fifteen different films produced in the region over the past fifty years, each by a different director, from Narciso Ibáñez Serrador’s La residencia (The House That Screamed, 1969) to João Pedro Rodrigues’s O ornitólogo (The Ornithologist, 2016). Contributors examine how queer Iberian cinema has responded to historical trauma—from the AIDS crisis to the repressive and homophobic Franco regime—and explore how these films demonstrate a fluid understanding of sexuality, gender, and national identity. The result will give readers a new appreciation for the cultural diversity of Iberia and the richness of its thought-provoking queer cinema. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Note: Frontmatter -- , Contents -- , Introduction -- , Part I. Into the Realm of Sexual Provocations -- , 1. The Queer Gothic Regime of Narciso Ibáñez Serrador’s La residencia (1969) -- , 2. A Queer Path to “Normal” -- , Part II. Queer Intimacy -- , 3. Turning Around Altogether -- , 4. Framing Queer Desire -- , 5. Bridging Sexualities -- , Part III. Queering Iberian Politics -- , 6. Eloy de la Iglesia’s El diputado (1978) -- , 7. A Blatant Failure in Francoist Censorship -- , 8. Social Danger and Queer Nationalism in Ignacio Vilar’s A esmorga (2014) -- , 9. Gay Basque Men and the Unveiling of a Progressive Family Order in Roberto Castón’s Ander (2009) -- , Part IV. Queer Catalonia -- , 10. The Barbarians’ Inheritance -- , 11. Intertextual Representations and Lesbian Desire in Marta Balletbò-Coll’s Sévigné (Júlia Berkowitz) (2004) -- , 12. “Com si fóssim la pesta” -- , Part V. Burning Counterpoints with Religiosity -- , 13. Bound and Cut -- , 14. Queering Lisbon in Paulo Rocha’s A raíz do coração (2000) -- , 15. Entre tinieblas (1983) -- , Acknowledgments -- , Filmography -- , Bibliography -- , Notes on Contributors -- , Index , In English.

Language: English

DOI: 10.36019/9781684482504

URL: https://doi.org/10.36019/9781684482504

URL: https://www.degruyter.com/isbn/9781684482504

URL: https://doi.org/10.36019/9781684482504

URL: https://www.degruyter.com/isbn/9781684482504

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover