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  • 1
    Online-Ressource
    Online-Ressource
    Acton, Australia :Australian National University Press,
    UID:
    almahu_9948327805902882
    Umfang: 1 online resource (538 pages) : , illustrations
    ISBN: 9781760460631 (e-book)
    Weitere Ausg.: Print version: Pisch, Anita. Personality cult of Stalin in Soviet posters, 1929-1953 : archetypes, inventions and fabrications. Acton, Australia : Australian National University Press, c2016 ISBN 9781760460624
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Canberra : Australian National University Press
    UID:
    b3kat_BV044283294
    Umfang: xxii, 516 Seiten , Illustrationen, Portraits
    ISBN: 9781760460624 , 1760460621
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    Schlagwort(e): Sowjetunion ; Stalin, Josif Vissarionovič 1878-1953 ; Politisches Plakat ; Personenkult ; Geschichte 1929-1953
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : ANU Press
    UID:
    gbv_1778609341
    Umfang: 1 Online-Ressource
    ISBN: 9781760460624
    Inhalt: From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    gbv_880619678
    Umfang: 1 Online-Ressource (538 pages)
    ISBN: 9781760460631
    Weitere Ausg.: ISBN 9781760460624
    Weitere Ausg.: Print version Pisch, Anita Personality cult of Stalin in Soviet posters, 1929–1953 : Archetypes, inventions and fabrications Canberra : ANU Press,c2016 ISBN 9781760460624
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    gbv_1008667137
    Umfang: 1 Online-Ressource (1 online resource)
    ISBN: 9781760460624 , 176046063X , 1760460621 , 9781760460631
    Inhalt: From 1929 until 1953, Iosif Stalin's image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin's image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The 'Stalin' who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour
    Inhalt: From 1929 until 1953, Iosif Stalin's image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin's image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The 'Stalin' who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour
    Anmerkung: Includes bibliographical references (pages 453-497) and index
    Weitere Ausg.: ISBN 9781760460624
    Weitere Ausg.: ISBN 1760460621
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Pisch, Anita Personality cult of Stalin in Soviet posters, 1929-1953 Acton, A.C.T : ANU Press, 2016 ISBN 9781760460624
    Weitere Ausg.: ISBN 1760460621
    Sprache: Englisch
    Schlagwort(e): Electronic book
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Acton, Australia :ANU Press,
    UID:
    kobvindex_INT0003040
    Umfang: 1 electronic resource (xxii, 516 pages) : , colour illustrations.
    ISBN: 9781760460624 , 1760460621 , 9781760460631 , 176046063X
    Inhalt: MACHINE-GENERATED SUMMARY NOTE: "Although the literature on Stalinist propaganda is enormous, there has been no dedicated study on the marketing of Stalin's personality cult in posters during the Stalinist period. [...] In this book, the Stalin propaganda posters are examined from an art historical iconographic and iconologic perspective, employing methodology that was first developed by Erwin Panofsky, and Fritz Saxl. This methodology focuses on imagery and the meaning of works of art, rather than on form. The iconographic analysis commences with a detailed and intensive study of the imagery employed in a large number of posters of Stalin, and the iconologic analysis explores the meaning inferred from this imagery, examined within the historic context in which the posters were produced. It is argued that the portrayal of Stalin in posters was not intended to reflect his personal qualities as a man, or even as a leader, but that his persona was constructed along archetypal and mythic lines in order to symbolise the essential qualities of Bolshevism as an ideology, and more concrete but impersonal entities, such as the Party and the state. The intention behind the use of Stalin as a symbol was primarily didactic."
    Anmerkung: MACHINE-GENERATED CONTENTS NOTE: Acknowledgements -- List of illustrations -- Abbreviations -- Introduction -- The phenomenon of the personality cult : a historical perspective -- The rise of the Stalin personality cult -- Stalin is like a fairytale sycamore tree : Stalin as a symbol -- Stalin saves the world : Stalin and the evolution of the warrior and saviour archetypes -- Conclusion -- Appendix 1: Breakdown of posters in the research sample by year -- Appendix 2: Frequency trends in posters with images of Stalin in the research sample, and Stalin's appearances in Pravda -- Appendix 3: Posters of Stalin and Lenin by year -- Bibliography -- Index.
    Sprache: Englisch
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    ANU Press | Acton, Australia :Australian National University Press,
    UID:
    edoccha_9958141978502883
    Umfang: 1 online resource (538 pages) : , illustrations
    ISBN: 1-76046-063-X
    Inhalt: From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
    Anmerkung: The phenomenon of the personality cult - a historical perspective -- The rise of the Stalin personality cult -- Stalin is like a fairytale sycamore tree - Stalin as a symbol -- Stalin saves the world - Stalin and the evolution of the warrior and saviour archetypes. , English
    Weitere Ausg.: ISBN 1-76046-062-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    ANU Press | Acton, Australia :Australian National University Press,
    UID:
    edocfu_9958141978502883
    Umfang: 1 online resource (538 pages) : , illustrations
    ISBN: 1-76046-063-X
    Inhalt: From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
    Anmerkung: The phenomenon of the personality cult - a historical perspective -- The rise of the Stalin personality cult -- Stalin is like a fairytale sycamore tree - Stalin as a symbol -- Stalin saves the world - Stalin and the evolution of the warrior and saviour archetypes. , English
    Weitere Ausg.: ISBN 1-76046-062-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    ANU Press | Acton, Australia :Australian National University Press,
    UID:
    almahu_9947382337702882
    Umfang: 1 online resource (538 pages) : , illustrations
    ISBN: 1-76046-063-X
    Inhalt: From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
    Anmerkung: The phenomenon of the personality cult - a historical perspective -- The rise of the Stalin personality cult -- Stalin is like a fairytale sycamore tree - Stalin as a symbol -- Stalin saves the world - Stalin and the evolution of the warrior and saviour archetypes. , English
    Weitere Ausg.: ISBN 1-76046-062-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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