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  • 1
    UID:
    gbv_1859538487
    Umfang: xvi, 236, [10] Seiten , Illustrationen
    Ausgabe: Paperback edition
    ISBN: 9781800348936
    Serie: Value, art, politics [11]
    Inhalt: Based on substantial curatorial and academic research, the book proposes a new narrative for art produced globally from the 1990s to the present day: that art gradually shifted from an emphasis on cultural subjects associated with postmodernism to an exploration of economic relations. In an extensive Introduction, the editors and curators of the group exhibition ECONOMY (Edinburgh and Glasgow, 2013) outline the main argument, by examining the socio-economic context which led to the explosion of globalisation as crisis in 2008 as well as selected theorisations of that context and contemporary art. The essays in the volume, drawn from art theory, social studies and political economy, elucidate, enrich and complicate the core thesis. Themes addressed in the book include the relationship between art and property, the rise and contentious status of immaterial labour, socially engaged art and the exchanges between art and life, the role of gender and sexuality in the social relations and labour regimes instituted by capital today (including in the art world), the Occupy Movement, past figurations of the economy in a socialist imaginary embracing art, critical approaches to the commons, the migrant subject and a contemporary avant-garde. The essays illustrate the heightened interest of art after postmodernism in how we produce, rather than how consume, the signal elements in the confrontation between capital and labour that has come to define the passage from the 20th to the 21st century
    Inhalt: Based on substantial curatorial and academic research, the book proposes a new narrative for art produced globally from the 1990s to the present day: that art gradually shifted from an emphasis on cultural subjects associated with postmodernism to an exploration of economic relations. In an extensive Introduction, the editors and curators of the group exhibition ECONOMY (Edinburgh and Glasgow, 2013) outline the main argument, by examining the socio-economic context which led to the explosion of globalisation as crisis in 2008 as well as selected theorisations of that context and contemporary art. The essays in the volume, drawn from art theory, social studies and political economy, elucidate, enrich and complicate the core thesis. Themes addressed in the book include the relationship between art and property, the rise and contentious status of immaterial labour, socially engaged art and the exchanges between art and life, the role of gender and sexuality in the social relations and labour regimes instituted by capital today (including in the art world), the Occupy Movement, past figurations of the economy in a socialist imaginary embracing art, critical approaches to the commons, the migrant subject and a contemporary avant-garde. The essays illustrate the heightened interest of art after postmodernism in how we produce, rather than how consume, the signal elements in the confrontation between capital and labour that has come to define the passage from the 20th to the 21st century
    Anmerkung: First published in 2015 , Enthält 11 Beiträge
    Weitere Ausg.: ISBN 9781781381380
    Sprache: Englisch
    RVK:
    Schlagwort(e): Kunst ; Wechselwirkung ; Wirtschaft ; Geschichte 2000-2013 ; Kunstproduktion ; Wirtschaft ; Geschichte 1989-2013 ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    b3kat_BV042619270
    Umfang: XVI, 236, [8] S. , Ill.
    Ausgabe: 1. publ.
    ISBN: 9781781381380
    Serie: Value, art, politics
    Inhalt: Based on substantial curatorial and academic research, the book proposes a new narrative for art produced globally from the 1990s to the present day: that art gradually shifted from an emphasis on cultural subjects associated with postmodernism to an exploration of economic relations. In an extensive Introduction, the editors and curators of the group exhibition ECONOMY (Edinburgh and Glasgow, 2013) outline the main argument, by examining the socio-economic context which led to the explosion of globalisation as crisis in 2008 as well as selected theorisations of that context and contemporary art. The essays in the volume, drawn from art theory, social studies and political economy, elucidate, enrich and complicate the core thesis. Themes addressed in the book include the relationship between art and property, the rise and contentious status of immaterial labour, socially engaged art and the exchanges between art and life, the role of gender and sexuality in the social relations and labour regimes instituted by capital today (including in the art world), the Occupy Movement, past figurations of the economy in a socialist imaginary embracing art, critical approaches to the commons, the migrant subject and a contemporary avant-garde. The essays illustrate the heightened interest of art after postmodernism in how we produce, rather than how consume, the signal elements in the confrontation between capital and labour that has come to define the passage from the 20th to the 21st century
    Anmerkung: Ausstellungsdaten ermittelt: Stills, Edinburgh 19 January-21 April 2013 ; Centre for Contemporary Arts (CCA), Glasgow 26 January-23 March 2013 , Literaturverz. S. 214 - 231 , Artists (Exhibitions)〈br〉David Aronowitsch & Hanna Heilborn | Ursula Biemann | Pauline Boudry & Renate Lorenz | Tracey Emin | Andrea Fraser | Claire Fontaine |Melanie Gilligan | Johan Grimonprez | Andreas Gursky | Kai Kaljo | Owen Logan | Rick Lowe | Angela Melitopoulos | Jenny Marketou | Dani Marti | Marge Monko | Tanja Ostojić | Anu Pennanen | Stéphane Querrec | Raqs Media Collective | Martha Rosler | Hito Steyerl | Mitra Tabrizian | WochenKlausur | Paolo Woods〈br〉Artists (Film Lounge)〈br〉Dario Azzellini & Oliver Ressler | Jeremy Deller & Mike Figgis | Marcelo Expósito & Nuria Vila | Christos Georgiou | Michael Glawogger | Yevginy Fiks Olga Kopenkina & Sasha Lerman | Francesco Jodice | Jesper Nordahl | Ernest Larsen & Sherry Millner | Maria Ruido | Yorgos Zois
    Sprache: Englisch
    Schlagwort(e): Kunst ; Kapitalismus ; Wechselwirkung ; Geschichte 1989-2013 ; Ausstellungskatalog ; Ausstellungskatalog
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    Liverpool : Liverpool Univ. Press
    UID:
    gbv_1615117210
    Umfang: XVI, 236 S. , Ill.
    ISBN: 9781781381380
    Serie: Value, art, politics [11]
    Inhalt: Based on substantial curatorial and academic research, the book proposes a new narrative for art produced globally from the 1990s to the present day: that art gradually shifted from an emphasis on cultural subjects associated with postmodernism to an exploration of economic relations. In an extensive Introduction, the editors and curators of the group exhibition ECONOMY (Edinburgh and Glasgow, 2013) outline the main argument, by examining the socio-economic context which led to the explosion of globalisation as crisis in 2008 as well as selected theorisations of that context and contemporary art. The essays in the volume, drawn from art theory, social studies and political economy, elucidate, enrich and complicate the core thesis. Themes addressed in the book include the relationship between art and property, the rise and contentious status of immaterial labour, socially engaged art and the exchanges between art and life, the role of gender and sexuality in the social relations and labour regimes instituted by capital today (including in the art world), the Occupy Movement, past figurations of the economy in a socialist imaginary embracing art, critical approaches to the commons, the migrant subject and a contemporary avant-garde. The essays illustrate the heightened interest of art after postmodernism in how we produce, rather than how consume, the signal elements in the confrontation between capital and labour that has come to define the passage from the 20th to the 21st century
    Inhalt: Based on substantial curatorial and academic research, the book proposes a new narrative for art produced globally from the 1990s to the present day: that art gradually shifted from an emphasis on cultural subjects associated with postmodernism to an exploration of economic relations. In an extensive Introduction, the editors and curators of the group exhibition ECONOMY (Edinburgh and Glasgow, 2013) outline the main argument, by examining the socio-economic context which led to the explosion of globalisation as crisis in 2008 as well as selected theorisations of that context and contemporary art. The essays in the volume, drawn from art theory, social studies and political economy, elucidate, enrich and complicate the core thesis. Themes addressed in the book include the relationship between art and property, the rise and contentious status of immaterial labour, socially engaged art and the exchanges between art and life, the role of gender and sexuality in the social relations and labour regimes instituted by capital today (including in the art world), the Occupy Movement, past figurations of the economy in a socialist imaginary embracing art, critical approaches to the commons, the migrant subject and a contemporary avant-garde. The essays illustrate the heightened interest of art after postmodernism in how we produce, rather than how consume, the signal elements in the confrontation between capital and labour that has come to define the passage from the 20th to the 21st century
    Anmerkung: Enth. 11 Beitr
    Sprache: Englisch
    RVK:
    Schlagwort(e): Kunst ; Wechselwirkung ; Wirtschaft ; Geschichte 2000-2013 ; Kunstproduktion ; Wirtschaft ; Geschichte 1989-2013 ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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