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  • 1
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413529402882
    Format: 1 online resource (195 pages) : , digital, PDF file(s).
    ISBN: 9781782040576 (ebook)
    Content: John Lydgate is arguably the most significant poet of fifteenth-century England, yet his position as Chaucer's literary successor and his role as a Lancastrian poet have come to overshadow his contributions to English literature. Here, ‘fame’ is identified as the key to Lydgate's authorial self-fashioning in Chaucer's wake. The author begins by situating Lydgatean fame within the literary, cultural and political landscape of late-medieval England, indicating how Lydgate diverges from Chaucer's treatment of the subject by constructing a more confident model of authorship, according to which poets are the natural makers and recipients of fame. She then discusses the ways in which Lydgate draws on fourteenth-century poetry, the advisory tradition, and the laureate ideology borne out of trecento Italy; she shows that he deploys them to play upon reader anxieties in his short poems on dangerous speech, while depicting poets as the ultimate arbiters of fame in his longer poems and dramatic works. Throughout, the book challenges standard critical positions on questions relating to how poets fit into late-medieval society, how they can be powerful enough to admonish princes, and how English letters fare next to the literature of the continent and of antiquity. Mary C. Flannery is Lecturer in English at the University of Lausanne.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015).
    Additional Edition: Print version: ISBN 9781843843313
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_1889078573
    Format: 1 Online-Ressource
    ISBN: 9781782040576 , 1782040579
    Content: John Lydgate is arguably the most significant poet of fifteenth-century England, yet his position as Chaucer's literary successor and his role as a Lancastrian poet have come to overshadow his contributions to English literature. Here, "fame" is identified as the key to Lydgate's authorial self-fashioning in Chaucer's wake. The author begins by situating Lydgatean fame within the literary, cultural and political landscape of late-medieval England, indicating how Lydgate diverges from Chaucer's treatment of the subject by constructing a more confident model of authorship, according to which page
    Note: Title from publishers bibliographic system (viewed on 11 Apr 2014) , Frontcover; Contents; Acknowledgements; Abbreviations; Part I: Literary Contexts; Introduction; 1. Chaucerian Fame; 2. Fame and the Advisory Tradition; Part II: Lydgatean Fame; 3. Loose Tongues in Lydgate's England; 4. The Poet's Verdict; 5. Promotion and Self-Promotion; 6. Lydgate's Fortune in the House of Fame; Conclusion: Lydgatean Fame after the Fifteenth Century; Bibliography; Index; Backcover.
    Additional Edition: Erscheint auch als Druck-Ausgabe Flannery, Mary C John Lydgate and the Poetics of Fame Woodbridge : Boydell & Brewer Ltd., ©2012 ISBN 9781843843313
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge, Eng. :D.S. Brewer,
    UID:
    edocfu_9960120000902883
    Format: 1 online resource (195 pages) : , digital, PDF file(s).
    ISBN: 1-283-83663-7 , 1-78204-057-9
    Content: John Lydgate is arguably the most significant poet of fifteenth-century England, yet his position as Chaucer's literary successor and his role as a Lancastrian poet have come to overshadow his contributions to English literature. Here, 'fame' is identified as the key to Lydgate's authorial self-fashioning in Chaucer's wake. The author begins by situating Lydgatean fame within the literary, cultural and political landscape of late-medieval England, indicating how Lydgate diverges from Chaucer's treatment of the subject by constructing a more confident model of authorship, according to which poets are the natural makers and recipients of fame. She then discusses the ways in which Lydgate draws on fourteenth-century poetry, the advisory tradition, and the laureate ideology borne out of trecento Italy; she shows that he deploys them to play upon reader anxieties in his short poems on dangerous speech, while depicting poets as the ultimate arbiters of fame in his longer poems and dramatic works. Throughout, the book challenges standard critical positions on questions relating to how poets fit into late-medieval society, how they can be powerful enough to admonish princes, and how English letters fare next to the literature of the continent and of antiquity. Mary C. Flannery is Lecturer in English at the University of Lausanne.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Frontcover; Contents; Acknowledgements; Abbreviations; Part I: Literary Contexts; Introduction; 1. Chaucerian Fame; 2. Fame and the Advisory Tradition; Part II: Lydgatean Fame; 3. Loose Tongues in Lydgate's England; 4. The Poet's Verdict; 5. Promotion and Self-Promotion; 6. Lydgate's Fortune in the House of Fame; Conclusion: Lydgatean Fame after the Fifteenth Century; Bibliography; Index; Backcover , English
    Additional Edition: ISBN 1-84384-331-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cambridge, Eng. :D.S. Brewer,
    UID:
    almafu_9960120000902883
    Format: 1 online resource (195 pages) : , digital, PDF file(s).
    ISBN: 1-283-83663-7 , 1-78204-057-9
    Content: John Lydgate is arguably the most significant poet of fifteenth-century England, yet his position as Chaucer's literary successor and his role as a Lancastrian poet have come to overshadow his contributions to English literature. Here, 'fame' is identified as the key to Lydgate's authorial self-fashioning in Chaucer's wake. The author begins by situating Lydgatean fame within the literary, cultural and political landscape of late-medieval England, indicating how Lydgate diverges from Chaucer's treatment of the subject by constructing a more confident model of authorship, according to which poets are the natural makers and recipients of fame. She then discusses the ways in which Lydgate draws on fourteenth-century poetry, the advisory tradition, and the laureate ideology borne out of trecento Italy; she shows that he deploys them to play upon reader anxieties in his short poems on dangerous speech, while depicting poets as the ultimate arbiters of fame in his longer poems and dramatic works. Throughout, the book challenges standard critical positions on questions relating to how poets fit into late-medieval society, how they can be powerful enough to admonish princes, and how English letters fare next to the literature of the continent and of antiquity. Mary C. Flannery is Lecturer in English at the University of Lausanne.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Frontcover; Contents; Acknowledgements; Abbreviations; Part I: Literary Contexts; Introduction; 1. Chaucerian Fame; 2. Fame and the Advisory Tradition; Part II: Lydgatean Fame; 3. Loose Tongues in Lydgate's England; 4. The Poet's Verdict; 5. Promotion and Self-Promotion; 6. Lydgate's Fortune in the House of Fame; Conclusion: Lydgatean Fame after the Fifteenth Century; Bibliography; Index; Backcover , English
    Additional Edition: ISBN 1-84384-331-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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