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  • 1
    UID:
    gbv_766618307
    Format: XV, 244 S. , graph. Darst
    Edition: 1. publ.
    ISBN: 9781855662612
    Series Statement: Colección Támesis 323
    Content: This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and ther impact on the regions' film industries
    Note: Literaturverz. S. 207-225, Index S. 227-244
    Additional Edition: ISBN 9781782041306
    Additional Edition: Erscheint auch als Online-Ausgabe Contemporary Hispanic cinema Woodbridge : Tamesis, an imprint of Boydell & Brewer, 2013 ISBN 9781782041306
    Language: English
    Subjects: Romance Studies
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    Keywords: Spanien ; Portugal ; Lateinamerika ; Film ; Konferenzschrift
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_BV043643677
    Format: 1 Online-Ressource (xv, 244 Seiten) : , Diagramme.
    ISBN: 978-185566-261-2 , 978-178204-130-6
    Series Statement: Colección Támesis 323
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Druck-Ausgabe Contemporary Hispanic cinema
    Language: English
    Subjects: Romance Studies , General works
    RVK:
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    Keywords: Film ; Konferenzschrift
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  • 3
    UID:
    gbv_883282399
    Format: 1 Online-Ressource (xv, 244 pages) , digital, PDF file(s)
    ISBN: 9781782041306
    Content: This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds
    Content: National, transnational and post-national: issues in contemporary film-making in the Hispanic world / Stephanie Dennison -- Redefining transnational cinemas: a transdisciplinary perspective / Libia Villazana -- Deconstructing and reconstructing 'transnational cinema' / Deborah Shaw -- Ibero-Latin American co-productions: transnational cinema, Spain's public relations venture or both? / Tamara L. Falicov -- Building Latin American cinema in Europe: cine en construcción/cinéma en construction / Nuria Triana Toribio -- Pedro Almodóvar's Latin American 'business' / Marvin D'Lugo -- Transnational film financing and contemporary Peruvian cinema: the case of Josué Méndez / Sarah Barrow -- The silenced screen: fostering a film industry in Paraguay / Catherine Leen -- Finance and co-productions in Brazil / Alessandra Meleiro
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9781855662612
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781855662612
    Language: English
    URL: Volltext  (lizenzpflichtig)
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