UID:
edocfu_9960117255602883
Umfang:
1 online resource (xx, 271 pages) :
,
digital, PDF file(s).
ISBN:
1-78204-286-5
,
1-78204-235-0
Serie:
History of British Intelligence ; v.3
Inhalt:
The Isokon building, Lawn Road Flats, in Belsize Park on Hampstead's lower slopes, is a remarkable building. The first modernist building in Britain to use reinforced concrete and architecture, its construction demanded new building techniques. But the building was as remarkable for those who took up residence there as for the application of revolutionary building techniques. There were 32 Flats in all, and they became a haunt of some of the most prominent Soviet agents working against Britain in the 1930s and 40s, among them Arnold Deutsch, the controller of the group of Cambridge spies who came to be known as the "Magnificent Five" after the Western movie The Magnificent Seven; the photographer Edith Tudor-Hart; and Melita Norwood, the longest-serving Soviet spy in British espionage history. However, it wasn't only spies who were attracted to the Lawn Road Flats, the Bauhaus exiles Walter Gropius, László Moholy-Nagy and Marcel Breuer; the pre-historian Gordon Vere Childe; and the poet (and Bletchley Park intelligence officer) Charles Brasch all made their way there. A number of British artists, sculptors and writers were also drawn to the Flats, among them the sculptor and painter Henry Moore; the novelist Nicholas Monsarrat; and the crime writer Agatha Christie, who wrote her only spy novel N or M? in the Flats. The Isokon building boasted its own restaurant and dining club, where many of the Flats' most famous residents rubbed shoulders with some of the most dangerous communist spies ever to operate in Britain. Agatha Christie often said that she invented her characters from what she observed going on around her. With the Kuczynskis - probably the most successful family of spies in the history of espionage - in residence, she would have had plenty of material. DAVID BURKE is a historian of intelligence and international relations and author of The Spy Who Came In From the Co-op: Melita Norwood and the Ending of Cold War Espionage (The Boydell Press, 2009).
Anmerkung:
Title from publisher's bibliographic system (viewed on 02 Oct 2015).
,
Frontcover; Contents; List of Illustrations; Foreword by Christopher Andrew; Acknowledgements; List of Abbreviations; Dramatis personae; Prologue; 1 Remembrance of Things Past, Hampstead Man among 'The Modernists'; 2 National Planning for the Future and the Arrival of Walter Gropius; 3 1935: 'Art crystallises the emotions of an age.' Musicology and the Art of Espionage; 4 Arnold Deutsch, Kim Philby and Austro-Marxism; 5 The Isobar, Half Hundred Club and the Arrival of Sonya; 6 The Plot Thickens: Jurgen Kuczynski, Agatha Christie and Colletts Bookshop
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7 Refugees, The Kuczynski Network, Churchill and Operation Barbarossa8 Klaus Fuchs, Rothstein once more, and Charles Brasch; 9 Vere Gordon Childe; 10 The New Statesman, Ho Chi Minh and the End of an Era; Epilogue; Notes; Bibliography; Index; Backcover
,
English
Weitere Ausg.:
ISBN 1-84383-783-8
Sprache:
Englisch
DOI:
10.1515/9781782042358
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