Kooperativer Bibliotheksverbund

UID:

Umfang: 1 Online-Ressource

ISBN: 9781782382270 , 9781800732957

Anmerkung: Erscheint als Open Access bei De Gruyter

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-1-78238-226-3

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-1-80073-941-3

Sprache: Englisch

Schlagwort(e): Film ; Ökologie ; Umwelt ; Geschichte ; Aufsatzsammlung

DOI: 10.3167/9781782382263

DOI: 10.1515/9781800732957

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Umfang: 1 Online-Ressource (VI, 295 Seiten) , Ill.

ISBN: 9781782382270

Anmerkung: Literaturangaben , Introduction: intersecting ecology and film , Ten skies, 13 lakes, 15 pools: structure, immanence and eco-aesthetics in The swimmer and James Benning's land films , Land as protagonist: an interview with James Benning , Zoetropes: envisioning the nonhuman. Anthropomorphism and its vicissitudes: reflections on homme-sick cinema , Animism and the performative realist cinema of Apichatpong Weerasethakul , Was blind but now I see: animal liberation documentaries? deconstruction of barriers to witnessing injustice , Filming the frozen south: animals in early Antarctic exploration films , Eco-politics: environment, image, ideology. Dirty pictures: framing pollution and desire in "new new queer cinema" , Utopia in the mud: nature and landscape in the Soviet science fiction film , Animals, avatars and the gendering of nature , Buried land: filming the Bosnian pyramids , Eco-praxis: film as environmental practice. Strange seeing: re-viewing nature in the films of Rose Lowder , The art of self-emptying and ecological integration: Bae Yong-Kyun's Why has Bodhidharma left for the East , An inconvenient truth: science and argumentation in the expository documentary film , Planet in focus: environmental film festivals

Weitere Ausg.: ISBN 9781782382263

Weitere Ausg.: Erscheint auch als Druck-Ausgabe Screening nature New York, NY [u.a.] : Berghahn, 2013 ISBN 9781782382263

Sprache: Englisch

Schlagwort(e): Film ; Ökologie ; Umwelt ; Aufsatzsammlung

URL: kostenfrei

URL: https://www.berghahnbooks.com/title/PickScreening

UID:

Umfang: 1 online resource (303 p.)

ISBN: 1-4619-5249-2 , 1-78238-227-5

Inhalt: Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. S

Anmerkung: Description based upon print version of record. , Title page; Copyright; Contents; Illustrations; Acknowledgements; Introduction; Part I Eco-poetics Film, Form and the Natural World ; 1 Three Worlds ; 2 Ten Skies, 13 Lakes, 15 Pools - Structure, Immanence and Eco-aesthetics in The Swimmer and James Benning's Land Films; 3 Land as Protagonist - An Interview with James Benning ; Part II Zoe-tropes Envisioning the Nonhuman ; 4 Anthropomorphism and Its Vicissitudes ; 5 Animism and the Performative Realist Cinema of Apichatpong Weerasethakul ; 6 Was Blind But Now I See ; 7 Filming the Frozen South , Part III Eco-politics Environment, Image, Ideology 8 Dirty Pictures ; 9 Utopia in the Mud ; 10 Animals, Avatars and the Gendering of Nature ; 11 Buried Land ; Part IV Eco-praxis Film as Environmental Practice ; 12 Strange Seeing ; 13 The Art of Self-emptying and Ecological Integration ; 14 An Inconvenient Truth ; 15 Planet in Focus ; Notes on Contributors ; Index , English

Weitere Ausg.: ISBN 1-78238-226-7

Weitere Ausg.: ISBN 1-306-14236-9

Sprache: Englisch

DOI: 10.1515/9781782382270

UID:

Umfang: 1 online resource (303 p.)

Ausgabe: 1st ed.

ISBN: 1-4619-5249-2 , 1-78238-227-5

Inhalt: Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. S

Anmerkung: Description based upon print version of record. , Title page; Copyright; Contents; Illustrations; Acknowledgements; Introduction; Part I Eco-poetics Film, Form and the Natural World ; 1 Three Worlds ; 2 Ten Skies, 13 Lakes, 15 Pools - Structure, Immanence and Eco-aesthetics in The Swimmer and James Benning's Land Films; 3 Land as Protagonist - An Interview with James Benning ; Part II Zoe-tropes Envisioning the Nonhuman ; 4 Anthropomorphism and Its Vicissitudes ; 5 Animism and the Performative Realist Cinema of Apichatpong Weerasethakul ; 6 Was Blind But Now I See ; 7 Filming the Frozen South , Part III Eco-politics Environment, Image, Ideology 8 Dirty Pictures ; 9 Utopia in the Mud ; 10 Animals, Avatars and the Gendering of Nature ; 11 Buried Land ; Part IV Eco-praxis Film as Environmental Practice ; 12 Strange Seeing ; 13 The Art of Self-emptying and Ecological Integration ; 14 An Inconvenient Truth ; 15 Planet in Focus ; Notes on Contributors ; Index , English

Weitere Ausg.: ISBN 1-78238-226-7

Weitere Ausg.: ISBN 1-306-14236-9

Sprache: Englisch

DOI: 10.1515/9781782382270

UID:

Umfang: 1 online resource (303 p.)

ISBN: 1-4619-5249-2 , 1-78238-227-5

Inhalt: Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. S

Anmerkung: Description based upon print version of record. , Title page; Copyright; Contents; Illustrations; Acknowledgements; Introduction; Part I Eco-poetics Film, Form and the Natural World ; 1 Three Worlds ; 2 Ten Skies, 13 Lakes, 15 Pools - Structure, Immanence and Eco-aesthetics in The Swimmer and James Benning's Land Films; 3 Land as Protagonist - An Interview with James Benning ; Part II Zoe-tropes Envisioning the Nonhuman ; 4 Anthropomorphism and Its Vicissitudes ; 5 Animism and the Performative Realist Cinema of Apichatpong Weerasethakul ; 6 Was Blind But Now I See ; 7 Filming the Frozen South , Part III Eco-politics Environment, Image, Ideology 8 Dirty Pictures ; 9 Utopia in the Mud ; 10 Animals, Avatars and the Gendering of Nature ; 11 Buried Land ; Part IV Eco-praxis Film as Environmental Practice ; 12 Strange Seeing ; 13 The Art of Self-emptying and Ecological Integration ; 14 An Inconvenient Truth ; 15 Planet in Focus ; Notes on Contributors ; Index , English

Weitere Ausg.: ISBN 1-78238-226-7

Weitere Ausg.: ISBN 1-306-14236-9

Sprache: Englisch

DOI: 10.1515/9781782382270