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  • 1
    Online Resource
    Online Resource
    Music and Levels of Narration in Film (2013)
    Bristol : Intellect
    Details
    UID:
    gbv_1778673775
    Format: 1 Online-Ressource
    ISBN: 9781783202096
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship).The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to ‘focalizations’ of subjectivity, and music’s many and complex movements between them
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 2
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol : Intellect | Berlin : Knowledge Unlatched
    Details
    UID:
    gbv_896606155
    Format: 1 Online-Ressource (290 pages) , illustrations, charts, figures, tables
    ISBN: 9781783202096 , 9781783202102
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to ?focalizations? of subjectivity, and music?s many and complex movements between them
    Content: Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Chapter I: Introduction: Film Music Narratology -- i. Laughing with film theory -- ii. Film/music/narratology -- The plan of the book -- A note on the choice of films -- A note on â?the viewerâ? -- iii. Principles of pertinence -- Chapter II: The Conceptual Toolkit: Music and Levels of Narration -- i. Fictional worlds and the filmic universe -- ii. The â?historical authorâ?: extrafictionality and the title sequence -- iii. Extrafictional narration and audience address -- Iv. Nondiegetic and diegetic music -- a. Narratology, the diegesis and music â? some considerations -- b. Nondiegetic music and narrative agency -- Music as voice or as emanation -- Nondiegetic music, diegetic control -- Would-be-diegetic music -- c. Diegetic music: storyworld attachment and narrative agency -- Modes of storyworld attachment -- Diegetic music and narrative agency -- d. Diegetic commentary and the implied author -- e. Diegetic music: further options -- F. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border -- v. Music on my mind: Metadiegetic narration and focalization -- Chapter III: Breaking into Song? Hollywood Musicals (and After) -- i. Supradiegesis -- ii. Superabundance: Top Hat and the 1930s -- iii. The classical style: Night and Day, An American in Paris, Singinâ? in the Rain -- iv. Transcendence lost and regained: The aftermath of the classical style -- v. The next-to-last song: Dancer in the Dark (and The Sound of Music) -- Chapter IV: Things That Go Bump in the Mind: Horror Films -- i. Of implied authors and implicit contracts: Six little bits of theory -- ii. â? and thirteen examples -- Chapter V: Beyond the Moment: Long-range Musical Strategies -- i. Music and memory in Once Upon a Time in America -- a. Precursor 1: For a Few Dollars More -- b. Precursor 2: Once Upon a Time in the West -- c. Precursor 3: Duck, You Sucker! -- d. â?Most melancholic of filmsâ? â? Once Upon a Time in America -- e. Once Upon a Time in America â? Three musical themes -- F. â?I say it here and I deny it hereâ?: Conclusions -- ii. Lifeâ?s troubled bubble broken: Musical metalepses in The Truman Show -- a. True life or false -- b. Pre-existing music and the world of Seahaven -- c. Nondiegetic music and levels of narration -- d. Music on the level of the film (or not?) -- iii. Far from Heaven, Breakfast at Tiffanyâ?s, Hollywood melodrama and the retrospective prolepsis -- a. Present film -- b. Dancing to the music of time: Far from Heaven -- c. Urban pastoral: Breakfast at Tiffanyâ?s
    Note: Includes bibliographical references and indexes , In English
    Additional Edition: ISBN 9781841506258
    Additional Edition: Print version Music and Levels of Narration in Film Bristol ISBN 9781841506258
    Language: English
    Subjects: General works , Musicology
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Filmmusik
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    Author information: Heldt, Guido 1965-
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 3
    Book
    Book
    Music and levels of narration in film : steps across the border (2013)
    Bristol [u.a.] : Intellect
    Details
    UID:
    b3kat_BV040677273
    Format: X, 290 S. , Ill.
    ISBN: 9781841506258
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-78320-210-2
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-78320-209-6
    Language: English
    Subjects: General works , Musicology
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Filmmusik
    URL: Inhaltsverzeichnis
    Author information: Heldt, Guido 1965-
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    UdK Berlin get availability status
    Filmuniversität Babelsberg get availability status
  • 4
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol, England ; Chicago, Illinois : Intellect
    Details
    UID:
    b3kat_BV044053183
    Format: 1 online resource (302 pages)
    ISBN: 9781841506258 , 9781783202096 , 9781783202102
    Note: Description based on online resource; title from PDF title page (ebrary, viewed January 13, 2014)
    Additional Edition: Erscheint auch als Druck-Ausgabe Heldt, Guido Music and levels of narration in film : steps across the border
    Language: English
    Keywords: Filmmusik
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Filmuniversität Babelsberg
  • 5
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol, England : Intellect
    Details
    UID:
    gbv_1686951566
    Format: 1 Online-Ressource (x, 290 pages)
    Edition: [Place of publication not identified] HathiTrust Digital Library Electronic reproduction
    ISBN: 1783202092 , 1783202106 , 1841506257 , 9781783202096 , 9781841506258 , 9781783202102
    Content: Chapter 1. Introduction : Film Music Narratology -- Chapter 2. The Conceptual Toolkit : Music and Levels of Narration -- Chapter 3. Breaking into Song? Hollywood Musicals (and After) -- Chapter 4. Things That Go Bump in the Mind : Horror Films -- Chapter 5. Beyond the Moment : Long-range Musical Strategies -- Chapter 5. The Future's Not Ours to See : Outlook.
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them
    Note: Includes bibliographical references, filmography, and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Additional Edition: ISBN 9781841506258
    Additional Edition: Erscheint auch als Druck-Ausgabe Heldt, Guido Music and levels of narration in film : steps across the border Bristol, England ; Chicago, Illinois : Intellect, ©2013 ISBN 9781841506258
    Language: English
    URL: kostenfrei
    URL: http://purl.oclc.org/DLF/benchrepro0212
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
  • 6
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol, England ; : Intellect,
    Details
    UID:
    edoccha_9958145988302883
    Format: 1 online resource (302 p.)
    Edition: 1st ed.
    ISBN: 1-78320-210-6 , 1-78320-209-2
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them.
    Note: Description based upon print version of record. , ""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"" , ""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" , ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" , ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" , ""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" , ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" , English
    Additional Edition: ISBN 1-84150-625-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 7
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol, England ; : Intellect,
    Details
    UID:
    almahu_9947382397802882
    Format: 1 online resource (302 p.)
    Edition: 1st ed.
    ISBN: 1-78320-210-6 , 1-78320-209-2
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them.
    Note: Description based upon print version of record. , ""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"" , ""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" , ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" , ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" , ""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" , ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" , English
    Additional Edition: ISBN 1-84150-625-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
  • 8
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol, England ; : Intellect,
    Details
    UID:
    edocfu_9958145988302883
    Format: 1 online resource (302 p.)
    Edition: 1st ed.
    ISBN: 1-78320-210-6 , 1-78320-209-2
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them.
    Note: Description based upon print version of record. , ""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"" , ""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" , ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" , ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" , ""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" , ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" , English
    Additional Edition: ISBN 1-84150-625-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    FU Berlin
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