UID:
almahu_9948144222602882
Format:
1 online resource (xv, 372 pages) :
,
digital, PDF file(s).
ISBN:
9781787442801 (ebook)
Series Statement:
Music in Britain, 1600-2000
Content:
This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.
Note:
Title from publisher's bibliographic system (viewed on 31 Jul 2019).
,
Introduction: Trends in British musical thought, 1850-1950 / Jeremy Dibble and Julian Horton -- Avoiding "coarse invective" and "unseemly vehemence" : English music criticism, 1850-1870 / Peter Horton -- Spencer, sympathy and the Oxford school of music criticism / Bennett Zon -- Free thought and the musician : Ernest Walker, the "English Hanslick" / Jeremy Dibble -- Ernest Newman and the promise of method in biography, criticism and history / Paul Watt -- "Making symphony articulate" : Bernard Shaw's sense of music history / Harry White -- Analysis and value judgment : Schumann, Bruckner and Tovey's Essays in musical analysis / Julian Horton -- The scholar as critic : Edward J. Dent / Karen Arrandale -- Russia and Eastern Europe / Philip Ross Bullock -- Anti-intellectualism and the rhetoric of "national character" in music : the vulgarity of over-refinement / Sarah Collins -- Chosen causes : writings on music by Bernard van Dieren, Peter Warlock and Cecil Gray / Séamas de Barra -- "Es klang so alt und war doch so neu" : Vaughan Williams, aesthetics and history / Aidan J. Thomson -- Constant Lambert : a critic for today? a commentary on Music ho! / Christopher Mark -- The challenge to goodwill : Herbert Howells, Alban Berg and "the modern problem" / Jonathan Clinch -- Hans Keller : the making of an "anti-critic" / Patrick Zuk.
Additional Edition:
Print version: ISBN 9781783272877
Language:
English
URL:
http://www.cambridge.org/core/product/identifier/9781787442801/type/BOOK
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