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  • 1
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY :The Boydell Press,
    UID:
    almafu_9961367525202883
    Format: 1 online resource (xiv, 302 pages) : , digital, PDF file(s).
    ISBN: 1-80010-185-6
    Series Statement: Music in society and culture
    Content: This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connections between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.〈br〉〈br〉The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the 'Resistenza' and the catastrophe of war had redeemed post-war Italy.
    Note: Title from publisher's bibliographic system (viewed on 04 Jan 2024). , Introduction -- 1. Bartók in liberal Italy, 1911-1925 -- 2. Heroism and silence: Bartók in Mussolini's Italy, 1925-1938 -- 3. Resistance and dictatorship, 1939-1942 -- 4. Resistance and democracy, 1943-1947 -- 5. Bartók's legacy in a divided world, 1948-1956 -- 6. Bartók's influence on Italian composers -- Conclusion: Bartók and the memory of the twentieth century.
    Additional Edition: ISBN 1-78327-620-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Woodbridge, Suffolk Rochester, NY : The Boydell Press
    UID:
    gbv_1881585336
    Format: 1 online resource (xiv, 302 pages) , digital, PDF file(s).
    ISBN: 9781800101852 , 9781783276202
    Series Statement: Music in society and culture
    Content: This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connections between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the 'Resistenza' and the catastrophe of war had redeemed post-war Italy.
    Note: Title from publisher's bibliographic system (viewed on 04 Jan 2024)
    Additional Edition: ISBN 9781783276202
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781783276202
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY :The Boydell Press,
    UID:
    almahu_9949685692302882
    Format: 1 online resource (xiv, 302 pages) : , digital, PDF file(s).
    ISBN: 9781800101852 (ebook)
    Series Statement: Music in society and culture
    Content: This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connections between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.〈br〉〈br〉The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the 'Resistenza' and the catastrophe of war had redeemed post-war Italy.
    Note: Title from publisher's bibliographic system (viewed on 04 Jan 2024). , Introduction -- 1. Bartók in liberal Italy, 1911-1925 -- 2. Heroism and silence: Bartók in Mussolini's Italy, 1925-1938 -- 3. Resistance and dictatorship, 1939-1942 -- 4. Resistance and democracy, 1943-1947 -- 5. Bartók's legacy in a divided world, 1948-1956 -- 6. Bartók's influence on Italian composers -- Conclusion: Bartók and the memory of the twentieth century.
    Additional Edition: Print version: ISBN 9781783276202
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Woodbridge, Suffolk : The Boydell Press
    UID:
    gbv_1772559865
    Format: xiv, 302 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783276202
    Series Statement: Music in society and culture
    Language: English
    Keywords: Bartók, Béla 1881-1945 ; Rezeption ; Italien ; Geschichte 1910-1960
    Library Location Call Number Volume/Issue/Year Availability
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