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  • 1
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Cambridge :Open Book Publishers,
    Details
    UID:
    almahu_9948351825802882
    Format: 1 online resource (xxii, 342 pages) : , colour illustrations.
    ISBN: 9781783741540 , 9781783741557 , 9781783741564
    Content: "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus."--Publisher's website.
    Note: Available through Open Book Publishers. , 1. Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here?-Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. , Mode of access: World Wide Web.
    Language: English
    URL: Connect to e-book
    URL: Connect to cover image
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    HU Berlin
    UB Potsdam
  • 2
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Cambridge : Open Book Publishers
    Details
    UID:
    gbv_1762592916
    Format: Online-Ressource (xxii, 342 Seiten)
    ISBN: 9781783741540 , 9781783741557 , 9781783741564
    Content: "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus."--Publisher's website
    Additional Edition: ISBN 9781783741533
    Additional Edition: ISBN 9781783741526
    Language: English
    DOI: 10.11647/OBP.0064
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
  • 3
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Open Book Publishers | Cambridge :Open Book Publishers,
    Details
    UID:
    almahu_9947385017802882
    Format: 1 online resource (339 pages) : , illustrations, music; digital, PDF file(s).
    ISBN: 1-78374-155-4 , 2-8218-8172-X , 1-78374-154-6
    Content: This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
    Note: Includes access to audio files. , This is a revision of a book file Version 1.1. : Version 1.2. Minor edits made, June 2016. , Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781783741533
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
  • 4
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Open Book Publishers | Cambridge :Open Book Publishers,
    Details
    UID:
    edoccha_9958236239202883
    Format: 1 online resource (339 pages) : , illustrations, music; digital, PDF file(s).
    ISBN: 1-78374-155-4 , 2-8218-8172-X , 1-78374-154-6
    Content: This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
    Note: Includes access to audio files. , This is a revision of a book file Version 1.1. : Version 1.2. Minor edits made, June 2016. , Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781783741533
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 5
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Open Book Publishers | Cambridge :Open Book Publishers,
    Details
    UID:
    edocfu_9958236239202883
    Format: 1 online resource (339 pages) : , illustrations, music; digital, PDF file(s).
    ISBN: 1-78374-155-4 , 2-8218-8172-X , 1-78374-154-6
    Content: This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
    Note: Includes access to audio files. , This is a revision of a book file Version 1.1. : Version 1.2. Minor edits made, June 2016. , Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781783741533
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    FU Berlin
  • 6
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Cambridge : Open Book Publishers
    Details
    UID:
    gbv_1686949839
    Format: 1 Online-Ressource (xxii, 342 pages) , color illustrations
    ISBN: 1783741546 , 1783741554 , 1783741562 , 282188172X , 9781783741533 , 9781783741526 , 9781783741557 , 9781783741540 , 9781783741564 , 9782821881723
    Content: "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J.S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus."--Publisher's website
    Content: 1. Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index.
    Note: Available through Open Book Publishers , Includes discography (pages 307-312 -- Includes bibliographical references in endnotes (pages 313-332) and index
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
  • 7
    Online Resource
    Online Resource
    A musicology of performance : theory and method based on Bach's solos for violin (2015)
    Cambridge, UK :Open Book Publishers,
    Details
    UID:
    kobvindex_HPB1151521815
    Format: 1 online resource (ii, 339 pages) : , color illustrations
    ISBN: 9781783741540 , 1783741546 , 9781783741557 , 1783741554 , 9781783741564 , 1783741562 , 282188172X , 9782821881723 , 9781783741533 , 1783741538
    Content: "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J.S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus."--Publisher's website.
    Note: 1. Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index.
    Additional Edition: 9781783741533
    Additional Edition: 9781783741526
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    URL: Click for E-book
    URL: EBSCOhost
    URL: JSTOR
    URL: OAPEN
    URL: Open Book Publishers  (An electronic book accessible through the World Wide Web; click for access)
    URL: ProQuest Ebook Central
    URL: https://doi.org/10.11647/OBP.0064
    URL: http://www.openbookpublishers.com/product/346
    URL: http://books.openedition.org/obp/1852
    URL: Connect to Open Book Publishers e-book
    URL: Full-text
    URL: Connect to cover image
    URL: http://imp-primo.hosted.exlibrisgroup.com/openurl/44IMP/44IMP_services_page?u.ignore_date_coverage=true&rft.mms_id=991000138056501591
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    HPol Brandenburg
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