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  • 1
    Online-Ressource
    Online-Ressource
    London, England : I.B. Tauris | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1694752682
    Umfang: 1 Online-Ressource (xiii, 193 pages, 32 unnumbered pages of plates) , illustrations (some color)
    Ausgabe: First edition
    Ausgabe: Also available in print
    ISBN: 0857726455 , 0857739719 , 1784530484 , 1784530492 , 9781784530488 , 9780857739711 , 9780755603732 , 9781784530495 , 9780857726452 , 9780857726452
    Serie: International library of modern and contemporary art 20
    Inhalt: "The monochrome -- a single colour of paint applied over the entirety of a canvas -- remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture"--Provided by publisher
    Inhalt: Introduction: What images are not -- Part I, Darkness: 1. Fathoming darkness: arrested vision and monochromacity in the work of Balka, Whiteread and Paterson -- 2. Accumulating discourses: trajectories, contingencies and mutations -- 3. Complicating presence, reenacting history -- Part II, Of light: 4. Turner, Wheeler and Rauschenberg: materialising light -- 5. Lightening the idealistic load: the dumb, the imprecise and the almost -- 6. The evacuation of imagery: monochromacity and the work of nothing.
    Anmerkung: Includes bibliographical references (pages 177-190) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781784530488
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Staff, Craig G., 1971- Monochrome London ; New York : I.B. Tauris, 2015 ISBN 9781784530488
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    London [u.a.] : Tauris
    UID:
    gbv_838355730
    Umfang: XIII, 193 S., [16] Bl , zahlr. Ill
    ISBN: 9781784530488 , 1784530484
    Inhalt: The monochrome a single color of paint applied over the entirety of a canvas remains one of the most contentious modernist artistic inventions. But while the manufacture of these pictures of nothing was ostensibly straightforward, their subsequent theorization has been anything but. The monochrome is commonly associated with early twentieth century avant-garde painters such as Kazimir Malevich who pioneered the form with his Black Square in 1915 and, later, Abstract Expressionists such as Mark Rothko. But monochrome art holds equal attraction for artists today. More than a history, this book is the first account of the monochrome s lively role in contemporary art. Provocative, innovative and timely, it argues that the latest artistic engagements with the monochrome go beyond stylistic concerns and tap into discourses of radicalism. Discussing works by artists such as Kim Beom, Martin Creed, Tom Friedman, Bruno Jakob, Sherrie Levine, Karin Sander and Sara Sizer, this book shows that debate and conflict around the monochrome is very much alive in contemporary visual culture
    Sprache: Englisch
    RVK:
    RVK:
    Schlagwort(e): Monochromie ; Kunst ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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