UID:
edocfu_9960118511002883
Format:
1 online resource (xii, 275 pages) :
,
digital, PDF file(s).
ISBN:
1-80010-129-5
Series Statement:
Brecht Yearbook ; 44
Content:
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
Note:
Title from publisher's bibliographic system (viewed on 04 Mar 2021).
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Frontmatter --
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Contents --
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Editorial --
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Abbreviations --
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Brecht, Günter Kunert, and Edgar Lee Masters --
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Brecht–Masters–Kunert --
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Übersetzung von Edgar Lee Masters’ “The Hill” aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen --
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Brecht’s Dramatic Fragments --
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Fragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution --
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In the Stockyards of Finance: Brecht’s Aesthetics of Fragmentation in Fleischhacker --
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The David Fragments in Performance --
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Pure Joke: The Comedy of Theater since Brecht --
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Introduction: Pure Joke --
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“. . . All Questions Remain Open”: On the Epilogue of The Good Person of Szechwan and Bertolt Brecht’s Poetics of Interruption --
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Affirmation and Alienation: The Comedy of Heiner Müller’s Hamletmaschine --
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Early Modern Characters in the Late Modern Age: On the Return of the “Chorus of Comedy” in Contemporary Performance Practices after Brecht --
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Reiner Spaß? Komödie als Real-Satire --
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New Brecht Research --
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Die Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie --
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Post-Communist Irony: Bertolt Brecht’s Mr. Keuner in Heiner Müller’s Interviews --
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Di dray groshn opere: Bertolt Brecht on the Yiddish Stage --
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Brechts Rezeption Mao Tse-tungs in zwei Gedichten --
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Book Reviews --
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Ela E. Gezen. Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960. Rochester, NY: Camden House, 2018. xiii + 159 pages --
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Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor: University of Michigan Press, 2016. 145 pages --
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Anna Teresa Scheer. Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria. London: Bloomsbury, 2018. 304 pages --
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Erdmut Wizisla (Hrsg.). Benjamin und Brecht: Denken in Extremen. Berlin: Suhrkamp, 2018. 284 pages --
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Günther Heeg (Hrsg.). Recycling Brecht: Materialwert, Nachleben, Überleben. Berlin: Theater der Zeit, 2018. 222 Seiten --
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Matt Cornish. Performing Unification: History and Nation in German Theater after 1989. Ann Arbor: University of Michigan Press, 2017. 190 pages --
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Massimo Bucciantini. Un Galileo a Milano. Bologna: Saggi Einaudi, 2017. 272 pages --
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Contributors
Additional Edition:
ISBN 0-9851956-7-3
Language:
English
DOI:
10.1515/9781800101296
Bookmarklink
