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  • 1
    Online Resource
    Online Resource
    Rochester, NY :University of Rochester Press,
    UID:
    almahu_9949314363002882
    Format: 1 online resource (xii, 382 pages) : , digital, PDF file(s).
    ISBN: 9781800104211 (ebook)
    Series Statement: Rochester studies in African history and the diaspora ; 95
    Content: "Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, though, the masquerade culture of urban Calabar has a contemporary and global context and is a vital part of the changing patterns of city life. While the topic of cultural change is not necessarily new to African art history and cultural studies, few have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context"--
    Note: Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
    Additional Edition: Print version: ISBN 9781648250262
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Rochester, NY : University of Rochester Press
    UID:
    gbv_177757062X
    Format: xii, 382 Seiten , Illustrationen
    ISBN: 9781648250262
    Series Statement: Rochester studies in African history and the diaspora 95
    Content: Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
    Content: "Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, though, the masquerade culture of urban Calabar has a contemporary and global context and is a vital part of the changing patterns of city life. While the topic of cultural change is not necessarily new to African art history and cultural studies, few have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context"--
    Note: Includes bibliographical references (pages 357-373) and index
    Additional Edition: ISBN 9781800104211
    Additional Edition: ISBN 9781800104228
    Additional Edition: Erscheint auch als Online-Ausgabe Fenton, Jordan Masquerade and money in urban Nigeria Rochester, N.Y : University of Rochester Press, 2022
    Language: English
    Keywords: Nigeria ; Maske ; Volkskultur
    Library Location Call Number Volume/Issue/Year Availability
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