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  • 1
    UID:
    gbv_1888628960
    Format: 1 Online-Ressource (x, 328 pages, 8 unnumbered pages of plates) , illustrations (some color)
    ISBN: 9781789627275 , 1789627273 , 1800341423 , 9781800341425
    Series Statement: Francophone postcolonial studies 11
    Content: By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films, images, and comedy sketches that we analyse are multilingual, mixing not only with the former colonial language French, but also the rich diversity of Indigenous Amazigh and Arabic languages. The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies. The first section examines accents, affiliations, and exchange, with an emphasis on aesthetics, familiarity, changing social roles, and cultural entrepreneurship. The second section shifts to consider departure and lingering presence through spectres and taboos, in its exploration of absence, influence, and elision. The volume concludes with an autobiographical afterword, which reflects on memories and legacies of Jewish-Muslim interactions across the Mediterranean.--
    Note: Includes bibliographical references and index , Introduction -- I. Accents, Affiliations, and Exchange. Albert Samama, a Tunisian Filmmaker in the Ottoman Empire at War (1911-1913) / Morgan Corriou ; translated by David Motzafi-Haller ; More than Friends? On Muslim-Jewish Musical Intimacy in Algeria and Beyond / Jonathan Glasser ; Nationalist Records : Jews, Muslims and Music in Interwar North Africa / Christopher Silver ; Marie Soussan : A Singular Trajectory / Hadj Miliani and Samuel Sami Everett ; Retelling the Jewish Past in Tunisia through Narratives of Popular Song / Ruth F. Davis ; 'Free but United'? Artistic and Political Issues of Intercommunal Solidarity in Tunisia and Algeria, 1940-1960 / Fanny Gillet ; translated by David Motzafi-Haller , II. Absence, Influence, and Elision. Neglected Legacies : Omissions of Jewish Heritage and Muslim-Jewish Relations in Algerian Bandes Dessinés 1967 through the 1980s / Elizabeth Perego ; Forgotten Encounters : Sounds of Coexistence in Moroccan Rap Music / Cristina Moreno Almeida ; Unmuted Sounds : Jewish Musical Echoes in Twenty-first Century Moroccan and Israeli Soundscapes / Aomar Boum ; Connecting the Disconnect : Music and its Agency in Moroccan Cinema's Jewish-Muslim interactions / Vanessa Paloma Elbaz ; Jerusalem Blues : On the Uses of Affect and Silence in Kamal Hachkar's Tinghir-Jérusalem : Les échos du Mellah (2012) / Jamal Bahmad ; A Newfound Voice from across the Mediterranean : Kamal Hachkar's Dan tes yeux, je vois mon pays (2019) / Miléna Kartowski-Aïach ; translated by David Motzafi-Haller ; Creative Coexistence or Creative Co-resistance? Transcultural Complexity in the Work of Street Artist 'Combo' / Nadia Kiwan ; Shalom alikoum! Challenging the Conflictual Model of Jewish-Muslim Relations in France through Stand-up Comedy / Adi Saleem Bharat ; 15 Post-face / Valérie Zenatti ; Afterword / translated by Samuel Sami Everett -- About the Contributors.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 178962133X
    Additional Edition: ISBN 9781789621334
    Language: English
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