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  • 1
    UID:
    gbv_176408814X
    Umfang: 1 Online-Ressource (x, 333 Seiten) , Faksimiles, Illustrationen
    ISBN: 9781800640375
    Inhalt: "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website
    Weitere Ausg.: ISBN 9781800640368
    Sprache: Englisch
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Open Book Publishers,
    UID:
    almafu_9959748908202883
    Umfang: 1 online resource (350 pages)
    ISBN: 979-1-03-657033-9 , 1-80064-037-4
    Inhalt: In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ’the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery : Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus.
    Weitere Ausg.: ISBN 1-80064-035-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    b3kat_BV047351832
    Umfang: 1 Online-Ressource
    ISBN: 9781800640375 , 1800640358 , 1800640374 , 1800640382 , 1800640390 , 1800640404 , 9781800640351 , 9781800640382 , 9781800640399 , 9781800640405
    Inhalt: "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-80064-036-8
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-1-80064-035-1
    Sprache: Englisch
    Schlagwort(e): Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Cambridge : Open Book Publishers
    UID:
    kobvindex_INTEBC6462821
    Umfang: 1 online resource (350 pages)
    ISBN: 9781800640375
    Inhalt: In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery
    Weitere Ausg.: Print version Wilbourne, Emily Acoustemologies in Contact Cambridge : Open Book Publishers,c2020 ISBN 9781800640368
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    URL: FULL  ((Currently Only Available on Campus))
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Open Book Publishers,
    UID:
    edoccha_9959748908202883
    Umfang: 1 online resource (350 pages)
    ISBN: 979-1-03-657033-9 , 1-80064-037-4
    Inhalt: In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ’the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery : Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus.
    Weitere Ausg.: ISBN 1-80064-035-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Open Book Publishers,
    UID:
    almahu_9949292187202882
    Umfang: 1 online resource (350 pages)
    ISBN: 979-1-03-657033-9 , 1-80064-037-4
    Inhalt: In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ’the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery : Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus.
    Weitere Ausg.: ISBN 1-80064-035-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Open Book Publishers,
    UID:
    edocfu_9959748908202883
    Umfang: 1 online resource (350 pages)
    ISBN: 979-1-03-657033-9 , 1-80064-037-4
    Inhalt: In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ’the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery : Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus.
    Weitere Ausg.: ISBN 1-80064-035-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    UID:
    kobvindex_HPB1233024341
    Umfang: 1 online resource (x, 333 pages) : , illustrations (some color)
    ISBN: 1800640374 , 9781800640382 , 1800640382 , 9781800640399 , 1800640390 , 9781800640405 , 1800640404 , 9781800640375 , 9781800640351 , 1800640358
    Serie: Online access: OAPEN DOAB Directory of Open Access Books.
    Inhalt: "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website.
    Anmerkung: Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index.
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    UID:
    almahu_9948681916202882
    Umfang: 1 online resource (348 pages) : , 17 colour illustrations.
    ISBN: 9781800640375 , 9781800640382 , 9781800640399 , 9781800640405
    Inhalt: "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website.
    Anmerkung: Available through Open Book Publishers. , Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index. , Mode of access: World Wide Web.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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