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Umfang: 1 online resource (544 pages)

ISBN: 1-80064-148-6

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives. , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion. , Bibliography -- 12. New or Improved? American Photography and Patents ca. 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman v. Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association v. Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles v. Outing Co. (1899) and Falk v. Curtis Publishing Co. (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index.

Weitere Ausg.: ISBN 1-80064-147-8

Sprache: Englisch

URL: kostenfrei

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URL: lizenzpflichtig

UID:

Umfang: 1 online resource (544 pages)

ISBN: 1-80064-148-6

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives. , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion. , Bibliography -- 12. New or Improved? American Photography and Patents ca. 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman v. Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association v. Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles v. Outing Co. (1899) and Falk v. Curtis Publishing Co. (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index.

Weitere Ausg.: ISBN 1-80064-147-8

Sprache: Englisch

UID:

Umfang: 1 online resource xiv (524 pages) : , illustrations

ISBN: 1800641486 , 9781800641488

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? , Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases , 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography , 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives -- All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market , 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: EBSCOhost

URL: Open Book Publishers

URL: ProQuest Ebook Central

UID:

Umfang: 1 online resource (544 pages)

ISBN: 9781800641488

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives. , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion. , Bibliography -- 12. New or Improved? American Photography and Patents ca. 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman v. Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association v. Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles v. Outing Co. (1899) and Falk v. Curtis Publishing Co. (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index.

Weitere Ausg.: Print version: Delamaire, Marie-Stéphanie Circulation and Control Cambridge : Open Book Publishers,c2021 ISBN 9781800641471

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Click to View

UID:

Umfang: 1 online resource (544 pages)

ISBN: 1-80064-148-6

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives. , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion. , Bibliography -- 12. New or Improved? American Photography and Patents ca. 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman v. Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association v. Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles v. Outing Co. (1899) and Falk v. Curtis Publishing Co. (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index.

Weitere Ausg.: ISBN 1-80064-147-8

Sprache: Englisch

UID:

Umfang: 1 online resource (544 pages)

Ausgabe: 1st ed.

ISBN: 9781800641488

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart volume Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings circa 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance volume Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper volume Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. andamp -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion , Bibliography -- 12. New or Improved? American Photography and Patents circa 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman volume Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association volume Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles volume Outing Company (1899) and Falk volume Curtis Publishing Company (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index

Weitere Ausg.: Print version Delamaire, Marie-Stéphanie Circulation and Control Cambridge, UK : Open Book Publishers,c2021 ISBN 9781800641471

Sprache: Englisch

Schlagwort(e): Electronic books

URL: FULL  ((OIS Credentials Required))

UID:

Umfang: 1 online resource (544 pages)

Ausgabe: 1st ed.

ISBN: 9781800641488

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart volume Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings circa 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance volume Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper volume Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. andamp -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion , Bibliography -- 12. New or Improved? American Photography and Patents circa 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman volume Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association volume Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles volume Outing Company (1899) and Falk volume Curtis Publishing Company (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index

Weitere Ausg.: Print version Delamaire, Marie-Stéphanie Circulation and Control Cambridge, UK : Open Book Publishers,c2021 ISBN 9781800641471

Sprache: Englisch

Schlagwort(e): Electronic books

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Umfang: 1 online resource (544 pages)

ISBN: 1-80064-148-6

Inhalt: With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.

Anmerkung: Intro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell? -- Making and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart v. Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases -- 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings ca. 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance v. Commercial and Cultural Effects -- Conclusion -- Bibliography -- 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives. , All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper v. Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market -- 'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. & -- R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia -- The Culture of Copying Among Encyclopedia Publishers -- On-the-Ground Book Production Management -- How New Illustration Styles Presented the Face of 'Modernity' -- Conclusion -- Bibliography -- Appendix -- 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain -- Introduction -- Building Nineteenth-Century Public Spaces -- Image-Making and Public Space -- Architecture and Copyright in the Nineteenth Century -- Architects and the Society of Arts Copyright Committee -- Architectural Copyright and the RIBA Copyright Committee -- Tensions between Painters and Architects -- Conclusion -- Bibliography -- 11. Nineteenth-Century American Sculpture and United States Design Patents -- Hiram Powers -- John King and Thomas Ball -- John Rogers -- Dayton Morgan -- Leonard Volk -- Clark Mills -- Conclusion. , Bibliography -- 12. New or Improved? American Photography and Patents ca. 1840s to 1860s -- The Smithsonian Institution, the Patent Office and Innovation History -- The Patents -- Keeping and Embellishing Photographs -- Conclusion -- Bibliography -- 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand -- Blackman v. Monkton -- Celebrity, Consumers, and the Circulation of Images -- King Tāwhiao -- Conclusion -- Bibliography -- 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press -- Introduction -- Sales Killers: Halftones and the Business of Professional Photographers -- American Newspaper Publishers Association v. Photographers' Copyright League of America: The 1895 Amendment to the Copyright Act -- Loopholes and Letdowns: Bolles v. Outing Co. (1899) and Falk v. Curtis Publishing Co. (1900) -- Conclusion -- Bibliography -- List of Illustrations -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index.

Weitere Ausg.: ISBN 1-80064-147-8

Sprache: Englisch

UID:

Umfang: 1 online resource (540 pages) : , 114 colour illustrations.

ISBN: 9781800641488 , 9781800641495 , 9781800641501 , 9781800641518

Inhalt: "The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age."--Publisher's website.

Anmerkung: Available through Open Book Publishers. , Contributor Biographies -- Acknowledgements -- Introductory Essay. 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century / Marie-Stéphanie Delamaire and Will Slauter -- Part I. Who Owns What? Images and Copyright Law. 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? / Isabella Alexander and Cristina S. Martinez ; 3. Who Owns Washington?: Gilbert Stuart and the Battle for Artistic Property in the Early American Republic / Marie-Stéphanie Delamaire ; 4. The Scope of Artistic Copyright in Nineteenth-Century England / Simon Stern ; 5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings circa 1860 / Will Slauter ; 6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives / Oren Bracha -- Part II. Agents of Circulation: Entrepreneurs and Rivals. 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market / Erika Piola ; 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century / Thomas Smits ; 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. and R. Chambers Firm / Rose Roberto -- Part III. Navigating Intellectual Property: Architects, Sculptors, and Photographers ; 10. Architectural Copyright, Painters and Public Space in Mid-Nineteenth-Century Britain / Elena Cooper and Marta Iljadica ; 11. Nineteenth-Century American Sculpture and United States Design Patents / Karen Lemmey ; 12. New or Improved?: American Photography and Patents c. 1840s to 1860s / Shannon Perich ; 13. King Tāwhiao's Photograph: Copyright, Celebrity, and the Commercial Image in Nineteenth-Century New Zealand / Jill Haley ; 14. 'Photography VS the Press': Copyright Law and the Rise of the Photographically Illustrated Press / Katherine Mintie -- List of Illustrations -- Index. , Mode of access: World Wide Web.

Sprache: Englisch

URL: Connect to e-book

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Umfang: xiv, 524 Seiten , Illustrationen

ISBN: 9781800641471 , 9781800641464

Weitere Ausg.: Erscheint auch als Online-Ausgabe, mobi ISBN 978-1-80064-150-1 10.11647/OBP.0247

Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-80064-148-8 10.11647/OBP.0247

Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-80064-149-5 10.11647/OBP.0247

Weitere Ausg.: Erscheint auch als Online-Ausgabe, XML ISBN 978-1-80064-151-8 10.11647/OBP.0247

Sprache: Englisch

Schlagwort(e): Kunst ; Geistiges Eigentum ; Geschichte 1801-1900

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)