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Format: 1 online resource (472 pages)

Edition: 1st ed.

ISBN: 1-80064-384-5

Content: Japan was the first non-Western nation to compete with the Western powers at their own game. The country's rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored. How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan's traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country's post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan represents a fresh contribution to historical research on making music as a major cultural, social, and political force.

Note: Introduction -- (pp. 1-28) -- Margaret Mehl -- 1. Global History, Musical Modernity, and the Globalization of Western Music -- (pp. 31-62) -- Margaret Mehl -- 2. Under Reconstruction: Japan, the United States, and the European Model -- (pp. 63-86) -- Margaret Mehl -- 3. The Case of Japan -- (pp. 87-124) -- Margaret Mehl -- 4. From Rites and Music to National Music -- (pp. 127-138) -- Margaret Mehl -- 5. Isawa Shūji: Music, Movement, Science, and Language -- (pp. 139-156) -- Margaret Mehl -- 6. Civilizing Citizens: Music Reform -- (pp. 157-180) -- Margaret Mehl -- 7. Shikama Totsuji: Music Reform and a Nationwide Network -- (pp. 181-202) -- Margaret Mehl -- 8. Playing Modern: Blending Japanese and Western Music -- (pp. 203-236) -- Margaret Mehl -- 9. Local Pioneers and the Beginnings of Western Music in Sendai -- (pp. 243-292) -- Margaret Mehl -- 10. Foreign Actors: Kate I. Hansen -- (pp. 293-344) -- Margaret Mehl -- 11. The World in Sendai -- (pp. 345-386) -- Margaret Mehl -- Conclusion -- (pp. 387-404) -- Margaret Mehl.

Additional Edition: ISBN 1-80064-252-0

Language: English

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (xiv, 449 Seiten) , Illustrationen

ISBN: 9781800643840 , 9781800647053 , 9781800649279

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-80064-839-5

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-80064-252-2

Language: English

DOI: 10.11647/OBP.0374

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: kostenfrei

Author information: Mehl, Margaret 1961-

UID:

Format: 1 online resource

ISBN: 9781800643840 , 1800643845

Note: _Hlk137545653 -- _Hlk76024402 -- _Hlk137545741 -- _Hlk137545948 -- _Hlk155621374 -- _Hlk155527901 -- _Hlk143675141 -- _Hlk143675309 -- _Hlk87606107 -- _Hlk143675769 -- _Hlk143675800 -- _Hlk143675844 -- _Hlk143675961 -- _Hlk143676078 -- _Hlk143676136 -- _Hlk143676167 -- _Hlk143676228 -- _Hlk143676972 -- _Hlk87610526 -- _Hlk143677109 -- _Hlk87611250 -- _Hlk90565410 -- _Hlk143677502 -- _Hlk143677564 -- _Hlk75182559 -- _Hlk87952975 -- _Hlk94351912 -- _Hlk94352362 -- _Hlk94352489 -- _Hlk143677936 -- _Hlk94356310 -- _Hlk94356516 -- _Hlk143678054 -- _Hlk80786659 -- _Hlk94357343 -- _Hlk94357938 , _Hlk143678160 -- _Hlk94358899 -- _Hlk94359075 -- _Hlk143678577 -- _Hlk143678632 -- _Hlk94364348 -- _Hlk153212873 -- _Hlk94364602 -- _Hlk143678835 -- _Hlk143679153 -- _Hlk143679235 -- _Hlk143679299 -- _Hlk138690538 -- _Hlk143679344 -- _Hlk143691551 -- _Hlk143691623 -- _Hlk87951960 -- _Hlk143691970 -- _Hlk19538946 -- _Hlk19539880 -- _Hlk19540079 -- _Hlk143692793 -- _Hlk143692862 -- _Hlk19538022 -- _Hlk143693144 -- _Hlk19540618 -- _Hlk137551367 -- _Hlk143693372 -- _Hlk143693505 -- _Hlk143693761 -- _Hlk143693959 -- _Hlk143694048 -- _Hlk143694548 -- _Hlk155627013 -- _Hlk143695229 -- _Hlk143699791 , _Hlk143700270 -- _Hlk155633979 -- _Hlk143700474 -- _Hlk143700597 -- _Hlk143700833 -- _Hlk143701025 -- _Hlk143701151 -- _Hlk143701260 -- _Hlk85725918 -- _Hlk143701416 -- _Hlk143622358 -- _Hlk143701750 -- _Hlk81299701 -- _Hlk143702242 -- _Hlk143702920 -- _Hlk143703010 -- _Hlk143703263 -- _Hlk143703419 -- _Hlk143703477 -- _Hlk143704948 -- _Hlk143705350 -- _Hlk143705445 -- _Hlk143705596 -- _Hlk143705719 -- _Hlk143705839 -- _Hlk84251433 -- _Hlk143717234 -- _Hlk143717330 -- _Hlk137623295 -- _Hlk143717989 -- _Hlk143718300 -- _Hlk143718448 -- _Hlk143718824 -- _Hlk143718885 -- _Hlk143718928 , _Hlk143719291 -- _Hlk143719346 -- _Hlk143719429 -- _Hlk143720059 -- _Hlk143719494 -- _Hlk143719557 -- _Hlk143720130 -- _Hlk156679725 -- _Hlk143720184 -- _Hlk135743516 -- _Hlk143720235 -- _Hlk156491894 -- _Hlk143720315 -- _Hlk143720382 -- _Hlk143720509 -- Franz_Eckert -- _Hlk143760565 -- _Hlk143760606 -- _Hlk143760647 -- _Hlk143760835 -- _Hlk155802836 -- _Hlk156492392 -- youth_bands -- _Hlk143762137 -- _Hlk143762385 -- _Hlk143762477 -- _Hlk143762519 -- _Hlk143762560 -- _Hlk143762675 -- _Hlk143762750 -- _Hlk143762796 -- _Hlk143762971 -- _Hlk143763082 -- _Hlk143763397 -- _Hlk143763520 , _Hlk143763611 -- _Hlk143764120 -- _Hlk121399781 -- _Hlk143765380 -- _Hlk143765445 -- _Hlk143765925 -- _Hlk82610608 -- _Hlk143765992 -- _Hlk143766155 -- _Hlk135908741 -- _Hlk121403629 -- _Hlk24960221 -- _Hlk8914555 -- _Hlk143767841 -- _Hlk143769066 -- _Hlk143769137 -- _Hlk26177604 -- _Hlk82687614 -- _Hlk143769884 -- _Hlk143769961 -- _Hlk143770189 -- _Hlk52546782 -- _Hlk52546949 -- _Hlk121403745 -- _Hlk156684046 -- _Hlk121399266 -- _Hlk143772998 -- _Hlk143773071 -- _Hlk143773152 -- _Hlk143773204 -- _Hlk143773257 -- _Hlk143773372 -- _Hlk143773430 -- _Hlk71541120 -- _Hlk137626633 -- _Hlk112947156

Language: Undetermined

URL: Open Book Publishers

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UID:

Format: 1 online resource (472 pages)

Edition: 1st ed.

ISBN: 9781800643840

Note: _Hlk137545653 -- _Hlk76024402 -- _Hlk137545741 -- _Hlk137545948 -- _Hlk155621374 -- _Hlk155527901 -- _Hlk143675141 -- _Hlk143675309 -- _Hlk87606107 -- _Hlk143675769 -- _Hlk143675800 -- _Hlk143675844 -- _Hlk143675961 -- _Hlk143676078 -- _Hlk143676136 -- _Hlk143676167 -- _Hlk143676228 -- _Hlk143676972 -- _Hlk87610526 -- _Hlk143677109 -- _Hlk87611250 -- _Hlk90565410 -- _Hlk143677502 -- _Hlk143677564 -- _Hlk75182559 -- _Hlk87952975 -- _Hlk94351912 -- _Hlk94352362 -- _Hlk94352489 -- _Hlk143677936 -- _Hlk94356310 -- _Hlk94356516 -- _Hlk143678054 -- _Hlk80786659 -- _Hlk94357343 -- _Hlk94357938 -- _Hlk143678160 -- _Hlk94358899 -- _Hlk94359075 -- _Hlk143678577 -- _Hlk143678632 -- _Hlk94364348 -- _Hlk153212873 -- _Hlk94364602 -- _Hlk143678835 -- _Hlk143679153 -- _Hlk143679235 -- _Hlk143679299 -- _Hlk138690538 -- _Hlk143679344 -- _Hlk143691551 -- _Hlk143691623 -- _Hlk87951960 -- _Hlk143691970 -- _Hlk19538946 -- _Hlk19539880 -- _Hlk19540079 -- _Hlk143692793 -- _Hlk143692862 -- _Hlk19538022 -- _Hlk143693144 -- _Hlk19540618 -- _Hlk137551367 -- _Hlk143693372 -- _Hlk143693505 -- _Hlk143693761 -- _Hlk143693959 -- _Hlk143694048 -- _Hlk143694548 -- _Hlk155627013 -- _Hlk143695229 -- _Hlk143699791 -- _Hlk143700270 -- _Hlk155633979 -- _Hlk143700474 -- _Hlk143700597 -- _Hlk143700833 -- _Hlk143701025 -- _Hlk143701151 -- _Hlk143701260 -- _Hlk85725918 -- _Hlk143701416 -- _Hlk143622358 -- _Hlk143701750 -- _Hlk81299701 -- _Hlk143702242 -- _Hlk143702920 -- _Hlk143703010 -- _Hlk143703263 -- _Hlk143703419 -- _Hlk143703477 -- _Hlk143704948 -- _Hlk143705350 -- _Hlk143705445 -- _Hlk143705596 -- _Hlk143705719 -- _Hlk143705839 -- _Hlk84251433 -- _Hlk143717234 -- _Hlk143717330 -- _Hlk137623295 -- _Hlk143717989 -- _Hlk143718300 -- _Hlk143718448 -- _Hlk143718824 -- _Hlk143718885 -- _Hlk143718928 -- _Hlk143719291 -- _Hlk143719346 -- _Hlk143719429 -- _Hlk143720059 -- _Hlk143719494. , _Hlk143719557 -- _Hlk143720130 -- _Hlk156679725 -- _Hlk143720184 -- _Hlk135743516 -- _Hlk143720235 -- _Hlk156491894 -- _Hlk143720315 -- _Hlk143720382 -- _Hlk143720509 -- Franz_Eckert -- _Hlk143760565 -- _Hlk143760606 -- _Hlk143760647 -- _Hlk143760835 -- _Hlk155802836 -- _Hlk156492392 -- youth_bands -- _Hlk143762137 -- _Hlk143762385 -- _Hlk143762477 -- _Hlk143762519 -- _Hlk143762560 -- _Hlk143762675 -- _Hlk143762750 -- _Hlk143762796 -- _Hlk143762971 -- _Hlk143763082 -- _Hlk143763397 -- _Hlk143763520 -- _Hlk143763611 -- _Hlk143764120 -- _Hlk121399781 -- _Hlk143765380 -- _Hlk143765445 -- _Hlk143765925 -- _Hlk82610608 -- _Hlk143765992 -- _Hlk143766155 -- _Hlk135908741 -- _Hlk121403629 -- _Hlk24960221 -- _Hlk8914555 -- _Hlk143767841 -- _Hlk143769066 -- _Hlk143769137 -- _Hlk26177604 -- _Hlk82687614 -- _Hlk143769884 -- _Hlk143769961 -- _Hlk143770189 -- _Hlk52546782 -- _Hlk52546949 -- _Hlk121403745 -- _Hlk156684046 -- _Hlk121399266 -- _Hlk143772998 -- _Hlk143773071 -- _Hlk143773152 -- _Hlk143773204 -- _Hlk143773257 -- _Hlk143773372 -- _Hlk143773430 -- _Hlk71541120 -- _Hlk137626633 -- _Hlk112947156 -- _Hlk82525507 -- _Hlk143776931 -- _Hlk143776998 -- _Hlk82531878 -- _Hlk99031965 -- _Hlk99034520 -- _Hlk82606018 -- _Hlk156055169 -- _Hlk144564795 -- _Hlk143787405 -- _Hlk143787627 -- _Hlk83114010 -- _Hlk143845840 -- _Hlk143845909 -- _Hlk143846119 -- _Hlk143846631 -- _Hlk83221202 -- _Hlk2358180 -- _Hlk83395839 -- _Hlk99631439 -- _Hlk88224601 -- _Hlk156491279 -- _Hlk143850932 -- _Hlk143851278 -- _Hlk143851431 -- _Hlk143851578 -- _Hlk143851712 -- _Hlk143851957 -- _Hlk143852018 -- _Hlk143852336 -- _Hlk83710936 -- _Hlk143853074 -- _Hlk143853381 -- _Hlk78211430 -- _Hlk143855264 -- _Hlk143855290 -- _Hlk156491913 -- _Hlk143856808 -- _Hlk143856908 -- _Hlk143857104 -- _Hlk156491953 -- _Hlk143857171 -- _Hlk143942297 -- _Hlk143942353 -- _Hlk81235194 -- _Hlk156825785. , _Hlk143942580 -- _Hlk143942670 -- _Hlk153213770 -- _Hlk143944227 -- _Hlk143945107 -- _Hlk137622892 -- _Hlk156491992 -- _Hlk156492032 -- _Hlk143945558 -- _Hlk136432784 -- _Hlk143946334 -- _Hlk143946664 -- _Hlk77864837 -- _Hlk156492054 -- _Hlk81238687 -- _Hlk81238730 -- _Hlk77932983 -- _Hlk77936381 -- _Hlk143954734 -- _Hlk46479789 -- _Hlk46212387 -- _Hlk153213883 -- _Hlk90458750 -- _Hlk78190570 -- _Hlk46393961 -- _Hlk46763429 -- _Hlk143956040 -- _Hlk156492083 -- _Hlk83638599 -- _Hlk63581578 -- _Hlk46763600 -- _Hlk64449807 -- _Hlk143956918 -- _Hlk143957113 -- _Hlk143957183 -- _Hlk46485097 -- _Hlk70931208 -- _Hlk78276355 -- _Hlk65054607 -- _Hlk158565615 -- _Hlk156772141 -- _Hlk78280020 -- _Hlk78280787 -- _Hlk78019836 -- _Hlk78041388 -- _Hlk143963977 -- _Hlk58568974 -- _Hlk59009094 -- _Hlk59640857 -- _Hlk87434766 -- _Hlk87437638 -- _Hlk153213991 -- _Hlk90452404 -- _Hlk156492117 -- _Hlk86654527 -- _Hlk73093716 -- _Hlk86655664 -- _Hlk69287288 -- _Hlk69287328 -- _Hlk69297400 -- _Hlk69298953 -- _Hlk70933839 -- _Hlk69301968 -- _Hlk69309229 -- _Hlk144023701 -- _Hlk70679516 -- _Hlk86081631 -- _Hlk144027946 -- _Hlk144029955 -- _Hlk70947559 -- _Hlk72913976 -- _Hlk72914177 -- _Hlk72916497 -- _Hlk72917755 -- _Hlk72919394 -- _Hlk72919996 -- _Hlk72920159 -- _Hlk86317433 -- _Hlk72592999 -- _Hlk61621456 -- _Hlk144053125 -- _Hlk51757151 -- _Hlk144057941 -- _Hlk94959933 -- _Hlk144060137 -- _Hlk70837748 -- _Hlk61602552 -- _Hlk70837815 -- _Hlk70837849 -- _Hlk70837876 -- _Hlk61620646 -- _Hlk70837902 -- _Hlk70837962 -- _Hlk61620898 -- _Hlk70838079 -- _Hlk61621102 -- _Hlk70838102 -- _Hlk61621198 -- _Hlk70838147 -- _Hlk70838210 -- _Hlk158625824 -- _Hlk154997651 -- _Hlk155722234 -- _Hlk155722166 -- _Hlk154733518 -- _Hlk154671282 -- _Hlk154736033 -- _Hlk154745443 -- _Hlk143678365 -- _Hlk154733727 -- _Hlk143692726 -- _Hlk154745499 -- _Hlk97211241 -- _Hlk154753396 -- _Hlk154670881. , _Hlk154671828 -- _Hlk88032420 -- _Hlk154740375 -- _Hlk34646891 -- _Hlk155722203 -- _Hlk154734245 -- _Hlk156679933 -- _Hlk81922550 -- _Hlk82677442 -- _Hlk82691392 -- _Hlk154751423 -- _Hlk81926474 -- _Hlk121399590 -- _Hlk82531065 -- _Hlk121404272 -- _Hlk88204691 -- _Hlk83214858 -- _Hlk83299945 -- _Hlk99625038 -- _Hlk156126361 -- _Hlk154757967 -- _Hlk88480115 -- _Hlk143852923 -- _Hlk85182658 -- _Hlk77602119 -- _Hlk90380878 -- _Hlk138771315 -- _Hlk77776433 -- _Hlk77778179 -- _Hlk77780555 -- _Hlk77783919 -- _Hlk46480113 -- _Hlk78273134 -- _Hlk78019622 -- _Hlk78042976 -- _Hlk515528421 -- _Hlk59007374 -- _Hlk86659319 -- _Hlk86844716 -- _Hlk86667930 -- _Hlk86750818 -- _Hlk70679009 -- _Hlk86864036 -- _Hlk88037298 -- _Hlk88556955 -- _Hlk143622465 -- _Hlk87000281 -- _Hlk87028380 -- _Hlk72593935 -- _Hlk144219870 -- _Hlk86933775 -- Acknowledgements -- Introduction: Music and Japan -- Overview and Chapters of the Book -- A Note on Terminology -- Japanese Names -- Part One: Global History, Modernity, and Western Music -- 1. Global History, Musical Modernity, and the Globalization of Western Music -- Global Modernity -- Musical Modernity -- The Globalization of Western Music -- Transnational Circulation in Northeast Asia -- 'Western' versus 'Modern' -- 2. Under Reconstruction: Japan, the United States, and the European Model -- The Beginnings of Music Education in America -- Concerts and the Veneration of European Art Music -- The Quest for a National Music -- 3. The Case of Japan -- Western Music and Musical Reform -- Traditional Musical Genres and the Meiji Reforms -- The Meiji Reforms and the Introduction of Western Music -- The Expansion of the Musical Infrastructure -- Globalization, Sound Technology, and the Quest for a Japanese Sound -- The Postwar 'Musical Miracle' and Its Critics -- Part Two: Music for the Nation -- 4. From Rites and Music to National Music. , 5. Isawa Shūji: Music, Movement, Science, and Language -- Keeping Them Together in Time: Froebel's Movement Games -- Music, Language, and Science -- Music Education -- 6. Civilizing Citizens: Music Reform -- Isawa Shūji and the Tokyo Academy of Music -- The Debate about the Existence of the Tokyo Academy of Music -- Shikama Totsuji's Contribution -- 7. Shikama Totsuji: Music Reform and a Nationwide Network -- Global Ambitions and a Nationwide Network: The Musical Magazine (Ongaku zasshi) -- Shikama Totsuji's Other Publications -- Shikama Totsuji as a Performer, Collector and Inventor of Musical Instruments, and Band Instructor -- 8. Playing Modern: Blending Japanese and Western Music -- Music Reform in Practice: Graduates of the Tokyo Academy of Music and Blended Music -- Blended Music as a Commercial Enterprise -- Part Three: The World, Japan, and Sendai -- 9. Local Pioneers and the Beginnings of Western Music in Sendai -- The Shikama Brothers in Sendai -- Music in the Second High School -- Sendai's Concert Culture around 1907 -- 10. Foreign Actors: Kate I. Hansen -- A Transnational Life and a Musical Mission -- Kate Hansen and the Music of Others: Sendai's Concert Culture Through Foreign Ears -- Teaching Japanese Girls to Sing -- 11. The World in Sendai -- Tōhoku Ongakuin -- The Second High School -- Miyagi Normal School -- Miyagi College -- Other Institutions -- Representing the Nation and the World in Sendai -- Conclusion -- Appendix: Chronological List of Concerts in Sendai Reported in Ongakukai -- Bibliography -- Index -- About the Author.

Additional Edition: Print version: Mehl, Margaret Music and the Making of Modern Japan Cambridge, UK : Open Book Publishers,c2024

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource.

ISBN: 9781800643840 , 1800643845

Content: Japan was the first non-Western nation to compete with the Western powers at their own game. The country's rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored. How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan's traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country's post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan represents a fresh contribution to historical research on making music as a major cultural, social, and political force.

Note: Introduction -- (pp. 1-28) -- Margaret Mehl -- 1. Global History, Musical Modernity, and the Globalization of Western Music -- (pp. 31-62) -- Margaret Mehl -- 2. Under Reconstruction: Japan, the United States, and the European Model -- (pp. 63-86) -- Margaret Mehl -- 3. The Case of Japan -- (pp. 87-124) -- Margaret Mehl -- 4. From Rites and Music to National Music -- (pp. 127-138) -- Margaret Mehl -- 5. Isawa Shūji: Music, Movement, Science, and Language -- (pp. 139-156) -- Margaret Mehl -- 6. Civilizing Citizens: Music Reform -- (pp. 157-180) -- Margaret Mehl -- 7. Shikama Totsuji: Music Reform and a Nationwide Network -- (pp. 181-202) -- Margaret Mehl -- 8. Playing Modern: Blending Japanese and Western Music -- (pp. 203-236) -- Margaret Mehl -- 9. Local Pioneers and the Beginnings of Western Music in Sendai -- (pp. 243-292) -- Margaret Mehl -- 10. Foreign Actors: Kate I. Hansen -- (pp. 293-344) -- Margaret Mehl -- 11. The World in Sendai -- (pp. 345-386) -- Margaret Mehl -- Conclusion -- (pp. 387-404) -- Margaret Mehl.

Language: English

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Format: 1 online resource (xvi, 456 pages) : , 1 illustration.

ISBN: 9781800643840 , 9781800647053 , 9781800649279

Content: "Japan was the first non-Western nation to compete with the Western powers at their own game. The country's rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored. How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan's traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country's post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan represents a fresh contribution to historical research on making music as a major cultural, social, and political force."--Publisher's website.

Note: Available through Open Book Publishers. , Introduction / Margaret Mehl -- 1. Global History, Musical Modernity, and the Globalization of Western Music / Margaret Mehl -- 2. Under Reconstruction: Japan, the United States, and the European Model / Margaret Mehl -- 3. The Case of Japan / Margaret Mehl 4. From Rites and Music to National Music / Margaret Mehl -- 5. Isawa Shūji: Music, Movement, Science, and Language / Margaret Mehl -- 6. Civilizing Citizens: Music Reform / Margaret Mehl -- 7. Shikama Totsuji: Music Reform and a Nationwide Network / Margaret Mehl -- 8. Playing Modern: Blending Japanese and Western Music / Margaret Mehl -- 9. Local Pioneers and the Beginnings of Western Music in Sendai / Margaret Mehl -- 10. Foreign Actors: Kate I. Hansen / Margaret Mehl -- 11. The World in Sendai / Margaret Mehl -- Conclusion / Margaret Mehl. , Mode of access: World Wide Web.

Language: English

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