Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    b3kat_BV049589005
    Format: 1 Online-Ressource (215 Seiten) , Illustrationen
    ISBN: 9781805111603 , 9781805111610 , 9781805111627 , 9781805111634
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-80511-159-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-80511-158-0
    Language: English
    Keywords: Italien ; Russland ; Belle époque ; Christliche Kunst ; Ikone ; Rezeption ; Sammlung ; Geschichte 1890-1914
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    gbv_1909924490
    Format: 1 Online-Ressource (viii, 220 pages) , 35 illustrations (some colour)
    ISBN: 9781805111603 , 9781805111610 , 9781805111634
    Content: "How Divine Images Became Art tells the story of the parallel 'discovery' of Russian medieval art and of the Italian 'primitives' at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov's study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian 'primitives' lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of 'primitive' paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque."--Publisher's website
    Note: Available through Open Book Publishers , Includes bibliographical references (pages 177-197) and index , Introduction / Oleg Tarasov, Stella Rock -- 1. Fashion, Taste and Form / Oleg Tarasov, Stella Rock -- 2. From Images of Italy to Early Russian Art / Oleg Tarasov, Stella Rock -- 3. The New Museum of Medieval Icons / Oleg Tarasov, Stella Rock -- 4. Florenskii, Metaphysics and Reverse Perspective / Oleg Tarasov, Stella Rock -- Conclusion / Oleg Tarasov, Stella Rock. , Translated from the Russian
    Additional Edition: ISBN 9781805111580
    Additional Edition: ISBN 9781805111597
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    gbv_1885768192
    Format: 1 Online-Ressource (230 p.)
    ISBN: 9781805111580 , 9781805111597 , 9781805111610 , 9781805111634 , 9781805111627
    Content: How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque
    Note: English
    Additional Edition: Erscheint auch als ISBN 1805111590
    Additional Edition: ISBN 9781805111597
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    almahu_9949708352202882
    Format: 1 online resource (viii, 220 pages) : , 35 illustrations (some colour)
    ISBN: 9781805111603 , 9781805111610 , 9781805111634
    Content: "How Divine Images Became Art tells the story of the parallel 'discovery' of Russian medieval art and of the Italian 'primitives' at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov's study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian 'primitives' lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of 'primitive' paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque."--Publisher's website.
    Note: Available through Open Book Publishers. , Introduction / Oleg Tarasov, Stella Rock -- 1. Fashion, Taste and Form / Oleg Tarasov, Stella Rock -- 2. From Images of Italy to Early Russian Art / Oleg Tarasov, Stella Rock -- 3. The New Museum of Medieval Icons / Oleg Tarasov, Stella Rock -- 4. Florenskii, Metaphysics and Reverse Perspective / Oleg Tarasov, Stella Rock -- Conclusion / Oleg Tarasov, Stella Rock. , Mode of access: World Wide Web. , Translated from the Russian.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781805111511?
Did you mean 9781805110507?
Did you mean 9781805110897?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages