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  • 1
    UID:
    b3kat_BV049589005
    Umfang: 1 Online-Ressource (215 Seiten) , Illustrationen
    ISBN: 9781805111603 , 9781805111610 , 9781805111627 , 9781805111634
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-80511-159-7
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-80511-158-0
    Sprache: Englisch
    Schlagwort(e): Italien ; Russland ; Belle époque ; Christliche Kunst ; Ikone ; Rezeption ; Sammlung ; Geschichte 1890-1914
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    gbv_1909924490
    Umfang: 1 Online-Ressource (viii, 220 pages) , 35 illustrations (some colour)
    ISBN: 9781805111603 , 9781805111610 , 9781805111634
    Inhalt: "How Divine Images Became Art tells the story of the parallel 'discovery' of Russian medieval art and of the Italian 'primitives' at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov's study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian 'primitives' lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of 'primitive' paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque."--Publisher's website
    Anmerkung: Available through Open Book Publishers , Includes bibliographical references (pages 177-197) and index , Introduction / Oleg Tarasov, Stella Rock -- 1. Fashion, Taste and Form / Oleg Tarasov, Stella Rock -- 2. From Images of Italy to Early Russian Art / Oleg Tarasov, Stella Rock -- 3. The New Museum of Medieval Icons / Oleg Tarasov, Stella Rock -- 4. Florenskii, Metaphysics and Reverse Perspective / Oleg Tarasov, Stella Rock -- Conclusion / Oleg Tarasov, Stella Rock. , Translated from the Russian
    Weitere Ausg.: ISBN 9781805111580
    Weitere Ausg.: ISBN 9781805111597
    Sprache: Englisch
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    UID:
    almahu_9949708352202882
    Umfang: 1 online resource (viii, 220 pages) : , 35 illustrations (some colour)
    ISBN: 9781805111603 , 9781805111610 , 9781805111634
    Inhalt: "How Divine Images Became Art tells the story of the parallel 'discovery' of Russian medieval art and of the Italian 'primitives' at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov's study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian 'primitives' lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of 'primitive' paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque."--Publisher's website.
    Anmerkung: Available through Open Book Publishers. , Introduction / Oleg Tarasov, Stella Rock -- 1. Fashion, Taste and Form / Oleg Tarasov, Stella Rock -- 2. From Images of Italy to Early Russian Art / Oleg Tarasov, Stella Rock -- 3. The New Museum of Medieval Icons / Oleg Tarasov, Stella Rock -- 4. Florenskii, Metaphysics and Reverse Perspective / Oleg Tarasov, Stella Rock -- Conclusion / Oleg Tarasov, Stella Rock. , Mode of access: World Wide Web. , Translated from the Russian.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Cambridge : Open Book Publishers
    UID:
    gbv_1885768192
    Umfang: 1 Online-Ressource (230 p.)
    ISBN: 9781805111580 , 9781805111597 , 9781805111610 , 9781805111634 , 9781805111627
    Inhalt: How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque
    Anmerkung: English
    Weitere Ausg.: Erscheint auch als ISBN 1805111590
    Weitere Ausg.: ISBN 9781805111597
    Sprache: Unbestimmte Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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