UID:
almahu_9949926711002882
Umfang:
1 online resource (xxxii, 802 pages) :
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272 illustrations (some colour), 19 tables.
ISBN:
9781805112266
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9781805112273
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9781805112297
Inhalt:
"Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth century's most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work. This volume evolved out of the multi-modal, international Meta-Xenakis Consortium's artistic and scholarly events commemorating his centenary. Informative and comprehensive, contributions span subjects including music composition, creative pedagogy, aesthetics, game theory, architecture, and the social and political contexts in which Xenakis operated. The book is organized in eight sections, centered on different facets of Xenakis's work and reception. It includes a digital archive of audio and visual media from the events staged throughout 2022, as well as computer software. Bringing into conversation the diverse perspectives and insights of researchers, musicians and artists, this volume serves as a foundational resource for future research on the life and work of Xenakis. It will be of interest to students, scholars, and practitioners across a range of disciplines including music, architecture, cybernetics and computation, and the digital arts."--Publisher's website.
Anmerkung:
Additional resources available from the publisher's website.
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Audio examples available from the text.
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Available through Open Book Publishers.
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Preface (pp. 1-2) The Meta-Xenakis Team Leaders Introduction: Meta-Xenakis (pp. 3-20) Peter NelsonSharon Kanach Prolegomenon: Meta-materiality in the Thought and Creative Activity of Iannis Xenakis (pp. 21-26) James Harley 1. Iannis Xenakis's Theater Studies: An Unknown Aspect of the Composer's Life during the Occupation (pp. 29-38) Nikos Ioakeim 2. Iannis Xenakis through his Letters at the KSYME Archive (pp. 39-48) Stella Kourmpana 3. Iannis Xenakis in Berlin (pp. 51-70) Marko Slavíček 4. Debating the Noise: The Reception of Iannis Xenakis's Music in Serbia as a Part of the SFRY (1960-90) (pp. 71-90) Jelena Janković-Beguš 5. Iannis Xenakis in Japan: Productive Performances and Reception of Texts (pp. 91-100) Mikako Mizuno 6. Iannis Xenakis's Free Stochastic Music Program as an Aid to Analysis (pp. 103-114) Ronald Squibbs 7. Continuum versus Disruptum: A Poetic-philosophical Approach to the Instrumental and Vocal Works of Iannis Xenakis (pp. 115-142) Pierre Albert Castanet 8. Iannis Xenakis's Materialism: On the Dialectic of Real-time Computation (pp. 143-156) Oswaldo Emiddio Vasquez HadjilyraRamón del Buey Cañas 9. Iannis Xenakis's Philosophy of Music, Stochastics, and the Postmodern Sublime (pp. 157-166) Nathan Friedman 10. Jean-Étienne Marie and Iannis Xenakis: The Vision of an Artistic Engineer and a Theorist of Microtonal Music (pp. 167-180) Judith Romero Porras 11. On the Link between the Exact Sciences and Music in Iannis Xenakis's Creative Work (pp. 181-198) Pablo Araya 12. Activating Sound Phenomena in the Music of Iannis Xenakis (pp. 199-212) Mauricio Garcia de la Torre 13. Spatial Movement of Sound Vectors (pp. 213-232) Ambrosio Salvador Rodríguez Lara 14. The CIX Archives: Revalorizations and Hidden Treasures (pp. 237-252) Cyrille Delhaye 15. Game Theory and Formal Structure in Iannis Xenakis's Duel (1959) (pp. 253-272) Benny SluchinMikhail Malt 16. A Myth of Recurrence in Iannis Xenakis's La Légende d'Eer (pp. 273-284) Anton Vishio 17. Iannis Xenakis's Hibiki Hana Ma and the Japanese Team for Tekkhokan (Steel Pavilion) at Expo '70, Osaka (pp. 285-296) Mikako Mizuno 18. Iannis Xenakis's Pithoprakta: A Phenomenological Approach (pp. 297-318) Erik ChristensenLise C. Bjerno 19. Performing Iannis Xenakis's Polyrhythms: A Perception-informed Approach to Renotation (pp. 319-336) Imri Talgam 20. An Approach to the Epistemic Potential of the UPIC (pp. 337-352) Mauricio Meza 21. Seeing Music and Listening to Architecture: Iannis Xenakis and La Philharmonie de Paris (pp. 355-360) Brigitte Métra 22. Iannis Xenakis/Le Corbusier: A Confrontation en sol dur (pp. 361-374) Guy Pimienta 23. Polytropos: Iannis Xenakis, Engineer in Music and Architecture (pp. 375-398) Panayotis Tournikiotis 24. Liberated Music.: A Loving Testimony (pp. 401-408) Νikos Kornilios 25. La Légende de Xenakis: Meta Xenakis (pp. 409-428) Curtis Roads 26. Creating and Learning with UPIC (pp. 429-438) Takehito Shimazu 27. Music, Science, Architecture: Two Conversations with Iannis Xenakis (pp. 439-466) Julio Estrada 28. A Pythagorean Wall of Visual and Auditory Drama (pp. 467-482) Julio Estrada 29. Iannis Xenakis, Inventor of Music-Composer, Engineer, and Architect: The Voice of the "Inexpressible" and of "Revelation" (pp. 483-500) Cândido Lima 30. The UPIC System of Iannis Xenakis: Autoethnography as Rapprochement (pp. 501-514) Peter Nelson 31. UPISketch: New Perspectives (pp. 517-536) Rodolphe Bourotte 32. Somax2 and Reinterpreting Iannis Xenakis (pp. 537-542) Mikhail MaltBenny Sluchin 33. Xenos: A Xenharmonic Dynamic Stochastic Synthesis Virtual Instrument (pp. 543-562) Raphael Radna 34. Light Tectonics: The New Aesthetics in Iannis Xenakis's Work (pp. 563-580) Conrad HarrisYin Yu 35. Phoenix-Albatross: An Approach to Iannis Xenakis's Work on Game Theory through Live Coding and Networked Dance (pp. 581-590) Iannis ZannosTakumi Ikeda 36. Mapping the Influence: Iannis Xenakis's GENDYN Algorithms as a Means for Creative Explorations in Live Improvised Feedback Music (pp. 591-604) Thanos Polymeneas-Liontiris 37. Notes on A Catalog of Difference (pp. 605-634) Andrew Lucia 38. The Algorithmic Music of Iannis Xenakis-What's Next? (pp. 635-660) Bill Manaris 39. The Process of Creating a Computational System: A Collective Audiovisual Composition (pp. 661-678) Diego JiménezMizky BernalGuillermo LeonardiniEunice PérezHugo Solís 40. The Xenakis Networked Performance Marathon 2022: An Experiment in Networked Performance Collaboration Inspired by Iannis Xenakis (pp. 679-696) Iannis ZannosMartin CarléVasilis AgiomyrgianakisTakumi IkedaHanako Atake 41. The Xenakis Networked Performance Marathon 2022 (Sustainable Resources) (pp. 699-712) Martin CarléHanako AtakeVasilis AgiomyrgianakisIannis ZannosTakumi Ikeda 42. Japanese Society of Electronic Music (JSEM) Concert: A Tribute Celebrating Iannis Xenakis's Centennial (pp. 713-714) Mikako Mizuno 43. Meta-Xenakis Concert at Suntory Hall, Tokyo (pp. 715-716) Kuniko Kato 44. The Establishment of the CMRC-KSYME in Athens: A Virtual Exhibit (pp. 717-718) Dana PapachristouNickos HarizanosKaterina Tsioukra 45. In Memoriam, Joel Chadabe (pp. 719-720) Sharon Kanach 46. A New Documentary: Iannis Xenakis: Music of the Universe (pp. 721-726) Apostolos LoufopoulosHari MariniRenata DalianoudiIakovos Panagopoulos 47. Reportage of a UPISketch Workshop in Japan (pp. 727-728) Yoshihisa Suzuki 48. Polytope XXI: A Tribute to Iannis Xenakis (pp. 729-732) Fabrice MarandolaDominic ThibaultMyriam Boucher 49. An Architecture of Alchemy: A Cinematic Painting (pp. 733-736) David J. Lieberman 50. The Iranian Context of Iannis Xenakis's Persepolis (pp. 737-746) Aram Yardumian 51. Iannis Xenakis, 1922-2001 (pp. 747-748) Benny Sluchin
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Mode of access: World Wide Web.
Sprache:
Englisch
URL:
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