Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Rochester, NY, USA : Suffolk, UK :University of Rochester Press ; Boydell & Brewer Limited,
    UID:
    almahu_9949865670602882
    Format: 1 online resource (x, 199 pages) : , digital, PDF file(s).
    ISBN: 9781805433026 (ebook)
    Series Statement: Eastman studies in music ; 198
    Content: Stravinsky's influence on Debussy in 1910-13 is demonstrated here in the many modernistic features of such works as the 〈i〉Preludes Book II〈/i〉, 'Khamma', 'Jeux'.
    Note: Title from publisher's bibliographic system (viewed on 10 May 2024). , Introduction -- A mutual influence -- Cinematic montage and stratified form -- Stratified form in Debussy's works : 1909-1913 -- Debussy and the chromatic set -- Stratified form in Jeux -- Stravinsky's waning influence : 1914-1917 -- Conclusion.
    Additional Edition: Print version: ISBN 9781648250903
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Rochester :University of Rochester Press,
    UID:
    almafu_9961510112202883
    Format: 1 online resource (210 pages)
    Edition: 1st ed.
    ISBN: 9781805433026 , 1805433024
    Series Statement: Eastman Studies in Music Series ; v.198
    Content: Stravinsky's influence on Debussy in 1910-13 is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux.
    Note: The Musical Relationship between Claude Debussy and Igor Stravinsky -- Contents -- Acknowledgments -- Introduction -- 1 A Mutual Influence -- 2 Cinematic Montage and Stratified Form -- 3 Stratified Form in Debussy's Works: 1909-1913 -- 4 Debussy and the Chromatic Set -- 5 Stratified Form in Jeux -- 6 Stravinsky's Waning Influence: 1914-1917 -- Conclusion -- Glossary -- Bibliography -- Index.
    Additional Edition: ISBN 9781648250903
    Additional Edition: ISBN 1648250904
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Rochester, NY :University of Rochester Press, | Suffolk, UK :Boydell & Brewer Limited.
    Show associated volumes
    UID:
    almahu_BV049947060
    Format: x, 199 Seiten : , Illustration, Notenbeispiele ; , 24 cm.
    ISBN: 978-1-64825-090-3
    Series Statement: Eastman studies in music 198
    Content: "Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux. This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913. Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes. McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further."
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-80543-302-6
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1862-1918 Debussy, Claude ; 1882-1971 Stravinsky, Igor
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Rochester :University of Rochester Press,
    UID:
    edocfu_9961510112202883
    Format: 1 online resource (210 pages)
    Edition: 1st ed.
    ISBN: 1-80543-302-4
    Series Statement: Eastman Studies in Music Series ; v.198
    Content: Stravinsky's influence on Debussy in 1910-13 is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux.
    Note: The Musical Relationship between Claude Debussy and Igor Stravinsky -- Contents -- Acknowledgments -- Introduction -- 1 A Mutual Influence -- 2 Cinematic Montage and Stratified Form -- 3 Stratified Form in Debussy's Works: 1909-1913 -- 4 Debussy and the Chromatic Set -- 5 Stratified Form in Jeux -- 6 Stravinsky's Waning Influence: 1914-1917 -- Conclusion -- Glossary -- Bibliography -- Index.
    Additional Edition: ISBN 1-64825-090-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781805431046?
Did you mean 9781805432036?
Did you mean 9781805430261?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages