Verfügbarkeit:
Signatur: MG 2600 / CD 0907
Umfang:
xxx, 331 Seiten :
,
Illustrationen, Notenbeispiele ;
,
25 cm.
ISBN:
978-1-83765-158-0
Inhalt:
"Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe."--Publisher's website
Anmerkung:
1. Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez -- 2. Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century -- 3. French Dances and the Consort Dances of Matthew Locke and his English Contemporaries -- 4. 'Italian sonatas in orchestral garb': Purcell and the 'reforme of musickal' Italiana' -- 5. Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century -- 6. Continuity and Change in Continuo Practice: The Case of Italian Opera -- 7. Musical Transitions at St. Mary's Church in Lübeck, 1630-1705 -- 8. The Creation of a 'Bolognese Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) -- 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -- 10. Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the turn of the Seventeenth Century -- 11. How Italian is the tragédieen musique of Quinault and Lully? -- 12. Euterpe's Revenge, or: The Italian Opera Aria c. 1660-1720 -- 13. 'Ho procurato di seguitare ... i tre maggiori lumi della nostra professione': Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -- 14. A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
Weitere Ausg.:
Erscheint auch als Online-Ausgabe ISBN 9781805433064
Sprache:
Englisch
Schlagwort(e):
Barock
;
Musik
;
Musikalischer Stil
;
Konferenzschrift
;
Konferenzschrift
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