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  • 1
    UID:
    almahu_9947413049102882
    Format: 1 online resource (220 pages) : , digital, PDF file(s).
    ISBN: 9781846155321 (ebook)
    Content: The so-called 'Devil Theatre' is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possession in relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonic possession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics of religion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflect on the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , INTRODUCTION: Possession and Exorcism on the Stage -- Possession and the Modern Historian: Psycho-Pathology and Cultural Meaning -- Possession, Exorcism and the New Historicism -- The Organisation of this Book -- CHAPTER ONE: POSSESSION AND SELFHOOD: This Strange Fury: Possession and the Masculine Self -- Pinch's Patients: Exorcism and Inwardness in The Comedy of Errors -- Sad and Merry Madness: Possession and Selfhood in Twelfth Night -- Unaccommodated Man: King Lear and the Loss of Exorcism -- Histerica passio: King Lear, Possession and Masculine Identity -- CHAPTER TWO: EXORCISM AND THE POLITICS OF RELIGION: The Companions of Antichrist: Exorcism and Orthodox Eschatology -- Little Darrel's Tricks: Possession in Volpone and The Devil Is an Ass -- The Shop of Satan: Jonson and Eschatology -- A Spit Red Hot: Jonson and Popular Witchcraft Beliefs -- Poor and Envious Witchcraft: Demonology and The Masque of Queens -- A Most Miraculous Work: Macbeth and Demonological Scepticism -- CHAPTER THREE: POSSESSION, EXORCISM AND THEATRE: Did I Do't well Enough? Exorcism and Fraud on the Stage -- 'Tis In His Belly: Exorcism and Theatre in Ben Jonson -- Thy Life's a Miracle: Exorcism, Theatre and Miracles in Shakespeare.
    Additional Edition: Print version: ISBN 9781843841142
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 2
    UID:
    gbv_526613130
    Format: 220 S. , 24 cm
    Edition: 1. publ.
    ISBN: 1843841142 , 9781843841142
    Series Statement: Studies in Renaissance literature 19
    Content: Seeks to illuminate representations of demonic possession and exorcism rituals abound in English Renaissance drama, by comparison with non-dramatic works. This book investigates stage images of possession in relation to a range of early modern demonological, theological and medical prose texts on the subject.
    Content: Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possession in relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonic possession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics of religion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflect on the nature of drama and role-playing. Jan Frans Van Dijkhuizen is lecturer and research fellow at the University of Leiden.
    Note: Teilw. zugl.: Leiden, Univ., Diss., 2003
    Additional Edition: Erscheint auch als Online-Ausgabe Dijkhuizen, Jan Frans van, 1970 - Devil theatre Cambridge : Brewer, 2007 ISBN 9781846155321
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Englisch ; Exorzismus ; Drama ; Geschichte 1558-1642 ; Englisch ; Besessenheit ; Drama ; Geschichte 1558-1642 ; Englisch ; Drama ; Besessenheit ; Exorzismus ; Geschichte 1558-1642 ; Hochschulschrift
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  • 3
    UID:
    almahu_BV022356681
    Format: 220 S.
    ISBN: 978-1-84384-114-2
    Series Statement: Studies in Renaissance literature 19
    Note: Teilw. zugl.: Leiden, Univ., Diss., 2003
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Englisch ; Drama ; Exorzismus ; Englisch ; Drama ; Besessenheit ; Hochschulschrift
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  • 4
    UID:
    almafu_9960118895002883
    Format: 1 online resource (220 pages) : , digital, PDF file(s).
    ISBN: 1-282-18529-2 , 9786612185298 , 1-84615-532-0
    Series Statement: Studies in Renaissance literature (Woodbridge, Suffolk, England), v. 19
    Content: The so-called 'Devil Theatre' is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possession in relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonic possession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics of religion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflect on the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , INTRODUCTION: Possession and Exorcism on the Stage -- Possession and the Modern Historian: Psycho-Pathology and Cultural Meaning -- Possession, Exorcism and the New Historicism -- The Organisation of this Book -- CHAPTER ONE: POSSESSION AND SELFHOOD: This Strange Fury: Possession and the Masculine Self -- Pinch's Patients: Exorcism and Inwardness in The Comedy of Errors -- Sad and Merry Madness: Possession and Selfhood in Twelfth Night -- Unaccommodated Man: King Lear and the Loss of Exorcism -- Histerica passio: King Lear, Possession and Masculine Identity -- CHAPTER TWO: EXORCISM AND THE POLITICS OF RELIGION: The Companions of Antichrist: Exorcism and Orthodox Eschatology -- Little Darrel's Tricks: Possession in Volpone and The Devil Is an Ass -- The Shop of Satan: Jonson and Eschatology -- A Spit Red Hot: Jonson and Popular Witchcraft Beliefs -- Poor and Envious Witchcraft: Demonology and The Masque of Queens -- A Most Miraculous Work: Macbeth and Demonological Scepticism -- CHAPTER THREE: POSSESSION, EXORCISM AND THEATRE: Did I Do't well Enough? Exorcism and Fraud on the Stage -- 'Tis In His Belly: Exorcism and Theatre in Ben Jonson -- Thy Life's a Miracle: Exorcism, Theatre and Miracles in Shakespeare. , English
    Additional Edition: ISBN 1-84384-114-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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