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  • 1
    UID:
    gbv_394089537
    Format: VIII, 161 S , Ill. , 25 cm
    Edition: English ed.
    ISBN: 9781845200442 , 1845200446 , 1845200438
    Note: Includes bibliographical references (p. [153]-157) and index
    Language: English
    Subjects: Sociology
    RVK:
    RVK:
    Keywords: Mode ; Zeitgeist ; Geschichte ; Mode ; Design ; Zeitgeist ; Geschichte 1878-2000
    Author information: Vinken, Barbara 1960-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London, England : Berg | London, England : Bloomsbury Publishing
    UID:
    gbv_1830166670
    Format: 1 Online-Ressource (viii, 161 pages) , illustrations
    Edition: English edition
    Edition: Also published in print
    ISBN: 9780857854094 , 9781845200435 , 1845200438 , 9781845207212 , 1845200446 , 9781845200442 , 0857854097
    Content: Part I, Postfashion -- What fashion strictly divided -- Adorned in Zeitgeist -- High and low: the end of a century of fashion -- Part II, Eight types of fashion -- Lagerfeld for Chanel: the griffe -- Montana, Mugler: myth -- Dolce & Gabbana: deep south -- Comme des garcçons: ex oriente lux -- Yohji Yamamoto: the secret sewn in -- Gaultier: revaluation of all values -- Helmut Lang: fabric, skin and figure -- Martin Margiela: signs of time.
    Content: "Although it is appealing to think that fashion turns away from conventions, is this really the case? Or are "pioneering" designs simply part of a cyclical revival of forgotten fashions? Looking at some of the most influential designers of the twentieth century--from Yamamoto to Gaultier to Lagerfeld--Vinken considers the politics and philosophies that have been the driving force directing their sense of style. Vinken shows how fashion trends are informed by the past. Chanel, under the direction of Karl Lagerfeld, is viewed as the only fashion house to have remained fresh after one hundred years, yet is this success essentially proof of the self-referential qualities fashion has adopted? What inspired the fetish for labels at the end of the twentieth century? Answering these questions and many more, this thought-provoking book shows how beauty, gender, sexuality, commerce, and dandyism have persisted in defining the fashion system." http://www.loc.gov/catdir/description/hol053/2004020615.html
    Note: Includes bibliographical references (pages 153-157) and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781845200435
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781845200435
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Fashion Central | Oxford : Berg
    UID:
    b3kat_BV049574433
    Format: 1 Online-Ressource (158 Seiten) , Illustrationen
    ISBN: 9780857854094
    Content: Although it is appealing to think that fashion has taken a sharp turn away from conventions established in the industry over the past century and more, is this really the case? Or are 'pioneering' designs simply part of a cyclical revival of forgotten fashions? Looking at some of the most influential designers of the twentieth century, Vinken considers the politics and philosophies that have been the driving forces directing their sense of style.Vinken describes 'Fashion Zeitgeist' as a trend characterized by representations of traces of the past. She considers the key concepts behind designers such as Yamamoto, Gaultier, and Lagerfeld. The originality of Yamamoto's multi-layered look stems from his philosophy that it is the individual sum of experience that is important, not the collective consequences of history. Martin Margiela, although he himself refuses to be photographed or appear in the public eye, brings new individuality into fashion. Chanel, under the direction of Karl Lagerfeld, is viewed as the only fashion house to have remained fresh after 100 years, yet is this success essentially proof of the self-referential qualities fashion has adopted? What inspired the fetish for labels at the end of the twentieth century? Answering these questions and many more, this concise and thought-provoking book shows how beauty, gender, sexuality, commerce and dandyism have persisted in defining the fashion system
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-8452-0721-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-8452-0043-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-8452-0044-2
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Vinken, Barbara 1960-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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