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  • 1
    Online Resource
    Online Resource
    Cambridge : Boydell & Brewer
    UID:
    gbv_1889607436
    Format: 1 Online-Ressource (240 pages)
    ISBN: 9781846150258 , 1846150256
    Content: Many of the articles in this collection were originally presented as papers at the 19th International Congress of the International Arthurian Society in Toulouse, France, 25th-31st July, 1999, where one of the chosen themes was that of comedy in Arthurian romance
    Note: Preliminaries; CONTENTS; General Editor's Foreword; I Comedy and Tragedy in Some Arthurian Recognition Scenes; II Merveilleux et comique dans les romans arthuriens français XIIe XVe siècles; III La bande dessinée virtuelle du lion d'Yvain sur le sens de l'humour de Chrétien de Troyes; IV Convention Comedy and the Form of La Vengeance Raguidel; V Le comique dans Les Merveilles de Rigomer et Hunbaut; VI Humour in the Roman de Silence; VII La pratique de la disconvenance comique dans le Lancelot en prose les mésaventures amoureuses de Guerrehet; VIII Lancelot Part 3. , IX Comic Functions of the Parrot as Minstrel in Le Chevalier du PapegauX Dinadan en Italie; XII Malory and the English Comic Tradition; XIII Laughyng and Smylyng Comic Modalities in Malory's Tale of Sir Launcelot du Lake; XIV The Eachtra an Amadáin Mhóir as a Response to the Perceval of Chrétien de Troyes.
    Additional Edition: ISBN 9780859917452
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780859917452
    Language: English
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  • 2
    UID:
    gbv_883281619
    Format: 1 Online-Ressource (viii, 230 pages) , digital, PDF file(s)
    ISBN: 9781846150258
    Content: The texts analyzed underline the wide dissemination of the Arthurian story in medieval and post-medieval Europe, from Scotland to Italy, while the various analyses of the manifestations of comedy refute the notion of romance as a humourless genre. Indeed, the comic treatment of conventional themes and motifs appears to be not only characteristic of later romance but an essential element of the genre from its beginnings and from its earliest development. Authors of Arthurian romance, from Chrétien de Troyes to Malory, writing in French, Italian, Middle Dutch, and Middle English, and the creators of an Irish prose-tale, all question the fundamental assumptions of romance and romance values through the medium of comedy. The theme of comedy in Arthurian romance has been developed from the orignal session at the Arthurian Congress in Toulouse. Contributors: ELIZABETH ARCHIBALD, FRANK BRANDSMA, CHRISTINE FERLAMPIN-ACHER, LINDA GOWANS, DONALD L. HOFFMAN, MARGOLEIN HOGENBIRK, NORRIS J. LACY, MARILYN LAWRENCE, BENEDICTE MILLAND-BOVE, PETER S. NOBLE, KAREN PRATT, ANGELICA RIEGER, ELIZABETH S. SKLAR, FRANCESCO ZAMBON
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9780859917452
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780859917452
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    almahu_9947413097302882
    Format: 1 online resource (viii, 230 pages) : , digital, PDF file(s).
    ISBN: 9781846150258 (ebook)
    Content: The texts analyzed underline the wide dissemination of the Arthurian story in medieval and post-medieval Europe, from Scotland to Italy, while the various analyses of the manifestations of comedy refute the notion of romance as a humourless genre. Indeed, the comic treatment of conventional themes and motifs appears to be not only characteristic of later romance but an essential element of the genre from its beginnings and from its earliest development. Authors of Arthurian romance, from Chrétien de Troyes to Malory, writing in French, Italian, Middle Dutch, and Middle English, and the creators of an Irish prose-tale, all question the fundamental assumptions of romance and romance values through the medium of comedy. The theme of comedy in Arthurian romance has been developed from the orignal session at the Arthurian Congress in Toulouse. Contributors: ELIZABETH ARCHIBALD, FRANK BRANDSMA, CHRISTINE FERLAMPIN-ACHER, LINDA GOWANS, DONALD L. HOFFMAN, MARGOLEIN HOGENBIRK, NORRIS J. LACY, MARILYN LAWRENCE, BENEDICTE MILLAND-BOVE, PETER S. NOBLE, KAREN PRATT, ANGELICA RIEGER, ELIZABETH S. SKLAR, FRANCESCO ZAMBON.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015).
    Additional Edition: Print version: ISBN 9780859917452
    Language: English
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  • 4
    UID:
    almafu_9960117125302883
    Format: 1 online resource (viii, 230 pages) : , digital, PDF file(s).
    ISBN: 1-4175-2446-4 , 1-84615-025-6
    Series Statement: Arthurian Literature, XIX
    Content: The texts analyzed underline the wide dissemination of the Arthurian story in medieval and post-medieval Europe, from Scotland to Italy, while the various analyses of the manifestations of comedy refute the notion of romance as a humourless genre. Indeed, the comic treatment of conventional themes and motifs appears to be not only characteristic of later romance but an essential element of the genre from its beginnings and from its earliest development. Authors of Arthurian romance, from Chrétien de Troyes to Malory, writing in French, Italian, Middle Dutch, and Middle English, and the creators of an Irish prose-tale, all question the fundamental assumptions of romance and romance values through the medium of comedy. The theme of comedy in Arthurian romance has been developed from the orignal session at the Arthurian Congress in Toulouse. Contributors: ELIZABETH ARCHIBALD, FRANK BRANDSMA, CHRISTINE FERLAMPIN-ACHER, LINDA GOWANS, DONALD L. HOFFMAN, MARGOLEIN HOGENBIRK, NORRIS J. LACY, MARILYN LAWRENCE, BENEDICTE MILLAND-BOVE, PETER S. NOBLE, KAREN PRATT, ANGELICA RIEGER, ELIZABETH S. SKLAR, FRANCESCO ZAMBON.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Frontcover; CONTENTS; GENERAL EDITOR'S FOREWORD; I Comedy and Tragedy in Some Arthurian Recognition Scenes; II Merveilleux et comique dans les romans arthuriens français (XIIe-XVe siècles); III La bande dessinée virtuelle du lion d'Yvain: sur le sens de l'humour de Chrétien de Troyes; IV Convention, Comedy and the Form of La Vengeance Raguidel; V Le comique dans Les Merveilles de Rigomer et Hunbaut; VI Humour in the Roman de Silence; VII La pratique de la 'disconvenance' comique dans le Lancelot en prose: les mésaventures amoureuses de Guerrehet; VIII Lancelot Part 3 , IX Comic Functions of the Parrot as Minstrel in Le Chevalier du PapegauX Dinadan en Italie; XI A Comical Villain: Arthur's Seneschal in a Section of the Middle Dutch Lancelot Compilation; XII Malory and the English Comic Tradition; XIII 'Laughyng and Smylyng': Comic Modalities in Malory's Tale of Sir Launcelot du Lake; XIV The Eachtra an Amadáin Mhóir as a Response to the Perceval of Chrétien de Troyes; Backcover , English
    Additional Edition: ISBN 0-85991-745-2
    Language: English
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