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  • 1
    Book
    Book
    New Brunswick ; Camden ; Newark :Rutgers University Press,
    UID:
    almahu_BV047264884
    Format: vii, 167 Seiten : , Illustrationen.
    ISBN: 978-1-978806-98-6
    Content: After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a transition away from authoritarianism where art cinema aesthetics become legible. Art cinema, then, can be seen as a mode of cinematic practice that is at its core political, as its constitutive ambiguity finds its roots in the rejection of centralized and hierarchical configurations of authority. Ultimately, After Authority proposes a history of art cinema predicated on the potentials, possibilities, and politics of ambiguity
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-978806-99-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-978806-98-6
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-978807-02-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Ambiguität ; Demokratisierung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    almafu_9959304123602883
    Format: 1 online resource (192 p.) : , 28 b-w images
    ISBN: 9781978807020
    Content: After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a transition away from authoritarianism where art cinema aesthetics become legible. Art cinema, then, can be seen as a mode of cinematic practice that is at its core political, as its constitutive ambiguity finds its roots in the rejection of centralized and hierarchical configurations of authority. Ultimately, After Authority proposes a history of art cinema predicated on the potentials, possibilities, and politics of ambiguity.
    Note: Frontmatter -- , Contents -- , Introduction. Four Angels -- , 1. Authority Year Zero: On Germany Year Zero -- , 2. The Image That Waits: On Sátántangó -- , 3. The End of Authority, the End of Democracy: On Woman on the Beach -- , 4. Force, Hope, and Death: On Medium Cool -- , Coda: Political Modernism and the Possibility for Action -- , Acknowledgments -- , Notes -- , Index -- , About the Author , In English.
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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