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  • 1
    Online Resource
    Online Resource
    Montpellier : Presses Universitaires de la Méditerranée - PULM
    UID:
    gbv_1778545297
    Format: 1 Online-Ressource (506 p.)
    ISBN: 9782367812694
    Series Statement: Théorie des Art
    Content: LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see
    Content: LexArt. Les mots de la peinture est un dictionnaire de termes et de notions, qui, à partir de la littérature artistique, dans une approche synchrone du discours et de la pratique artistique, décrivent la peinture telle qu'elle se pratique en France, Allemagne, Angleterre et aux Pays-Bas aux XVIIe et XVIIIe siècles. Ces écrits constituent l'univers mental, intellectuel et visuel, qui permet de mieux appréhender l'œuvre d'art, et façonnent l'œil pour mieux voir. Le propos de cet ouvrage est de mettre en évidence les enjeux des usages resitués dans des contextes différents dans le temps et l’espace, dans une confrontation des manières de penser, de peindre et de regarder. Soixante-dix-sept essais abordent près de deux cent cinquante notions. Les articles se répondent les uns aux autres, et forment un ensemble qui, derrière l'ordre alphabétique propre au dictionnaire, dessine les contours d'une lecture nouvelle du tableau vu à travers l'œil du peintre et l'œil du spectateur. En effet, le « parler peinture » n'introduit pas seulement le spectateur dans l'atelier du peintre en lui montrant le « comment faire », il l'introduit dans le tableau même, lui montre ce qu'il faut voir et comment le voir
    Note: French
    Language: French
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Montpellier : Presses universitaires de la Méditerranée
    UID:
    b3kat_BV045198825
    Format: 499 Seiten , Diagramme , 24 cm
    ISBN: 9782367812694
    Series Statement: Collection Arts. Série Théorie des arts
    Additional Edition: Erscheint auch als Online-Ausgabe
    Language: French
    Keywords: Frankreich ; Deutschland ; Großbritannien ; Niederlande ; Malerei ; Grafik ; Terminologie ; Geschichte 1600-1750 ; Französisch ; Deutsch ; Englisch ; Niederländisch ; Malerei ; Grafik ; Terminologie ; Geschichte 1600-1750 ; Kunst ; Malerei ; Fachsprache ; Geschichte 1600-1750 ; Wörterbuch
    URL: Volltext  (kostenfrei)
    Author information: Heck, Michèle-Caroline
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Montpellier : Presses Universitaires de la Méditerranée - PULM
    UID:
    edoccha_9958975943502883
    Format: 1 online resource (506)
    ISBN: 9782367812694
    Series Statement: Théorie des Art
    Content: LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see.
    Note: French.
    Additional Edition: ISBN 2-36781-269-1
    Language: French
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Montpellier : Presses Universitaires de la Méditerranée - PULM
    UID:
    edocfu_9958975943502883
    Format: 1 online resource (506)
    ISBN: 9782367812694
    Series Statement: Théorie des Art
    Content: LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see.
    Note: French.
    Additional Edition: ISBN 2-36781-269-1
    Language: French
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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