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  • 1
    UID:
    b3kat_BV045501010
    Format: 1 Online-Ressource (XV, 184 Seiten) , Illustrationen, Diagramme
    ISBN: 9783030024819
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-02480-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-02482-6
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: Hip-Hop ; Soziologie ; Kultur ; Theorie ; USA ; Hip-Hop ; Indie-Pop ; Subkultur ; Mainstream ; Identität ; Kulturtheorie ; Geschichte 2000- ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Cham :Springer International Publishing AG,
    UID:
    almahu_9949602252902882
    Format: 1 online resource (190 pages)
    Edition: 1st ed.
    ISBN: 9783030024819
    Note: Intro -- Preface -- Acknowledgements -- Contents -- List of Figures -- List of Tables -- Chapter 1 Introduction -- Abstract -- Overview of Research -- Theoretical Framework -- Relations of Domination and Culture -- Oppositional Consciousness and Social Movement Activism -- Previous Research on the History of Hip-Hop Culture -- Politics of Hip-Hop Culture -- The Fall of the Golden Era -- Resistance from the Underground -- The Role of Race and Gender in Hip-Hop -- Racial Inequality and the Perpetuation of Racial Stereotypes -- What Is "Real" Hip-Hop? -- Another Claim at Authenticity via Glocalization -- Is It an All-Male World? -- Oppositional Consciousness -- The Message in the Music and the Formation of Oppositional Consciousness -- What Can the Message Do for You? -- Hip-Hop Activism -- The Future of Hip-Hop? -- Data and Methodology -- Content Analysis of Independent Hip-Hop Lyrics -- Interviews with Independent Hip-Hop Listeners -- Overview of Major Findings -- References -- Chapter 2 Just Say No to the Majors: Independent Hip-Hop Culture -- Abstract -- Resistance to the "Majors" -- Resistance to Mainstream Artists Who "Sell Out" -- Resistance to Major Radio Stations -- Rejection of Interactions with Record Labels -- Fighting Back Against the Majors -- Creation of Independent Labels and Culture -- Rejection and Rebellion Against the Majors -- Independent Hip-Hop as an Alternative Culture -- For the "Love" of the Music Regardless of Money -- "Keeping It Real" -- Conclusion -- References -- Chapter 3 Just Say No to 360s: Hip-Hop's Claim of Economic Exploitation -- Abstract -- The "Takeover" Part I: Independent Artists Claim Exploitation by the Majors -- The Beginnings: Major Labels Corporatize Hip-Hop and Its Music -- Major Label Contracts: A Site of Economic Exploitation -- Artist Development Contracts -- 360 Degree Contracts. , The "Takeover" Part II: How Major Record Labels Reached Every Corner of the Industry -- Advances and Forwards -- Control of Copyright -- Artistic Direction and Relations with A& -- R -- Touring, Merchandise, and Advertising Deals -- Radio/Media Outlets and Press -- The Resistance: An Age Old Story Made New for Hip-Hop -- The Cycle of the Indies -- The Changing Nature of the Industry -- The Resistance: An Economic and Political Message? -- Conclusion -- References -- Chapter 4 The Death of Indie Hip-Hop?: The Blurry Lines Between the Majors and Independent Hip-Hop -- Abstract -- Perceived Distinctions Between the Majors and Independent Hip-Hop -- Record Label Matters? -- What's Behind the Label? -- What Is "Real" Hip-Hop? -- What's Race, Class, and Gender Got to Do with It? -- The Blurry Lines Between the Mainstream and Indies -- Mixed Space Between the Majors and Indies -- The Changing Nature of Hip-Hop's Indie Movement -- Conclusion -- References -- Chapter 5 Conclusions and Implications -- Abstract -- Important Implications -- Research Implications -- Implications for the Hip-Hop Community -- Future Research -- References -- Appendix A -- Appendix B -- Appendix C -- References -- Index.
    Additional Edition: Print version: Vito, Christopher The Values of Independent Hip-Hop in the Post-Golden Era Cham : Springer International Publishing AG,c2019 ISBN 9783030024802
    Language: English
    Keywords: Electronic books. ; Electronic books
    URL: Full-text  ((OIS Credentials Required))
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  • 3
    UID:
    gbv_1778512941
    Format: 1 Online-Ressource (184 p.)
    ISBN: 9783030024819
    Content: Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age
    Note: English
    Language: English
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  • 4
    Online Resource
    Online Resource
    Cham : Springer Nature | Cham :Springer International Publishing :
    UID:
    almafu_9959043139502883
    Format: 1 online resource (XV, 184 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2019.
    ISBN: 3-030-02481-4
    Content: “A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." —DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” —Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
    Note: Chapter1: Introduction -- Chapter 2: Just Say No to The Majors: Independent Hip-Hop Culture -- Chapter 3: Just Say No to 360s: Hip-Hop’s Claim of Economic Exploitation -- Chapter 4: The Death of Indie Hip-Hop?: The Blurry Lines between the Majors and Independent Hip-Hop Music -- Chapter 5: Conclusions and Implications. , English
    Additional Edition: ISBN 3-030-02480-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_9948148275802882
    Format: XV, 184 p. 8 illus., 4 illus. in color. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9783030024819
    Content: “A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." —DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” —Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
    Note: Chapter1: Introduction -- Chapter 2: Just Say No to The Majors: Independent Hip-Hop Culture -- Chapter 3: Just Say No to 360s: Hip-Hop’s Claim of Economic Exploitation -- Chapter 4: The Death of Indie Hip-Hop?: The Blurry Lines between the Majors and Independent Hip-Hop Music -- Chapter 5: Conclusions and Implications.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783030024802
    Additional Edition: Printed edition: ISBN 9783030024826
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Cham : Springer Nature | Cham :Springer International Publishing :
    UID:
    edoccha_9959043139502883
    Format: 1 online resource (XV, 184 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2019.
    ISBN: 3-030-02481-4
    Content: “A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." —DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” —Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
    Note: Chapter1: Introduction -- Chapter 2: Just Say No to The Majors: Independent Hip-Hop Culture -- Chapter 3: Just Say No to 360s: Hip-Hop’s Claim of Economic Exploitation -- Chapter 4: The Death of Indie Hip-Hop?: The Blurry Lines between the Majors and Independent Hip-Hop Music -- Chapter 5: Conclusions and Implications. , English
    Additional Edition: ISBN 3-030-02480-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Cham : Springer Nature | Cham :Springer International Publishing :
    UID:
    almahu_9949595425102882
    Format: 1 online resource (XV, 184 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2019.
    ISBN: 3-030-02481-4
    Content: “A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." —DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” —Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
    Note: Chapter1: Introduction -- Chapter 2: Just Say No to The Majors: Independent Hip-Hop Culture -- Chapter 3: Just Say No to 360s: Hip-Hop’s Claim of Economic Exploitation -- Chapter 4: The Death of Indie Hip-Hop?: The Blurry Lines between the Majors and Independent Hip-Hop Music -- Chapter 5: Conclusions and Implications. , English
    Additional Edition: ISBN 3-030-02480-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Cham : Springer Nature | Cham :Springer International Publishing :
    UID:
    edocfu_9959043139502883
    Format: 1 online resource (XV, 184 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2019.
    ISBN: 3-030-02481-4
    Content: “A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." —DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” —Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
    Note: Chapter1: Introduction -- Chapter 2: Just Say No to The Majors: Independent Hip-Hop Culture -- Chapter 3: Just Say No to 360s: Hip-Hop’s Claim of Economic Exploitation -- Chapter 4: The Death of Indie Hip-Hop?: The Blurry Lines between the Majors and Independent Hip-Hop Music -- Chapter 5: Conclusions and Implications. , English
    Additional Edition: ISBN 3-030-02480-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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